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The Girl with the Fork 2024 - ()
Black Girls 2024 - ()
Freelance 2024 - ()
Sebastian 2024 - ()
Hounds of War 2024 - ()
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
Wicked 2024 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - ()
The Pushover 2024 - ()
A Real Pain 2024 - ()
The Tattooist’s Son Journey to Auschwitz 2025 - ()
Tom Green I Got a Mule 2025 - ()
Monster on a Plane 2024 - ()
Decent watch, might watch again, but can't recommend unless you're running out of things to watch or are an action archaeology fan. This was a weird attempt created a 2005 version of Indiana Jones, or, since this is in Africa, Alex Quartermaine with Matthew McConaughey, of all people. I'm not aware of Matthew McConaughey or Steve Zahn being big action stars, but they surprisingly manage to handle their own, even if it isn't always believeable. Rainn Wilson and Penelope Cruz get in on the action as well....if that helps. The premise is a little interesting: they're looking for a U.S. Confederate boat in Africa. Because it's not interesting enough on it's own, Penelope Cruz is a doctor trying to stop a plague coming from a war-torn country. It all feels a like ridiculously improbable things happening in a world that is far too realistic rather than a world created of fiction that houses an incredible story. The movie is heavy with plot armor, despite any cleverness the characters have. It's fine to watch, but there has to be something else that you can watch that is likely going to be better.
Words like "Literary work" and "Clive Cussler" really shouldn't be in the same sentence. Hey...chill...I love Clive Cussler, I honestly do. In fact I'll put him in the same league as Elmore Leonard and Louis L'Amour and I will put them in the same league as Dumas and Doyle. They all write pulp fiction, adventure, crime, mystery, horror, whatever, they all fall under the title "pulp" and I can admit that I eat them whole, without swallowing... ...and without the need to call them "Literary" in an effort to save face. I have the academic degrees somewhere in a box, the intellectual prowess, and a library with enough classics and heady works of history and philosophy to be able to openly display writers like Chris Claremont, Marv Wolfman, and Timothy Zane to not have to call his work "Literature." I will however call it "Adventure" I will call it "Fun" and what should be most important to any writer or film maker..."Entertaining." It doesn't have to follow the book. Jackie Brown was a far cry from Rum punch and they were both a lot of fun to watch and read. So Sahara isn't like the novel. It is an Action-Adventure-Comedy. That means it is everything that pulp should be, it is everything that movies should be... In fact it is the kind of film that the critics would have loved in the Golden Age of Hollywood.
The Carry On team send up the Tarzan tradition in great style. Lady Evelyn Bagley mounts an expedition to find her long-lost baby. Bill Boosey is the fearless hunter and guide. Prof. Tinkle is searching for the rare Oozalum bird. Everything is going swimmingly until a gorilla enters the camp, and then the party is captured by an all female tribe from Aphrodisia... Written by Simon N. McIntosh-Smit
A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.
World War II, 1943. Mallory and Miller, the heroes who destroyed the guns of Navarone, are sent to Yugoslavia in search of a ghost from the past.
A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.
An ambitious reporter gets in trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the world's headlines.
A fencing master in pre-revolution Spain is hired to teach fencing to a beautiful young woman. Although he has never taught a woman before he is fascinated by her and agrees. She wishes to learn a particular thrust which he is famous for. When a local nobleman becomes involved with her the intrigue begins.
The everyday life of the small village is mixed when a fire breaks out the night after the party. The cooperative manager and fire manager alerts the young judge Heiki to the extinguishing work, but due to the confusion, extinguishing the fire turns out to be more complicated than expected.
Even though Gwyn Marcus is engaged to her boyfriend, Matt, she is still afraid of commitment. While she admires her parents' loving relationship, she discovers that her family has not always been faithful in marriage, making it harder than ever to settle down. As her mother pressures her to get married, and plenty of attractive men appear in her life, Gwyn learns that she must balance her career, relationships and marriage to be truly happy.
Shinji (Shinichi Tsutsumi) steps out of a train station to find himself transported back to 1964.
When a family discover a mysterious woman in the back of seven years' worth of their photos, the wife's search for the truth leads her to question the life she's been living.
After an accident, acclaimed novelist Paul Sheldon is rescued by a nurse who claims to be his biggest fan. Her obsession takes a dark turn when she holds him captive in her remote Colorado home and forces him to write back to life the popular literary character he killed off.