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Though this isn't the very best movie made from Saturday Night Live skits and characters (that would be a tossup between 'The Blues Brothers' and the two 'Wayne's World' entries), this is definitely top-tier and in the best five ever made. Laraine Newman and Jane Curtin were very underrated as comediennes, and the unsung heroes that held the cast together during its excellent run of the early days. What's hardly ever talked about, when it comes to movies based on SNL skits, is how important the supporting players are. 'Coneheads' undoubtedly has the strongest supporting cast of any of them, and while director Barron has hardly become a household name in terms of movies (only this and 'Teenage Mutant Ninja Turtles' really hit the radar), his prowess on some of the greatest music videos of all time (ie., Dire Straits' 'Money for Nothing', Michael Jackson's 'Billie Jean' and A-Ha's 'Take On Me') was picture-perfect for the comedic set-pieces here. Definitely worth at least a watch, here in the 21st-century.
_**Fun shenanigans with the Coneheads on Earth and Remulak**_ RELEASED IN 1993 and directed by Steve Barron, "Coneheads" chronicles events when a couple from the planet Remulak, Beldar (Dan Aykroyd) and Prymatt (Jane Curtin), are mistakenly ditched on Earth, during a reconnaissance mission for planet takeover. Their misadventures include: Dodging the INS (Michael McKean & David Spade), moving to suburbia and having a kid (Michelle Burke) and meeting all kinds of colorful people (Sinbad, Jason Alexander, Chris Farley, etc.). In other words, there’s a constant string of guest stars that were popular at the time, mostly comedians. I had my doubts about this movie because I didn’t think they could take an amusing 9-minute SNL skit and effectively make it into a film ten times longer. But the flick’s funny from the get-go and the writers wisely change settings & peripheral characters so regularly that the story never gets dull. The third act features a well-done sequence on the Conehead homeworld, Remulak. On the female front there’s Lisa Jane Persky as a voluptuously winsome neighbor and the mind-blowing Michelle Burke as the Conehead daughter, Connie (a role that Laraine Newman fulfilled on TV, but she was considered too old for the role in the film at 40). The creators wisely showcase Burke’s beauty without resorting to tasteless sleaze. Critics may have hated it, but “Coneheads” competently entertains and amuses on several levels. THE MOVIE RUNS 1 hour 28 minutes and was shot in New York City; Paramus, New Jersey; and Cerritos, California. GRADE: B
Coneheads, yeah, it's one of the FEW SNL movies that turned out right, especially since it came so long after the Conehead sketches stopped airing. But then it was back before SNL made it's downward spiral to the dust bin. It has an all star cast, and in even the small roles. It has a cast that was, more or less, the who is who of comedy in the early 90s, and is executed in way that actually tells a story... and that is what sets it apart from a lot of SNL movies (more modern movies in general), it actually tells a coherent story and takes the time to develop the characters. Because of that, you have a sense of real family and their plights have a meaningful resonance that only comes with the well developed mind of a skilled writer and director.
Two carefree pals from Brooklyn traveling through rural Alabama on their way back to college are mistakenly arrested, and charged with murder. Fortunately, one of them has a cousin who's a lawyer - Vincent Gambini, a former auto mechanic from Brooklyn who just passed his bar exam after his sixth try. When he arrives with his leather-clad girlfriend, to try his first case, it's a real shock - for him and the Deep South!
A human-looking alien from a highly advanced but emotionless all-male society is sent to Earth to impregnate a woman and bring the child back to their planet. The alien ends up falling in love there. A suspicious F.A.A. Agent targets him.
A representative of an alien race that went through drastic evolution to survive its own climate change, Klaatu comes to Earth to assess whether humanity can prevent the environmental damage they have inflicted on their own planet. When barred from speaking to the United Nations, he decides humankind shall be exterminated so the planet can survive.
A group of troopers take refuge in an abandoned outpost after fighting alien bugs, failing to realize that more danger lays in wait.
The bungling inspector Cruchot finds himself trying to save the residents of St. Tropez from some oil-drinking humanoid aliens. The only way to tell the aliens from the real people, besides their constant thirst for oil-products, is that they sound like empty garbage cans when you touch them. Chaos is ahead.
When average, law-abiding citizens suddenly turn to a life of hedonistic behavior and violent crime, Detective Tom Beck is tasked with helping young FBI agent Lloyd Gallagher determine the cause.
An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.
Sparks fly in all directions as marketing maven Kelly Jones, brought in to fix NASA's public image, wreaks havoc on Apollo 11 launch director Cole Davis' already difficult task of putting a man on the moon. When the White House deems the mission too important to fail, Jones is directed to stage a fake moon landing as backup, and the countdown truly begins.
Six years after the events of The X-Files series finale, former FBI agent Doctor Dana Scully is now a staff physician at Our Lady of Sorrows, a Catholic hospital, and treating a boy named Christian who has Sandhoff disease, a terminal brain condition. FBI agent Drummy arrives to ask Scully’s help in locating Fox Mulder, the fugitive former head of the X-Files division, and says they will call off its manhunt for him if he will help investigate the disappearances of several women, including young FBI agent Monica Banan. Mulder and Scully are called back to duty by the FBI when a former priest claims to be receiving psychic visions pertaining to a kidnapped agent.
A compilation of Battlestar Galactica episodes 10–12 and 21, with alternate footage. Running low on fuel, the Battlestar Galactica receives the help of the supposedly lost Battlestar Pegasus which is taking the offensive with the Cylons.
Marcus Burnett is a henpecked family man. Mike Lowrey is a footloose and fancy free ladies' man. Both Miami policemen, they have 72 hours to reclaim a consignment of drugs stolen from under their station's nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other.