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Smashing sci-fi film that is a landmark for special effects. Martians invade Earth with total destructive powers, seemingly unstoppable, mankind must find a way to beat them before all is Lost. In spite of the uproar and considerable success of Orson Welles' 1938 radio adaptation of the H.G Wells novel, War Of The Worlds was a topic that directors were staying well away from. Such high esteemed men like as Cecil B. DeMille & Alfred Hitchcock were mooted to be interested but it always came down to a worry that the special effects needed for the story were too much of a headache. Enter producer George Pal, noted for puppetoon shorts, he managed to sway the big wigs at Paramount that it could indeed be done, and thus the chain of big colour spaceships blasting, sci-fi creatures lurking and blockbuster bums on seats movies began. Directed by Byron Haskin, this version of the source moves the location from Edwardian England to 20th Century America, and this works a treat because the watching American public were genuinely unnerved at the sight of contemporary America being reduced to rubble by an invading force. The makers further our sense of dread by only letting us glimpse the aliens once in a wonderful scene (respectfully homaged in Stephen Spielberg's 2005 version of the source), other than that scene we are subjected to attack after attack from shiny flying saucers, slick and ground breaking effects working their magic on an impressionable audience. Outside of those known to hardcore sci-fi fans, the cast doesn't contain any stars of note, probably due to all the money being used on the effects? And for sure many of them come across as wooden beyond compare (though the lovely Ann Robinson lights up every scene she is in), while if I'm to be over critical: then the romantic thread in the film is tiresome and the religious overtone is tardily done. But War Of The Worlds 1953 still stands proud as a brave and hugely enjoyable picture thats importance has never been (nor should it be) understated, and even allowing for nostalgic fervour from this particular viewer, I heartily recommend this film to anyone interested in template movies for the sci-fi genre. 7/10
_**Clark Kent & Lois Lane face an invasion of Martians!**_ A flaming meteor lands near a small town in rural California, yet it turns out it’s not really a meteor, but rather the beginning of an extraterrestrial invasion! “The War of the Worlds” (1953) loosely interprets H.G. Wells' classic 1898 novel and moves the events up to the mid-20th century wherein Earthlings have modern weapons at their disposal, including the atomic bomb. Gene Barry and Ann Robinson play the protagonists, who are seriously reminicent of Clark Kent & Lois Lane. The movie wisely focuses on the alien invasion as seen through their eyes, which naturally gives the story human interest. The Martian vessels are superbly depicted and very threatening. Even better, the flick doesn’t skimp on showing the aliens up-close-and-personal and they’re even better than those in the 2005 reimagining (the one with Tom Cruise). While the first two acts are compelling sci-fi cinema of the highest order (in its quaint early 50’s way), the story somewhat loses it’s captivating power in the last act when the story switches to Earth vs. the Martians and Clark, I mean Dr. Forrester, stumbling around post-apocalyptic Los Angeles desperately searching for Lois, I mean Sylvia. The film runs 1 hour, 28 minutes, and was shot in Southern Cal & Arizona. GRADE: A-/B+
Not great in terms of the script, acting or the abrupt ending, the practical effects were impressive and a lot of fun with the Martian ships flying and causing mayhem and destruction. I can imagine this wowed audiences back in '53. **3.0/5**
“The War of the Worlds” now restored in 4K HD with its lovely looking technicolour and amazing surround sound really has elevated this movie to a higher level than any previous release. Made during the height of optimism in 1953 “The War of the Worlds” was and still is quite horrific and unnerving. The joys of the Atomic age are highlighted by the beauty of the alien spacecraft and the atom bomb being the answer to stopping any invading force. What is genuinely good about ”The War of the Worlds” is the way it goes for the horror element rather than any melodrama. The vague romance only acts as connecting dialogue between the hysterical panic and extreme action that takes centre stage throughout. The dark themes that were common place during the 1950’s are clearly on show, fear of invasion from a military force out to decimate and lack of confidence in governments to protect is quite apparent. Equally relevant today with recent pandemics, lock downs and threat of nuclear war in Europe, “The War of the Worlds” reminds us we all live under fear of invasion while governed by indecisive smugness.
It is 1940 in Norway, a neutral, peace-loving country that is invaded by Nazi Germany. A gang of Norwegian children do what Norwegian children like best - ski. They are actually rescuing Norwegian gold from the nazi invaders. The Nazis search all adults but don't suspect children playing. The children carry the gold, one bar at a time, across the mountains to a fishing boat. It is a race against time, it is spring and the snow is melting. So they ski from dawn to dusk every day.
Stone (the Antichrist) becomes President of the European Union and uses his seat of power to dissolve the United Nations and create a one world government called the World Union. Megiddo is a supernatural ride into a world teetering on the edge of the Apocalypse. It follows the rise of a Machiavellian leader bent on amassing the armies of the world for the battle of Armageddon while calamities of Biblical proportions pummel the Earth. Though both prequel and sequel to The Omega Code, Megiddo works also as a stand alone story for anyone who missed its predecessor. For at its emotional core, Megiddo is the Caine and Abel story of the two men enamored with the same woman, raised as brothers, who grew up to find themselves pitted against each other over the fate and souls of the entire world.
The members of the Super GUTS force, one of whom is secretly Ultraman Dyna, are in the middle of a losing battle against an enormous monster on the surface of the moon, when suddenly a spaceship appears and saves them by zapping the beast. The crew of the ship claim to members of the world peace force that originally created the Super GUTS force, and they invite the GUTS members to enter their brainwave patterns into the ship's battle computer so it can be a more effective fighting system. It sounds like a good idea, but could they have some other plan up their sleeves?
In an alternate reality Sweden has become a nationalistic dictatorship and the citizens live in constant fear of being deported. In this dark time Jonna and Felx find each other - but can their love survive the stranglehold of the regime?
When an in-flight collision incapacitates the pilots of an airplane bound for Los Angeles, stewardess Nancy Pryor is forced to take over the controls. From the ground, her boyfriend Alan Murdock, a retired test pilot, tries to talk her through piloting and landing the 747 aircraft. Worse yet, the anxious passengers — among which are a noisy nun and a cranky man — are aggravating the already tense atmosphere.
Escaping from China with a microfilm of the formula for the mysterious "Lotus X", Lord Southmere, a Queen's Messenger, is chased by a group of Chinese spies.
A quadriplegic man is given a trained monkey help him with every day activities, until the little monkey begins to develop feelings, and rage, against its new master and those who get too close to him.
A female marshal goes undercover on a deathtrap starship to prevent a terrifying alien invasion.
Ivan has tested positive for perfection, but sadly in this world it's illegal and the law states he must attend a private clinic to be made imperfect.
The four constables Emotionless, Iron Hands , Life Snatcher and ColdBlood are specially skilled in their own individual super powers. When the four constables of the Divine Constabulary investigate a murder in the suburbs, they unexpectedly stumble on clues to the murder of Emotionless's family 15 years ago.
Simon Phoenix, a violent criminal cryogenically frozen in 1996, escapes during a parole hearing in 2032 in the utopia of San Angeles. Police are incapable of dealing with his violent ways and turn to his captor, who had also been cryogenically frozen after being wrongfully accused of killing 30 innocent people while apprehending Phoenix.