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Shocking nobody, _Mortal Engines_ was not very good. Trying to jam way too much into two hours than is reasonable, it instead delivers on zero things. I guess I was **kind of** interested in the character of Shrike, but that was really the whole of my positive experience with _Mortal Engines_. Maybe if this thing had come out about eight years ago in the **height** of the bizarre Steam Punk obsession that gripped the globe (even if it was a weird sort of obsession where everybody called everything they like, and themselves Steam Punk but it really wasn't required to have any relation to actual Steam Punk) then the movie could have at least done well financially, but there's no world wherein this version of _Mortal Engines_ is a consumate film. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Good attempt. Different, unique, and the sets are great. Yeah, it has some weak points, and some of the writing/editing could have been better. But this is a refreshing change in the usual sci-fi stuff that has been coming out. Marvel and DC are flooding the market with their super heroes (not all bad, just too much) I detest all these vampire/werewolf/zombie crap (all of it) This is a nice change, and I enjoyed it! I did not know what to expect when I started to watch this, but I was pleasantly surprised. Ignore the negative reviews. Those are probably written by zombies/vampires/werewolves....
I have to say that I liked this movie a lot. It is kind of fantasy, science fiction (emphasis on fiction here) and steam punk (or perhaps I should say diesel punk) mixed together. The world is a fairly dark post apocalyptic world where moving predator cities prays on each other. The entire concept is really quite ridiculous of course but it makes for some really fantastic and spectacular special effects and I am a sucker for spectacular special effects. In addition the overall story holds together fairly well. That is, in the context of the ludicrous world that is the background of this story in the first place of course. It is quite straightforward without too much annoying social or green preaching that plagues so many movies nowadays. Somewhat predictable but overall a good vehicle for the plentiful action. I also liked most of the characters. Both the bad guy and the good guys had decent charisma with the exception of Tom who was a bit of a naive whiner although he got it together towards the end. There where few flaws. Nothing really major except that, in one scene at the end, the city of London was shown against the wall and it was bloody tiny compared to the wall. The main bad guy’s last resort was to pummel London against the wall and was expected to break it down. Before in the movie London was depicted as really huge. That scene really screwed that and made him delusional. Apart from that, end Tom’s whining and naivety, I really liked this movie. It was the kind of over the top, fantasy/fiction movie with a big budget that you do not see every day. Of course the dickwads, a.ka “critics”) at Rotten Tomatoes and other mainstream media assholes did their best to tell everyone how bad it was. As usual that’s just the stuff that comes out of the south end of a north bound bull.
From the team that brought us everything from Middle Earth comes this great to look at, but highly derivative fantasy adventure that regurgitates a hybrid of stories and spits them out pretty unremarkably. To be fair, there is charisma between the two leads - both attractive, young, and ballsy - Hera Hilmar ("Hester)' and Robert Sheehan ("Tom") as they try to thwart the maniacal ambitions of "Thaddeus Valentine" (a suitably dramatic, "Elrond" like, Hugo Weaving) who is charged with providing an uninterruptible power source for the marauding mechanical city of London. The visual effects are super, as you might expect, and the score certainly has something of the Howard Shore about it, but the relentlessness of the out of the frying pan into the fire scenarios against impossible odds just recycle themselves once too often and the ending, though impressive to appreciate creatively, has all the jeopardy of night following day. Money has clearly been spent on this, but not on the script nor the plot. It's fine, but nothing more...
Giovanni currently lives a dreary life of near non-stop work. At school, his peers ridicule him incessantly, and his employer at work is distant and cold. As his isolation from society becomes unbearable, he suddenly finds himself on a train heading far away from his miserable home. Accompanied by Campanella, an acquaintance from school, Giovanni embarks on a journey that will define the rest of his life.
Phaedra is a poor sponge diver on the lovely Greek isle of Hydra. While diving, she discovers an ancient brass and gold statue of a boy riding a dolphin, which is said to have the magical power to grant wishes. Her shiftless boyfriend wants to sell it to an unscrupulous art collector, but Phaedra wants to give it to anthropologist Jim Calder, who would return it to the Greek government.
A fantasy movie about an arrogant, lazy prince and his more heroic brother who must complete a quest in order to save their father's kingdom.
Stranded on a mountain after a tragic plane crash, two strangers must work together to endure the extreme elements of the remote, snow-covered terrain. When they realize help is not coming, they embark on a perilous journey across hundreds of miles of wilderness, pushing each other to survive and discovering their inner strength.
A group of people converge on a barren Arctic island. They have their reasons for being there but when a series of mysterious accidents and murders take place, a whole lot of darker motives become apparent. Could the fortune in buried Nazi gold be the key to the mystery? Donald Sutherland and Vanessa Redgrave investigate
In a vein similar to Bond movies, a British agent Philip Calvert is on a mission to determine the whereabouts of a ship that disappeared near the coast of Scotland.
A man who grew up in a primitive society educating himself by reading Shakespeare is allowed to join the futuristic society where his parents are from. However, he cannot adapt to their repressive ways.
A new international terrorist group attack the castle of an Austrian prince during his party, but one of the guests, a contractor, deals with them. The CIA then hires him to find the men behind the attack and take them out. This big budget film with many 'A' stars was barely released. In fact, despite being a U.S. production filmed in Europe, it was never widely screened theatrically in America nor did it receive a video release.
In 2030 the world is in a permanent state of economic recession and facing serious environmental problems as a result of global warming.
The heat of a meteor crashing into the lake incubates a prehistoric egg, which grows into a plesiosaur-like monster that terrifies the community.
Something bizarre has come over the land. The kingdom is deteriorating. People are beginning to act strange... What's even more strange is that people are beginning to see dragons, which shouldn't enter the world of humans. Due to all these bizarre events, Ged, a wandering wizard, is investigating the cause. During his journey, he meets Prince Arren, a young distraught teenage boy. While Arren may look like a shy young teen, he has a severe dark side, which grants him strength, hatred, ruthlessness and has no mercy, especially when it comes to protecting Teru. For the witch Kumo this is a perfect opportunity. She can use the boy's "fears" against the very one who would help him, Ged.