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It's practically an American tradition to watch this film with family at Christmas time each year. I just saw it for the first time myself a couple weeks before last Christmas, and I loved it. It's an uplifting, inspiring, dramatic, and at times laugh-out-loud funny story, with a cast that probably couldn't be improved upon if you tried. And, of course, it's directed by the superb Frank Capra, whose work I greatly admire. James Stewart gives a raw, totally honest performance, as the unforgettable George Bailey, who on Christmas Eve is shown exactly why the world, or at least Bedford Falls, can't do without him. And, there is my favorite line in the whole movie, out of so many memorable quotes, delivered perfectly by Lionel Barrymore, as the evil Mr. Potter: "And a happy new year to you. In jail!"
Oh my goodness, I am not going to spend much time describing this gold standard of Christmas movies. If you have seen it, you know what it is. If you haven’t seen it, stop reading this and watch it now. It is funny, tense, sentimental, romantic and downright Capra-esque. I have liked Jimmy Stewart in everything I have seen him in. Was he that good, or did the camera just plain love him, like I heard said once about Steve McQueen. But it doesn’t stop there. If you notice the ensemble cast, you see represented some of the finest character actors out there. Between them it’s seems like we have seen one of them in every great classic movie. I don’t watch this every year any more - there is just too much to see out there this time of year. But I watch it every two or three years and besides, if I have some time to spare, I can practically review every scene in order in my mind. It is part of my Christmas consciousness. Wait, are you still reading this?
Lovely film. 'It’s a Wonderful Life' is enjoyable, hearty and well crafted. It takes longer than I would've predicted to get to 'the event', but it's very much worth seeing the journey that comes before - as we see the arc of James Stewart's George. It all crescendos with an ending that you can't help but smile at. Stewart is excellent in the lead role, you really do see every single emotion that his character goes through. He is, by far, the standout performer, but there are of course good performances from the likes of Donna Reed (Mary), Lionel Barrymore (Henry) and Henry Travers (Clarence). I did notice a few weird cuts in there, not that I hold that against it or did it affect my enjoyment - it's just noticeable. I see, via other reviewers, that there's a colour version - Channel 4 showed the black-and-white version over here in the UK. I can't say I felt the need for colour, which is always a good sign. Wholesome. Not that it, evidently given the average rating, needs to be said by someone like me, but: I'd certainly recommend this.
Every now and again you come across a film that just makes you think.... This is one of those. Recently upconverted to 4K and back on a big screen, it's quite simply a joy to watch. Jimmy Stewart is "George" - a man who has spent his adult life tirelessly trying to help those less fortunate to make their own way in life - and his savings and loan enterprise is the lifeline for many of them. When that all goes pear-shaped though, he feels a degree of despair that leads him to wish he had never been born. Enter the wonderful Henry Travers as "Clarence" - the visiting angel who grants his wish and demonstrates just how life would have looked had he, indeed, never been around. Lionel Barrymore is superb as his domineering competitor "Mr. Potter" who wants his name on everything in "Pottertown" that he doesn't already own. Donna Reed also shines as his wife, especially towards the end of this Capra masterpiece that uses shadow and the wintry weather to elicit a lovely sense of Christmas, but also of our innate need for warmth and security. It is sentimental, but not in a cloying fashion and the star works his magic, with a wonderful accompaniment from Dimitri Tiomkin, for over two hours that simply flies by. Well worth the restoration - not just of the film, but of our own faith in the human spirit - and watch, too!
I am not one of those snobs that thinks Black and White is always better... but don't watch the colored version of it, there is something about it that just doesn't look right. Maybe it's because the colors are off, maybe because I'm not as used to it, but something doesn't sit right with it. Anyway, still the best Christmas movie ever made. It's still about redemption. It's still heartwarming and family friendly and... perfect... ... perfect save some of the hard cuts. I don't know why people don't mention those. They are pretty glaring, they are pretty horrible. But... it's still just about the best Christmas movie ever made.
It's a timeless and great film for everyone, straightforwardly telling us that life is worth living and a good deed is never lost. Frank Capra's films always remind me the world is not so bad. He shows us there is no need to beat or convince evil people to change. You will still have people helping you not from a sense of obligation but from a genuine willingness as long as you are kind and honest with them. In such a beautiful world, someone will impress you with their kindness and bring out yours, and vice versa. That's enough, isn't it?
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
With the impending ice age almost upon them, a mismatched trio of prehistoric critters – Manny the woolly mammoth, Diego the saber-toothed tiger and Sid the giant sloth – find an orphaned infant and decide to return it to its human parents. Along the way, the unlikely allies become friends but, when enemies attack, their quest takes on far nobler aims.
Sommer ’04 is a character study of a family on vacation. German director Stefan Krohmer examines the emotional abyss and problems behind the seemingly nice facade of an intact family as they experience guilt, love and jealousy.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Paul Rivers, an ailing mathematician lovelessly married to an English émigré; Christina Peck, an upper-middle-class suburban housewife and mother of two girls; and Jack Jordan, a born-again ex-con, are brought together by a terrible accident that changes their lives.
At the start of the First World War, in the middle of Africa’s nowhere, a gin soaked riverboat captain is persuaded by a strong-willed missionary to go down river and face-off a German warship.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.