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It's practically an American tradition to watch this film with family at Christmas time each year. I just saw it for the first time myself a couple weeks before last Christmas, and I loved it. It's an uplifting, inspiring, dramatic, and at times laugh-out-loud funny story, with a cast that probably couldn't be improved upon if you tried. And, of course, it's directed by the superb Frank Capra, whose work I greatly admire. James Stewart gives a raw, totally honest performance, as the unforgettable George Bailey, who on Christmas Eve is shown exactly why the world, or at least Bedford Falls, can't do without him. And, there is my favorite line in the whole movie, out of so many memorable quotes, delivered perfectly by Lionel Barrymore, as the evil Mr. Potter: "And a happy new year to you. In jail!"
Oh my goodness, I am not going to spend much time describing this gold standard of Christmas movies. If you have seen it, you know what it is. If you haven’t seen it, stop reading this and watch it now. It is funny, tense, sentimental, romantic and downright Capra-esque. I have liked Jimmy Stewart in everything I have seen him in. Was he that good, or did the camera just plain love him, like I heard said once about Steve McQueen. But it doesn’t stop there. If you notice the ensemble cast, you see represented some of the finest character actors out there. Between them it’s seems like we have seen one of them in every great classic movie. I don’t watch this every year any more - there is just too much to see out there this time of year. But I watch it every two or three years and besides, if I have some time to spare, I can practically review every scene in order in my mind. It is part of my Christmas consciousness. Wait, are you still reading this?
Lovely film. 'It’s a Wonderful Life' is enjoyable, hearty and well crafted. It takes longer than I would've predicted to get to 'the event', but it's very much worth seeing the journey that comes before - as we see the arc of James Stewart's George. It all crescendos with an ending that you can't help but smile at. Stewart is excellent in the lead role, you really do see every single emotion that his character goes through. He is, by far, the standout performer, but there are of course good performances from the likes of Donna Reed (Mary), Lionel Barrymore (Henry) and Henry Travers (Clarence). I did notice a few weird cuts in there, not that I hold that against it or did it affect my enjoyment - it's just noticeable. I see, via other reviewers, that there's a colour version - Channel 4 showed the black-and-white version over here in the UK. I can't say I felt the need for colour, which is always a good sign. Wholesome. Not that it, evidently given the average rating, needs to be said by someone like me, but: I'd certainly recommend this.
Every now and again you come across a film that just makes you think.... This is one of those. Recently upconverted to 4K and back on a big screen, it's quite simply a joy to watch. Jimmy Stewart is "George" - a man who has spent his adult life tirelessly trying to help those less fortunate to make their own way in life - and his savings and loan enterprise is the lifeline for many of them. When that all goes pear-shaped though, he feels a degree of despair that leads him to wish he had never been born. Enter the wonderful Henry Travers as "Clarence" - the visiting angel who grants his wish and demonstrates just how life would have looked had he, indeed, never been around. Lionel Barrymore is superb as his domineering competitor "Mr. Potter" who wants his name on everything in "Pottertown" that he doesn't already own. Donna Reed also shines as his wife, especially towards the end of this Capra masterpiece that uses shadow and the wintry weather to elicit a lovely sense of Christmas, but also of our innate need for warmth and security. It is sentimental, but not in a cloying fashion and the star works his magic, with a wonderful accompaniment from Dimitri Tiomkin, for over two hours that simply flies by. Well worth the restoration - not just of the film, but of our own faith in the human spirit - and watch, too!
I am not one of those snobs that thinks Black and White is always better... but don't watch the colored version of it, there is something about it that just doesn't look right. Maybe it's because the colors are off, maybe because I'm not as used to it, but something doesn't sit right with it. Anyway, still the best Christmas movie ever made. It's still about redemption. It's still heartwarming and family friendly and... perfect... ... perfect save some of the hard cuts. I don't know why people don't mention those. They are pretty glaring, they are pretty horrible. But... it's still just about the best Christmas movie ever made.
It's a timeless and great film for everyone, straightforwardly telling us that life is worth living and a good deed is never lost. Frank Capra's films always remind me the world is not so bad. He shows us there is no need to beat or convince evil people to change. You will still have people helping you not from a sense of obligation but from a genuine willingness as long as you are kind and honest with them. In such a beautiful world, someone will impress you with their kindness and bring out yours, and vice versa. That's enough, isn't it?
It's Thanksgiving, and it couldn't be busier! Mr. Read is whipping up his famous turkey dinner, the Lakewood elementary kids are preparing for the annual parade and, when things start to go off course, Arthur and his friends must find a way to save the Thanksgiving celebration.
It is Christmas Eve. Separated from her young son, Helly struggles for money. A solitary man, Didier pays her to play his fiancée for the night. But the act comes to a tragic end. Left stunned, Helly meets Marie, who takes her in, on her way to the coast. There they encounter Chris. All three will end the night together. It’s their last move in joy and perdition.
Teens P.J. and Goose get their thrills on BMX bikes, performing hair-raising tricks all across Sydney, Australia. Along with their new friend Judy, they discover a box of walkie-talkies - and find out that a gang of criminals intends to use them to monitor police signals during a bank robbery. When the young trio snatches the devices, it propels them on a hair-raising adventure in which their pedaling skills might just save their necks.
After committing a gruesome act of violence, the fallen angel September reflects on their relationship with Rowan, the human who came to their aid.
In this black comedy set in small-town Bavaria, 11-year-old Sebastian thinks you can never be too young to be a murderer. He's convinced that he killed his mother on the day he was born and is certain he's already been condemned to purgatory. Deciding he might be able to knock off a few years of his sentence by doing good deeds, Sebastian sets out to find a wife for his father Lorenz. When Lorenz and Sebastian's schoolteacher Veronika fall madly in love with each other, it seems the heavens must be smiling. There's just one hitch: Veronika is married.
Socially-conscious banker Thomas Dickson faces a crisis when his protégé is wrongly accused of robbing the bank, gossip of the robbery starts a bank run, and evidence suggests Dickson's wife had an affair... all in the same day.
A bored bisexual millionaire picks up a young destitute street artist and whisks her away to her villa in Saint Tropez. They meet a dashing local architect and both fall for him, setting in motion a ménage à trois of deception and betrayal.
An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loophole and reenter Heaven.
A drama about a boy who's inspired by Dr. Martin Luther King Jr. and challenges repressive school authority in 1969 Denmark.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.