A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
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Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
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Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
This is a seriously creepy affair that follows the story of the young "Franzis" (Friedrich Feher) who goes to a fairground one night with his friend "Alan" (Hans Heinrich von Twardowski). They happen upon the performance of the coffin-dwelling somnambulist prophesier "Cesare" (Conrad Veidt) and his spooky master "Dr. Caligari" (Werner Krauss). "Casare" - who is all but skeletal in appearance, portends looming disaster for "Alan", and when he is found murdered next morning suspicions turn to this enigmatic pair- even though there is no real "evidence" at all! Things take an even darker twist when the anaemic seer predicts that "Jane" (Lil Dagover), a gentle creature admired by both the deceased and his surviving friend, is not long for this mortal coil either... It falls to "Franzis" to solve the mystery and save his love from... The story is bleak at times, the settings stark and angular, frequently almost abstract in appearance. Veidt is outstanding, as if he were in a nightmare in an Escher drawing, or some other such challenging structure for our minds to comprehend; and Krauss, too, with his maniacal eyes and almost orchestra leading hand gestures is wonderful too. The photography has a tendency to draw out the shots a little too much, but again - they help create a genuine sense of scariness. Nothing gory, or bloody - just eerie, and enormously effective. Unlike so many films that have attained critical acclaim, or cult status, this is actually a really good story with strong acting talent and wonderfully vivid visuals from Robert Wiene (and Willy Hameister) that really is amongst the best of it's - or any other - genre..
This is the worst movie I've ever watched 15 minutes of. Lars von Trier once said he knew at the latest fifteen minutes into a movie whether it was worth continuing, and I took that advice to heart, so here we are. Okay. Seriously. SERIOUSLY? Yes, 102 years ago, "cinema" was in its early years. Silent movies, someone on a piano going plonkty plonk while people were drinking moonshine, smoking plutonium and coughing up pneumonia. Great. How fantastically interesting in a historical perspective. (Seriously, though, it is.) But hello, and welcome to reality in the now. This is absolute garbage. The only way this is useful in any way is as a source for memes. I'd like to see this with a death metal soundtrack. Or in MST3K form. Anything. Or simply as something displayed on the wall at a rave, for kitsch. This is TERRIBLE. Anyone who rates this more than 1 stars is either a movie historian (thumbs up, dudes, I do appreciate you work, whatever it is, maybe not actually) or a pretentious dumbbell, who has never enjoyed a movie in his or her life for fear of being wrong about enjoying it. Christ on a mongoloid horse. Garbage.
The daughter of a count and the son of a shoemaker, both Hungarian, fall in love in America. As they're about to marry, the young woman is called back to Europe. When her betrothed goes after her, difficulties ensue.
A young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.
The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film. The film has now been lost.
During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.
Against the backdrop of New York City of the early 1850s, a young woman - naively seeking to win the love she reads about in the romance novels she devours - finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.
A man dreams he is the 'demon barber' who cuts sailors' throats for jewels and uses the corpses for pies.
A racer in the motorcycle sport called 'sidehacking' goes on a rampage of vengeance when his fiancée is raped and murdered.
Charlotte Baker is drugged and taken to a brothel by Paul, her fiance, who in reality is a pimp. To find her, Charlotte's family contacts the celebrated detective Bob Macauley.
An unhappily married woman is caught up in scandal and murder when her affection toward a young man is misinterpreted.
Set in Manchester, heartland of England's industrial north, Don Starling escapes from jail becoming England's most wanted man. Ruthless villain Starling together with his cronies engineered a robbery that resulted in the violent death of a young girl. Detective Inspector Martineau has been assigned to hunt him down and bring him in. From seedy barrooms, through gambling dens the trail leads to an explosive climax high on the rooftops of the city.