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Vivre sa vie was Jean-Luc Godard's fourth feature film. The protagonist Nana (Anna Karina) is a young Parisian woman who is not especially bright, but full of life and endowed with great beauty. Unable to make ends meet by working at a record shop, and unable to break into films as she dreams, she starts to work as a prostitute. Postwar French law permitted prostitution, with certain rules and regulations that the film explains in a documentary-like segment. Nana, who yearns to live her life according to her own desires, initially thinks that this new profession has set her free from cares. In fact, Nana's liberation from penury through prostitution only subjects her to new constraints imposed by her pimp and clientele. The film, divided into twelve tableaux with fade-to-black transitions that quicken as it goes on (which one commentator compares to breathing faster and faster) brings us to one of the most shocking endings I have ever seen. This is a superlative film. Clocking in at 85 minutes, it lasts exactly as long as its story demands, with not a single moment that feels superfluous. Everything fits together, perfectly even things that ought to seem extraneous, the overindulgence of the auteur. Early in the film Nana goes to see Carl Dreyer's 1928 silent film La Passion de Jeanne d'Arc, and this is not a mere gratuitous tribute to earlier cinema as is common in French New Wave films. Nana speaks with an elderly philosopher in a café, who is in fact the real-life philosopher Brice Parain whose dialogue here consists of his own writings, and yet this is not shallow intellectualism. Rather, these scenes increase the three-dimensionality of Nana as a character: not very intelligent and with negligible education, an easy woman since long before the film begins, but feeling strongly that there must be more out there. The believability of Nana as a character is increased all the more by Anna Karina's masterful performance. When coming to Godard's films, after the filmmaker has taken a beating from some circles, one might think that Karina was simply a beauty with no especial talent that enchanted the director due to her looks and foreign origin. Nope, the Danish actress here presents a completely believable Parisian airhead who is so easily moved by sentimental art.
It's Jean-Luc Godard at the avant-garde of filmmaking. It's a brilliant film with so many new ideas for early the 60s. What else is there to say?
The mind of Pierre Bérard, a successful middle-aged architect, is torn between his unstable present with Hélène, his younger lover, and his happy memories of the past with Catherine, his ex-wife; but his true destiny awaits him at a crossroads on his way to Rennes…
An undocumented immigrant finds a human heart in one of the toilets of the west London hotel where he works with other undocumented immigrants.
Tess McGill is an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainous boss breaks a leg skiing, Tess takes over her office, her apartment and even her wardrobe. She creates a deal with a handsome investment banker that will either take her to the top, or finish her off for good.
The true story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted.
Kelly, Dan and Louis are students at a prestigious business school, destined to become tomorrow's elite. The industrious trio are determined to start putting their education into practise from the off in an attempt to make as much money as they can from their fellow students. Working on the theory that relationships between the sexes can be regulated by market principles, they begin to inflate the popularity of certain individuals artificially, by hiring beautiful and sexy off-campus women as their dates for exclusive and riotous college parties. However their perfect business model soon spirals out of control as their moneymaking scheme takes off in a big way across campus.
In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.
A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.
After winning the lottery, François goes to a bar in Pigalle and offers one hundred thousand Euros per month to a prostitute named Daniela to live with him as his wife until his money runs out.
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.