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Maria Falconetti is superb as the eponymous tortured soul betrayed and tried for heresy in 15th century France. The history is well known, and Carl Theodor Dreyer sticks fairly faithfully to the more established, traditional, chronology which leaves us, the audience, to focus much more on the wonderfully emotive, gritty and poignant efforts from the cast and the wonderfully creative talent behind the camera. The combination of innovative, intimate and intense photography coupled with the beautifully expressive facial expressions from Miss Falconetti; the subtle but potent brutality of her persecutors - personified well by Eugene Silvain's Bishop Cauchon but also well exemplified by the cold and soul-less panel of judges all make this an effective and chilling film. The score - semi angelic, frequently intimidating but always powerful helps create an atmosphere that genuinely makes you feel fear and trepidation for this young woman, a pawn in things she little understands, but sticking faithfully to her beliefs of divine intervention and pureness of spirit. That emotional link is contagious, and even as a man of little faith myself, I found myself feeling an overwhelming pity for this person caught up in a trap of very much earthly ambition and deceit. It's a tough watch at times, especially as the chronicles remove even the slightest of chances for this woman. It is also pretty short - and that helps keep that momentum moving really well; there is no time for extended and sprawling cinematography to lessen the impact - it's a film about humanity, trauma and fear; and takes some beating...
There are a few different versions of this movie with different audio tracks. Dreyer himself criticized a bastardized version in the 1950s that changed the vignettes and audio to better fit for audiences of the time. I saw this movie long ago from a poor reproduction with what I assume was the original score and it was pretty good. Years later showed it to someone else and we saw the remastered Voices of Light version. It had been elevated to a true masterpiece. The higher video quality really lets us see Dreyer's decision to not use the extremely common heavy makeup found in the silent film era. The missing puzzle piece was found in the form of perfectly fitting vocals. Dreyer will simply have to excuse us for modifying his film.
A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
Jae-Young is an amateur prostitute who sleeps with men while her best friend Yeo-Jin "manages" her, fixing dates, taking care of the money, and making sure the coast is clear. When Jae-Young falls in love with one of those men, she suppresses her feelings towards him in respect of her friend who's jealous.
Disappointed with humanity, God wants to revoke his contract with humanity and wants to take back the stone tablets containing the ten commandments. To this end an angel is sent out to affect the personal lives of three humans so an appropriate child may be conceived.
Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.
1492: Conquest of Paradise depicts Christopher Columbus’ discovery of The New World and his effect on the indigenous people.
After his wife dies, a blacksmith named Balian is thrust into royalty, political intrigue and bloody holy wars during the Crusades.
The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB.
After he refuses to disavow his faith, a devout Christian student must prove the existence of God or else his college philosophy professor will fail him.
