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***Justifiable execution and justifiable lying*** “Sleepers” (1991) starts out as a coming-of-age film about four boys in 1966-1967 from Hell’s Kitchen, Manhattan, and then morphs into a juvenile prison picture, which covers the first hour. The rest of the movie is a crime tragedy turned courtroom drama, taking place 13 years later in the early 80s. Jason Patric plays the adult version of Shakes, the main protagonist and narrator, while Brad Pitt plays his attorney friend, Michael. When their other two buds, John and Tommy, are taken into custody for murder they hatch a plan to get them off for understandable reasons. Robert De Niro plays their Catholic pastor and father-figure while Dustin Hoffman appears as the dubious defense attorney. Kevin Bacon is on hand as a perverse guard at the boys’ reformatory. In an eye-rolling knee-jerk response, liberal critics have dissed the film as “homophobic” when this isn’t the case at all. For verification, if the victims at the reformatory were girls the baseless criticism wouldn’t even be mentioned. It is not about gender; it is about children and the monstrous abuse of authority for selfish purposes. The film NEVER criticizes what two adults CHOOSE to do behind closed doors. In tone and theme, “Sleepers” is similar to the heralded “Mystic River” (2003), but more episodic in nature and therefore not as dramatically compelling. Yet it’s a poignant crime drama. Some have panned the movie on the grounds that it justifies revenge murder, but it more clearly supports the idea of just execution when legal authorities have failed and allowed gross corruption to continue. Another moral issue revolves around lying. Is it ever right to lie for the sake of justice? In other words, is lying ever justifiable? Of course it is; at least on rare occasions. For instance, in the bible the midwives lied to Pharaoh in order to save Hebrew infants and are commended for fearing God (Exodus 1:15-21). Rahab also lied to save the two Hebrew spies in Jericho and her actions are hailed in Hebrews 11, the Hall of Faith chapter. During WW2, if Nazi authorities came to your door looking for hidden Jews, would you say “Yes, I cannot lie; they are hiding in the attic”? Of course you wouldn’t. The script by director Barry Levinson was based on a book by Lorenzo Carcaterra, which is supposedly a true story. Although New York authorities have denied its authenticity, they have good reason to do so. Whether or not every jot & tittle is accurate is irrelevant; stories LIKE IT have happened. The film runs 2 hours, 27 minutes and was shot in New York City & surrounding areas (Brooklyn, Manhattan, Yonkers, Hoboken) and Fairfield Hills Hospital, Newtown, Connecticut (Wilkinson School for Boys). ADDITIONAL CAST: Minnie Driver plays the guys’ friend from their youth while Vittorio Gassman is on hand as a nonchalant mob leader in Hell’s Kitchen. GRADE: B
‘Sleepers’ uses a disturbing and unnecessary narration to tell its controversial revenge story, but the rich characters and great actors easily make up for that. 8/10
After spending years in California, Amir returns to his homeland in Afghanistan to help his old friend Hassan, whose son is in trouble.
In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.
A troubled young man struggles with a skin affliction and recurring nightmares of a monstrous figure. As his condition worsens, he grapples with his past, fearing he's becoming the very monster he dreads.
After years of war, the Federation and the Klingon empire find themselves on the brink of a peace summit when a Klingon ship is nearly destroyed by an apparent attack from the Enterprise. Both worlds brace for what may be their deadliest encounter.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy.
Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.
When two poor Greasers, Johnny and Ponyboy, are assaulted by a vicious gang, the Socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.