War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
This is a terrific movie, with dramatic power and a balanced look at the issue of capital punishment. It is based on a true story written and lived by a nun, Sister Helen Prejean though, as usually happens, the story is modified to fit the needs of a dramatic movie. For example, the two inmates she provided spiritual advice to are merged into one for this film. As a side note, Sister Prejean has an uncredited appearance in a scene concerning a vigil. The movie is gritty at times,but always watchable. Susan Surandon received an academy award for her performance. In addition to it being a great movie, there are two soundtrack albums of note. The first is the soundtrack, featuring an array of songs by Springsteen, Johnny Cash and others. Also there is a movie score version, with music of a more atmospheric nature. I use it to read or write fiction to sometimes.
**A very human film that is solidly based on the performance of the two main actors and on the discussion around the death penalty.** There are certain films that are made to play with our feelings and with what we consider to be divisive themes. Films about the death penalty almost always do so in one way or another: the topic itself is highly controversial, and almost everyone has an opinion (the level of critical information in opinions varies) about it. The debate about capital punishment will never end, not least because there are legal, human, social and religious reasons that reasonably support who is in favor and who is against it. In the end, it is one of those choices that depends a lot on how the legal and correctional system is viewed, that is, whether we value more, as a society, the exemplary punishment of the criminal or his eventual atonement and correction. The film is based on the memories and experiences of Sister Helen Prejean, a kind-hearted Catholic nun who, over the years, has accompanied and counseled several death row inmates in Louisiana, one of many US states that maintain the active practice. It is a very intimate film, as much of it is focused on the private conversations between the nun and the convict, who in this film is a man who killed a teenage couple, but who claims to be innocent. The script does everything it can to sweeten the story in order to keep our interest: the constant allegations that he may be innocent, the flirtatious atmosphere that sometimes arises between the nun and the prisoner, the passionate (understandable) behavior of the victim's relatives, the various allegations about the promiscuity between the justice system and the conveniences (or inconveniences) of the death sentence for politics and for the image of the Governor. The film makes the most of its theme, shoots in several directions and, for the most part, hits its targets. In addition to being an authentic manifesto against the death penalty, the film is a poignant drama where a clearly evil and vicious man regrets the things he has done, even though it is too late for him. My only negative criticism of the script turns out to be, precisely, the flirtatious atmosphere felt in some parts, and which I think is left in the film, and was not necessary nor particularly positive. Susan Sarandon, one of the great actresses of the late 20th century, gives us a remarkable job in which she ended up winning a deserved Oscar for Best Actress. She demonstrates sensitivity and a heightened sense of humanity as she plays the character, and never gives in to the temptation to become overly melodramatic (except, perhaps, for a few sugary, less-than-accomplished moments, near the end). Moreover, this is one of the great works of the actress's career. Sean Penn, on the other hand, still looks young, and is making the most of the opportunity to open doors to grow as an actor. As we know, he's going to do it, and he's going to get great achievements and important awards a few years later. Here, he is responsible for a good performance, in which he balances between resentment, regret, despair and the need for redemption and forgiveness. He never allows his character to appear to be one-dimensional, or too dark, or even too sugary, giving it complexity and various psychological undertones that are worthy of being appreciated. On a technical level, the film is understated, functional and pragmatic. It makes no glaring mistakes, makes good use of source material and the collaboration of the real Sister Helen, who was engaged in this project, and tries to give the actors all the space they need for their work. This is the work of a sensitive and methodical direction by Tim Robbins, who knew how to understand that the film would depend heavily on the work of the two main actors, and he concentrated on extracting from them what he needed without adding anything that would hinder them or distract us. However, I don't think I'm being unfair or flattering if I briefly call attention to the good cinematography, with good framing (the use of bars and other effects to enhance the feeling of confinement) and an excellent setting. The film even has an original song, which was composed by Bruce Springsteen.
A story about friendship and moral dilemmas. Young people yearn for a better future in developing country, while old people seek to restore the old times.
In 1858 Lourdes, France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all assume it to be the Virgin Mary. The pompous government officials think she is nuts, and do their best to suppress the girl and her followers, and the church wants nothing to do with the whole matter. But as Bernadette attracts wider and wider attention, the phenomenon overtakes everyone in the the town, and transforms their lives.
A moll, imprisoned after participating in a bank robbery, helps with a breakout plot.
About existence from the perspective of 20 nameless black females. Each of the women portray one of the characters represented in the collection of twenty poems, revealing different issues that impact women in general and women of color in particular.
A suburban family is torn apart when fourteen-year-old Annie meets her first boyfriend online. After months of communicating via online chat and phone, Annie discovers her friend is not who he originally claimed to be. Shocked into disbelief, her parents are shattered by their daughter's actions and struggle to support her as she comes to terms with what has happened to her once innocent life.
A mentally-challenged guy was put into trial after allegedly raping his teacher. And as Amanda, Julian, and Ronald try to mount a convincing defense, they discover soon that they're all connected in more ways than just the case.
A midwife is caught in a snowstorm on the way to Anatolia and forced to spend four months in an isolated village., where she’s soon tending sick children and delivering babies.
In the outwardly respectable New England community of Peyton Place, shopkeeper Constance McKenzie tries to make up for a past indiscretion - which resulted in her illegitimate daughter Allison - by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can't help but be attracted to handsome new teacher Michael Rossi. Meanwhile, the restless Allison, who'd like to be as footloose and fancy-free as the town's "fast girl" Betty Anderson, falls sincerely in love with mixed-up mama's boy Norman Page.
The lives of five prostitutes employed at a Japanese brothel while the nation is debating the passage of an anti-prostitution law.
A psychologist takes on the daunting task of getting into the mind of prisoners. He must gain the trust and cooperation from a group of men who have no reason to help him and who might enjoy killing him.
In this intense drama, filmed in Tahiti, a Tahitian girl from a small fishing village fantasizes about becoming the bride of the local boy she works with. When he leaves, she is crushed. She is later raped by a sailor and to escape it all leaves the island and sails for Europe to become an artist's model. There she meets a handsome fellow with whom she has a brief affair. Then he too deserts her and again her heart is broken. The despondent girl begins hanging out in bars and having a series of brief encounters until she meets a man who seems different from the rest.