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Matlock - (Jan 31st)
Law and Order- Special Victims Unit - (Jan 31st)
Going Dutch - (Jan 31st)
Ghosts - (Jan 31st)
Sesame Street - (Jan 31st)
The Bold and the Beautiful - (Jan 31st)
Lets Make a Deal - (Jan 31st)
The Beat with Ari Melber - (Jan 31st)
The Price Is Right - (Jan 31st)
The Kelly Clarkson Show - (Jan 31st)
The Young and the Restless - (Jan 31st)
Love Island- All Stars - (Jan 30th)
Deadline- White House - (Jan 30th)
Hannity - (Jan 30th)
Jesse Watters Primetime - (Jan 30th)
Beat the Chasers - (Jan 30th)
First Dates Ireland - (Jan 30th)
Murder by the Sea - (Jan 30th)
Deal or No Deal - (Jan 30th)
Happys Place - (Jan 31st)
From the Theater Pizzazz review by Carole Di Tosti: Ode to Passion, is a movie musical of sophistication, heat and light. The film, though a musical, is actually a genre hybrid, a drama which begins and ends with the protagonist’s poetic lament. Indeed, the film is a cautionary tale about the excesses of passion and misguided perceptions we have of love which can only be learned through profound moments of suffering. Written, produced and directed by the talented Jack Danini who also wrote the lyrics, music and dialogue which is in rhyming couplets, the love story of a writer and an actress seems typical. However, the versification adds a unique coherence that heightens the characterizations and makes them unique. I found myself anticipating the rhymes then being surprised at the twists of phrase which always strengthened the concepts and themes of the film. With this work, Danini proves himself to be a veritable Renaissance Man, whose passion for rhyme and rhythm, love’s heartbreak and New York City nights of beauty spins gold in this Broadway-styled pop musical that is cinematically on point and lustrous. The film debuts on Amazon Prime video on the 10th of July and shouldn’t be missed if you are up for 18 original rock/pop tunes and a well-integrated story that has echoes of Shakespeare but is far too modern not to identify with. More specifically, Danini’s film is an ode to love’s heartbreak, New York City and what fuels the creative drive of the artist. Writer Michael Fiorelli (played by the exquisite voiced and fine actor Giuseppe Bausilio) and the women he meets and whose addiction breaks his heart, actress Sarah Andrews (Bausilio’s matched equal Julia Nightingale) attempt to make their New York dreams come true. Their relationship burgeons, though there are dark clouds on the horizon. Sarah infers that her previous relationships have ended unsatisfactorily. More importantly, she implies she has an obsessive compulsive personality susceptible to addictions. Escaping through addiction is a trait of Sarah’s character. Whatever the substance might be handy at the moment, she indulges. And like all abusers who “get out of hand,” she attempts to stop to no avail, eventually seeking the “road well-traveled.” Michael overlooks the import of her nature, believing unwisely that his love has the power to change her. Despite advice from Father Conor (Al Pagaono) and his friends John G. Leroux (Jeff Smith) and Richy Sanders (Marcus Harmon) Michael becomes deeply involved with Sarah. He believes their love is mutual and lifelong. Danini’s love songs and the characters’ verse dialogue sweetly and exuberantly delivered by Bausilio and Nightingale catch up the viewer in the moment. We understand that the first flush of love is an exhilaration that can be an addiction as well. Is this what both Michael and Sarah experience? Indeed, as with all addictions, there is a point of no return and there is a point of tiresome, boring regularity and sameness which dulls. Michael and Sarah suffer both. However, Michael is more invested and Sarah’s is a cynic. She must be able to come to the end of herself and her obsessive personality which her actress friend Alexa Lynn (Victoria Meade) encourages. Unlike friend John and his girlfriend Kate (Kaylor Otwell), Sarah and Michael struggle to sustain their love. Bausilio (Billy Elliot, Cats, Hamilton) and Nightingale (The Ferryman) boast powerful convincing performances as the lovers who attempt to find their way and lose themselves in each other until Sarah determines she is not willing to give up her previous wild-child lifestyle. For the sensitive Michael, this is a mortal blow. Only after his talk with Father Conor and his prayer to God in a song (which Bausilio sings magnificently) is Michael eventually able to find a resolution. The resolution is the Ode to Passion which Michael has written and recites to begin and conclude the film. The musical film/drama is the story of his cataclysmic love with Sarah that has changed him forever, like the speaker in the John Donne poem “The Broken Heart.” He is wiser, but he can never love the same way again. Kudos to all of the actors who give superb performances. I particularly liked the cinematography (360 degree shots of Michael and Sarah in their first big love number) and the choral when all the characters sing, but the settings are different. Finally, hats off to the prodigious and sterling efforts of Jack Danini in this first feature film which will be shown on 10th July on Amazon Prime video. ORIGINAL REVIEW: : https://www.theaterpizzazz.com/ode-to-passion/
Americans Jeff and Tommy, hunting in Scotland, stumble upon a village - Brigadoon. They soon learn that the town appears once every 100 years in order to preserve its peace and special beauty. The citizens go to bed at night and when they wake up, it's 100 years later. Tommy falls in love with a beautiful young woman, Fiona, and is torn between staying or going back to his hectic life in New York.
When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad decides it's time for a total change of scenery. But sweet niblets! Miley must trade in all the glitz and glamour of Hollywood for some ol' blue jeans on the family farm in Tennessee, and question if she can be both Miley Stewart and Hannah Montana.
Seemingly mild-mannered businessman Edmond Burke visits a fortuneteller and hears a remark that spurs him to leave his wife abruptly and seek what is missing from his life. Encounters with strangers and unsavory people weaken the barriers encompassing his long-suppressed rage, until Edmond explodes in violence.
In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.
Chad Gates has just been discharged from the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies and his girlfriend.
When she learns she's in danger of losing her visa status and being deported, overbearing book editor Margaret Tate forces her put-upon assistant, Andrew Paxton, to marry her.
Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.
Pello, a bank branch manager, is arrested on charges of embezzlement. Abandoned by his superior (who got him involved in the heist), Pello escapes from the court room and goes on the run. With no papers, no money and no family or friends he can trust, he changes identity so that he can stay undercover for a time. By chance he ends up hiding in a building that has been occupied by a group of people evicted from their homes who are fighting his bank. Pello gains their trust, all the time planning to steal money from them to pay for false documentation so that he can escape abroad and start a new life.
After her mother had passed, Darinka lives with her grandma. In her fantasy she lives her own version of Sleeping Beauty. Her musical talent helps her to cope with illness and fulfill her dreams.
Sardines Out Of A Can is a semi-romantic comedy following Puja, a single, eccentric, grad school dropout who with the help of her friends and a smart-phone is on a quest to find the perfect 'roommate.'
A small suburban town receives a visit from a castaway unfinished science experiment named Edward.