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Australia on Fire- Climate Emergency - (Feb 20th)
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Deadliest Catch - (Oct 2nd)
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_**Solid Next Generation Trek film with The Borg**_ Released in 1996 and directed by Jonathan Frakes, "Star Trek: First Contact" features The Next Generation characters taking on the Borg, a collection of species that have been turned into cybernetic organisms functioning as drones in a hive-mind called the Collective. In order to escape imminent destruction by the Federation, a Borg mini-ship flees back in time to 2063 to prevent the renowned Zefram Cochrane (James Cromwell) from accomplishing the initial warp drive and the subsequent first contact with an alien race, which later paved the way for the Federation of Planets. Alfre Woodard has a key role as a colleague of Cochrane. The Borg are an excellent villain and one of the greatest contributions of The Next Generation TV series, along with all its elaboration on Klingon culture. Here the Borg are augmented by the introduction of a Queen (Alice Krige), which some feel detracted from the impersonal and eerie race while others think enhanced them. It makes no difference to me personally, but it fits the parallel of a queen bee in a honey bee colony. Besides, why wouldn’t there be a central intelligence? There are some gems to mine from the proceedings, like Cochrane's revelation of his carnal motivations for developing warp drive and Picard's hell-bent desire to annihilate the Borg. Speaking of Picard, Patrick Stewart carries the film with his unique star power, which is very different from Shatner, but just as effective. Interestingly, The Next Generation TV series never developed a prominent triumvirate like Kirk/Spock/McCoy, but rather a dyad, Picard and Data. Whereas this duo was core to the previous TNG film, "Generations" (1994) and the last one, "Nemesis" (2002), it's not as evident here until the last act when Picard attempts to rescue the charismatic android, but that's only because they get separated early on and Data ends up hanging out with the Borg Queen. By the way, Picard's self-sacrificial desire to save Data reveals a weakness in the script: After the Enterprise is set to self-destruct, Picard only has 15 MINUTES to rescue Data and escape the ship, but Picard is shown having a meaningful discussion with Lily (Woodard). _Why sure!_ Another gem of the film is the revelation of the alien race at the end, which prompts a "Wow" reaction to fans of Star Trek (although erudite Trekkers undoubtedly knew what was coming). There are other flaws, like the jarring, contrived excuse for going back in time and the questionable fiery confrontation between Picard and Lily. I say "questionable" because something about the sequence renders it somewhat shaky; it may be the acting, the writing or some combination, but they needed to work out the kinks. Still, that scene has some good aspects, like Picard's line: "The line must be drawn HERE!" and the build-up to it. While I favor 1994's "Generations" to "First Contact" because of the fascinating story elements, e.g. the Nexus, and the potent subtext (see my review), and even marginally prefer the underrated "Nemesis" (2002), this doesn't take away from the fact that "First Contact" is a quality installment in the series, which gets better with repeat viewings despite its weaknesses. The movie runs almost 111 minutes and was shot in the studio with location shooting at Angeles National Forest and Green Valley, Arizona (substituting for Montana). GRADE: B
Good watch, could watch again, and can recommend (at least for dedicated "Star Trek" fans). My favorites aspects of all of "Star Trek" are The Borg, and the artificial entities like Data. This movie potentially ruins both of them, depending on who you ask. Also, time travel is the worst. I would have been much happier if we hadn't bothered with time travel as that creates a lot of other questions about why The Borg haven't utilized it before if they had such technology. The investigation of humanity in The Borg and Data are pretty interesting though, seeing Data find what it is to FEEL is a great, but seeing The Borg personified into a single entity to which one can converse is odd, at best. Seeing the Enterprise defend against Borg assault was fun, but none of the "First Contact" stuff was compelling at all.
Really solid and suspense-filled Star Trek film. Seen this one once before and still holds up along with the visual effects which were decent for its time. This is also the first complete TNG feature and unlike Generations, did feel like a movie rather than two-part episode. 4.0/5
Interesting how this film divides opinion like no other from this franchise. It is my least favourite (except perhaps "The Final Frontier") as it does attempt to impose a morality that is well beyond the scope of the talent involved - both on screen and at the typewriter. The effects are certainly special, but even with the quirky contribution of James Cromwell I'm struggling to think of this as anything better than a longer episode of "Next Generation" with all of it's pseudo-intellectual idealism. Like so many films directed by and starring their stars; objectivity is sometimes first under the bus - I fear that is the case here.
Returning by train to the French port of Le Havre, Jacques Lantier, a tormented railwayman, meets by chance the impulsive stationmaster Roubard and Séverine, his wife.
In the year 2047, sex is forbidden and Big Brother uses robots to keep an eye on everyone. One young girl tries to outwit the government so she can be with the man she loves.
Eric Branom, a teen who lives alone with his dad. Has to join his dad's uncle on a sailing trip, whom he never met. Eric starts seeing nightmares, and starts to lose his mind when disturbing, weird secrets are puzzling up about his family... The Branom's...
As Usagi and her friends enjoy Christmas vacation, an unusual and fierce snowstorm hits town... The evil Snow Queen Kaguya has returned to claim Earth as her own. Crucial to Queen Kaguya's plan is a magical crystal from outer space, approaching Earth disguised as a comet. Once she gets hold of the crystal, she will have the power to suck away all life energy and cover the Earth in ice. Will Sailor Moon find the crystal before Queen Kaguya? Will her powers be enough to save the Earth from permanent winter? All hope lies with the Legendary Ultimate Scout Power!
A Montana bounty hunter is sent into the wilderness to track three escaped prisoners. Instead he sees something that puzzles him. Later with a female Native Indian history professor, he returns to find some answers.
An author, her reputation threatened by public humiliation, finds herself a prisoner, struggling to escape from a futuristic cult. Meanwhile, representatives of mankind debate with a time traveller to save the future of humanity.
12:01 PM is a 1990 short film directed by Jonathan Heap and starring Kurtwood Smith. It follows Myron Castleman, an everyman who keeps repeating the same hour of his life, from 12:01 PM to 1:00 PM. The film was nominated for an Oscar for Best Live Action Short Film.
Charley, a cyborg vampire who does the Vatican's dirty work, is the thrall of the local vampire playboy Johnny Rayflo. As the two fight crime—and each other—hilarity, violence and sacrilege ensue! But can Charley resist his own desperate cravings for blood? Find out as the devilish duo go up aginst a childlike vampire princess, a mysterious branch of the Unitarian Church...and one another.
The inventor of a new top-of-the-line burglar alarm system is kidnapped by a gang in order to get him to help them commit robberies.
In this time-travel animated adventure, journey to the mountainous region of Macchu Picchu in Peru, where an Incan princess helps an adventurer discover his true self in the chaotic 15th century. But will he rise to the occasion? It depends on whether he can find the wherewithal to face his own demons.
In the international race to the moon, the Norwegian mission is led by brilliant inventor Reodor from the village of Pinchcliffe. With Luca the Magpie as the brave astronaut, what could possibly go wrong?