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Though this isn't the very best movie made from Saturday Night Live skits and characters (that would be a tossup between 'The Blues Brothers' and the two 'Wayne's World' entries), this is definitely top-tier and in the best five ever made. Laraine Newman and Jane Curtin were very underrated as comediennes, and the unsung heroes that held the cast together during its excellent run of the early days. What's hardly ever talked about, when it comes to movies based on SNL skits, is how important the supporting players are. 'Coneheads' undoubtedly has the strongest supporting cast of any of them, and while director Barron has hardly become a household name in terms of movies (only this and 'Teenage Mutant Ninja Turtles' really hit the radar), his prowess on some of the greatest music videos of all time (ie., Dire Straits' 'Money for Nothing', Michael Jackson's 'Billie Jean' and A-Ha's 'Take On Me') was picture-perfect for the comedic set-pieces here. Definitely worth at least a watch, here in the 21st-century.
_**Fun shenanigans with the Coneheads on Earth and Remulak**_ RELEASED IN 1993 and directed by Steve Barron, "Coneheads" chronicles events when a couple from the planet Remulak, Beldar (Dan Aykroyd) and Prymatt (Jane Curtin), are mistakenly ditched on Earth, during a reconnaissance mission for planet takeover. Their misadventures include: Dodging the INS (Michael McKean & David Spade), moving to suburbia and having a kid (Michelle Burke) and meeting all kinds of colorful people (Sinbad, Jason Alexander, Chris Farley, etc.). In other words, there’s a constant string of guest stars that were popular at the time, mostly comedians. I had my doubts about this movie because I didn’t think they could take an amusing 9-minute SNL skit and effectively make it into a film ten times longer. But the flick’s funny from the get-go and the writers wisely change settings & peripheral characters so regularly that the story never gets dull. The third act features a well-done sequence on the Conehead homeworld, Remulak. On the female front there’s Lisa Jane Persky as a voluptuously winsome neighbor and the mind-blowing Michelle Burke as the Conehead daughter, Connie (a role that Laraine Newman fulfilled on TV, but she was considered too old for the role in the film at 40). The creators wisely showcase Burke’s beauty without resorting to tasteless sleaze. Critics may have hated it, but “Coneheads” competently entertains and amuses on several levels. THE MOVIE RUNS 1 hour 28 minutes and was shot in New York City; Paramus, New Jersey; and Cerritos, California. GRADE: B
Coneheads, yeah, it's one of the FEW SNL movies that turned out right, especially since it came so long after the Conehead sketches stopped airing. But then it was back before SNL made it's downward spiral to the dust bin. It has an all star cast, and in even the small roles. It has a cast that was, more or less, the who is who of comedy in the early 90s, and is executed in way that actually tells a story... and that is what sets it apart from a lot of SNL movies (more modern movies in general), it actually tells a coherent story and takes the time to develop the characters. Because of that, you have a sense of real family and their plights have a meaningful resonance that only comes with the well developed mind of a skilled writer and director.
In the year 2044 AD, the human race has amped-up its space exploration and reached out to the stars through the miracle of ROBOTECHNOLOGY, but not without bringing intergalactic war upon the Earth itself. Heroes will die and allegiances will shift. But in the midst of combat, perhaps peace will spring up through the charred remains of battered history. One of the greatest science fiction sagas of all time continues...
The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.
Marty and Doc are at it again in this wacky sequel to the 1985 blockbuster as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
When a huge alien probe enters the galaxy and begins to vaporize Earth's oceans, Kirk and his crew must travel back in time in order to bring back whales and save the planet.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
An isolated Canadian town (populated by the weirdest group of people this side of Saturn) has seen its share of problems. First the nut factory closed, then the CATV antenna stopped broadcasting, and now something is gruesomely devouring the townsfolk! Can visiting atomic scientist (and expert on "cool fusion") Dr. Karel Lamonte solve the mystery before everyone disappears?
The residents of a small town are excited when a flaming meteor lands in the hills, until they discover it is the first of many transport devices from Mars bringing an army of invaders invincible to any man-made weapon, even the atomic bomb.
The epic saga continues as Luke Skywalker, in hopes of defeating the evil Galactic Empire, learns the ways of the Jedi from aging master Yoda. But Darth Vader is more determined than ever to capture Luke. Meanwhile, rebel leader Princess Leia, cocky Han Solo, Chewbacca, and droids C-3PO and R2-D2 are thrown into various stages of capture, betrayal and despair.
Luke Skywalker leads a mission to rescue his friend Han Solo from the clutches of Jabba the Hutt, while the Emperor seeks to destroy the Rebellion once and for all with a second dreaded Death Star.
An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.
