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_**Solid Next Generation Trek film with The Borg**_ Released in 1996 and directed by Jonathan Frakes, "Star Trek: First Contact" features The Next Generation characters taking on the Borg, a collection of species that have been turned into cybernetic organisms functioning as drones in a hive-mind called the Collective. In order to escape imminent destruction by the Federation, a Borg mini-ship flees back in time to 2063 to prevent the renowned Zefram Cochrane (James Cromwell) from accomplishing the initial warp drive and the subsequent first contact with an alien race, which later paved the way for the Federation of Planets. Alfre Woodard has a key role as a colleague of Cochrane. The Borg are an excellent villain and one of the greatest contributions of The Next Generation TV series, along with all its elaboration on Klingon culture. Here the Borg are augmented by the introduction of a Queen (Alice Krige), which some feel detracted from the impersonal and eerie race while others think enhanced them. It makes no difference to me personally, but it fits the parallel of a queen bee in a honey bee colony. Besides, why wouldn’t there be a central intelligence? There are some gems to mine from the proceedings, like Cochrane's revelation of his carnal motivations for developing warp drive and Picard's hell-bent desire to annihilate the Borg. Speaking of Picard, Patrick Stewart carries the film with his unique star power, which is very different from Shatner, but just as effective. Interestingly, The Next Generation TV series never developed a prominent triumvirate like Kirk/Spock/McCoy, but rather a dyad, Picard and Data. Whereas this duo was core to the previous TNG film, "Generations" (1994) and the last one, "Nemesis" (2002), it's not as evident here until the last act when Picard attempts to rescue the charismatic android, but that's only because they get separated early on and Data ends up hanging out with the Borg Queen. By the way, Picard's self-sacrificial desire to save Data reveals a weakness in the script: After the Enterprise is set to self-destruct, Picard only has 15 MINUTES to rescue Data and escape the ship, but Picard is shown having a meaningful discussion with Lily (Woodard). _Why sure!_ Another gem of the film is the revelation of the alien race at the end, which prompts a "Wow" reaction to fans of Star Trek (although erudite Trekkers undoubtedly knew what was coming). There are other flaws, like the jarring, contrived excuse for going back in time and the questionable fiery confrontation between Picard and Lily. I say "questionable" because something about the sequence renders it somewhat shaky; it may be the acting, the writing or some combination, but they needed to work out the kinks. Still, that scene has some good aspects, like Picard's line: "The line must be drawn HERE!" and the build-up to it. While I favor 1994's "Generations" to "First Contact" because of the fascinating story elements, e.g. the Nexus, and the potent subtext (see my review), and even marginally prefer the underrated "Nemesis" (2002), this doesn't take away from the fact that "First Contact" is a quality installment in the series, which gets better with repeat viewings despite its weaknesses. The movie runs almost 111 minutes and was shot in the studio with location shooting at Angeles National Forest and Green Valley, Arizona (substituting for Montana). GRADE: B
Good watch, could watch again, and can recommend (at least for dedicated "Star Trek" fans). My favorites aspects of all of "Star Trek" are The Borg, and the artificial entities like Data. This movie potentially ruins both of them, depending on who you ask. Also, time travel is the worst. I would have been much happier if we hadn't bothered with time travel as that creates a lot of other questions about why The Borg haven't utilized it before if they had such technology. The investigation of humanity in The Borg and Data are pretty interesting though, seeing Data find what it is to FEEL is a great, but seeing The Borg personified into a single entity to which one can converse is odd, at best. Seeing the Enterprise defend against Borg assault was fun, but none of the "First Contact" stuff was compelling at all.
Really solid and suspense-filled Star Trek film. Seen this one once before and still holds up along with the visual effects which were decent for its time. This is also the first complete TNG feature and unlike Generations, did feel like a movie rather than two-part episode. 4.0/5
Interesting how this film divides opinion like no other from this franchise. It is my least favourite (except perhaps "The Final Frontier") as it does attempt to impose a morality that is well beyond the scope of the talent involved - both on screen and at the typewriter. The effects are certainly special, but even with the quirky contribution of James Cromwell I'm struggling to think of this as anything better than a longer episode of "Next Generation" with all of it's pseudo-intellectual idealism. Like so many films directed by and starring their stars; objectivity is sometimes first under the bus - I fear that is the case here.
The TARDIS brings the Doctor, Susan, Barbara, and Ian to the planet Skaro where they meet two indigenous races — the Daleks, malicious mutant creatures encased in armoured travel machines, and the Thals, beautiful humanoids with pacifist principles. They convince the Thals of the need to fight for their own survival.
A solar eclipse activates a magic time portal, and a regular schoolboy Vit'ko from the 21st century goes a thousand years back in time. It doesn’t take Vitya long to recognize the legendary bogatyrs in young Oleshko, powerful Ilya and severe Dobrynya. Their life passes in fighting cumans who try to destroy Rusichi at any cost, using both weapons and black magic. Vitya finds himself in the very midst of incredible events, battles with mythical creatures and acquires real courage.
The story about a class of star-boys who travel with their research spaceship to "Outdoor School" to see life on Earth. Since they wear "snurke" - a kind of shiny badges, they are invisible to Earthlings. But the star-boy Gubang's desire to meet the Earthlings in personal is so strong that he can not resist. He befriends a girl named Maya and gives her "snurko" so that she could see him. This causes severe complications both on Earth and in spaceship. Of course, everything finishes with a happy end.
A man who has a body almost completely covered in tattoos is searching for the woman who cursed him with the "skin illustrations". Each tattoo reveals a bizarre story, which is experienced by staring at the scene depicted. When the illustrated man meets a fellow tramp on the road a strange voyage begins.
Clear Skies follows a trio of down-and-out misfits who've seen no end of bad luck. John Rourke is the obstinate captain of the Clear Skies, a Tempest class battleship manufactured by the downtrodden Minmatar race of New Eden. Rourke's attitude toward his hazardous chosen lifestyle is cavalier, although this does not sit well with his friends among the crew.
These likeable dropouts from the entrenched corporate lifestyle of New Eden eke out a meager living on trade runs and the odd courier job here and there. Still, they manage to find humor in their grim lot as they narrowly avoid being blown out of the stars by pirates, hired thugs, or whatever threat awaits them on the other side of the next jump gate. This is life aboard the Clear Skies.
When a kind of rabies that transforms people into aggressive creatures spreads across the planet, Manel isolates himself at home with his cat, relying on his wits to survive; but soon they must go out in search of food, by land and by sea, dodging many dangers.
A small band of resistance fighters battle the cyborgs that have taken control of the planet.
In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.
The time is in the future and the youth gang violence is so high that the areas around some schools have become "free-fire zones", into which not even the police will venture. When Miles Langford, the head of Kennedy High School, decides to take his school back from the gangs, robotics specialist Dr. Robert Forrest provides "tactical education units". These are amazingly human-like androids that have been programmed to teach and are supplied with devastatingly effective solutions to discipline problems. So when the violent, out-of-control students of Kennedy High report for class tomorrow, they're going to get a real education... in staying alive!
Condemned to live in scarcity behind a colossal wall that divides Gabhán City in two, Alba is part of a network that distributes medicines and water to the most needy in a clandestine hospital. Her godmother, Lucre, seeks to save her by risking her life in a covert traffic of illegal people to the other side of the wall. Alba refuses to leave her people and the hospital, so Lucre is forced to lie to her in order to convince her and thus embark her on a journey across the border that changes her life forever.