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The One Show - (Mar 29th)
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_**Elvis goes to Hawaii**_ After a two-year enlistment in the service, Chad Gates (Presley) returns home to Hawaii, but prefers the genuineness of the Polynesians and blazing his own trail to being the heir to his parents’ pineapple plantation. With his half-Caucasian/half-Polynesian girlfriend (Joan Blackman) he tries his hand as a tour guide. Angela Lansbury is on hand as the amusingly snooty mother. “Blue Hawaii” (1961) was the first and easily the best of three Elvis flicks set in Hawaii, followed by “Girls! Girls! Girls!” (1962) and “Paradise, Hawaiian Style” (1966). Actually, it ranks with his better movies, like "Kid Galahad" (1962), “Roustabout” (1964) and “Viva Las Vegas" (1964). Several things make this one work: The magnificent locations, the trivia about Hawaii & Hawaiians, the compelling story, the serious-but-fun vibe and, of course, the music. Speaking of which, this one has more songs than usual. On the downside, the female cast could’ve been better, although winsome Blackman is a’right. Nevertheless, the subplot about Chad (Elvis) being the tour guide of an attractive school teacher (Nancy Walters) and five teenage girls is entertaining, especially the shenanigans with the curmudgeonly lass (Jenny Maxwell). The film runs 1 hour, 42 minutes and was shot in Hawaii and Paramount Studios, California. GRADE: B
I'd been watching this for ages before I realised that it was actually the real life Angela Lansbury (aged 35) playing Elvis's mother - he being 25 years old at the time! A bit of much needed cinematic licence in this otherwise really rather staged romantic comedy that doesn't really do anyone any favours. Having returned from Germany, "Chad" is at a loss as to what to do. He doesn't want to join the family fruit business, preferring to work with girlfriend "Maile" (Joan Blackman) - much to the chagrin of the aforementioned mum. Sorry, mom. "Maile" is a tour guide showing off all the beautiful sights of Hawaii. That's when he encounters the teenage "Ellie" (Jenny Maxwell) who takes a mischievous shine to him, causing no end of havoc between everyone, her teacher "Abigail" (Nancy Walters) and a bout of fisticuffs with just about the entire island! He's undoubtedly a charismatic man to watch but an actor he isn't. His renditions of "Blue Hawaii" and "Can't Help Falling in Love" demonstrate clearly that he can't lip-sync very well either. Lansbury adopts a squeaky accent and looks like she's having some fun, but the rest of it is all too rigid and unnatural looking - I think some of the cyclorama photography was just on a loop and even I know that you have to change chords playing an ukulele. I guess the star's timetable didn't allow Norman Taurog to spend too much time finessing what is just essentially a feel-good film for the star, but this is all pretty standard and unremarkable fayre from everyone.
I'd been watching this for ages before I realised that it was actually the real life Angela Lansbury (aged 35) playing Elvis's mother - he being 25 years old at the time! A bit of much needed cinematic licence in this otherwise really rather staged romantic comedy that doesn't really do anyone any favours. Having returned from Germany, "Chad" is at a loss as to what to do. He doesn't want to join the family fruit business, preferring to work with girlfriend "Maile" (Joan Blackman) - much to the chagrin of the aforementioned mum. Sorry, mom. "Maile" is a tour guide showing off all the beautiful sights of Hawaii. That's when he encounters the teenage "Ellie" (Jenny Maxwell) who takes a mischievous shine to him, causing no end of havoc between everyone, her teacher "Abigail" (Nancy Walters) and a bout of fisticuffs with just about the entire island! He's undoubtedly a charismatic man to watch but an actor he isn't. His renditions of "Blue Hawaii" and "Can't Help Falling in Love" demonstrate clearly that he can't lip-sync very well either. Lansbury adopts a squeaky accent and looks like she's having some fun, but the rest of it is all too rigid and unnatural looking - I think some of the cyclorama photography was just on a loop and even I know that you have to change chords playing an ukulele. I guess the star's timetable didn't allow Norman Taurog to spend too much time finessing what is just essentially a feel-good film for the star, but this is all pretty standard and unremarkable fayre from everyone.
I'd been watching this for ages before I realised that it was actually the real life Angela Lansbury (aged 35) playing Elvis's mother - he being 25 years old at the time! A bit of much needed cinematic licence in this otherwise really rather staged romantic comedy that doesn't really do anyone any favours. Having returned from Germany, "Chad" is at a loss as to what to do. He doesn't want to join the family fruit business, preferring to work with girlfriend "Maile" (Joan Blackman) - much to the chagrin of the aforementioned mum. Sorry, mom. "Maile" is a tour guide showing off all the beautiful sights of Hawaii. That's when he encounters the teenage "Ellie" (Jenny Maxwell) who takes a mischievous shine to him, causing no end of havoc between everyone, her teacher "Abigail" (Nancy Walters) and a bout of fisticuffs with just about the entire island! He's undoubtedly a charismatic man to watch but an actor he isn't. His renditions of "Blue Hawaii" and "Can't Help Falling in Love" demonstrate clearly that he can't lip-sync very well either. Lansbury adopts a squeaky accent and looks like she's having some fun, but the rest of it is all too rigid and unnatural looking - I think some of the cyclorama photography was just on a loop and even I know that you have to change chords playing an ukulele. I guess the star's timetable didn't allow Norman Taurog to spend too much time finessing what is just essentially a feel-good film for the star, but this is all pretty standard and unremarkable fayre from everyone.
Pop star Christopher Wilde has fame, fortune and a big-budget Hollywood movie awaiting him. But after meeting Jessica Olson, a down-to-earth girl from the Midwest, he is faced with following his heart or doing what's best for his career.
One day Karen, Kristel and Kathleen receive an invitation from a king and queen from a distant fairytale kingdom. They ask if they want to sing on their daughter's birthday. But the princess behaves like a spoiled brat, because an evil wizard placed a curse on her, freezing her heart in the process. In an exciting race against time, K3 try to solve the mystery surrounding the little princess. But this turns out not to be as easy as they thought. Because even though they encounter all kinds of well-known fairytale characters, they do not receive any help. Will the brave singers manage to lift the curse?
A young Canadian woman who sings in Kreuzberg in a rock band, and her boyfriend, who lives in a politically active flat-sharing community. Due to the new capital situation, demolished buildings suddenly become sought-after buildings. The living and working situation of the musicians and other scene-people deteriorates massively.
The plot centers on students involved in the Soweto Riots, in opposition to the implementation of Afrikaans as the language of instruction in schools. The stage version presents a school uprising similar to the Soweto uprising on June 16, 1976. A narrator introduces several characters among them the school girl activist Sarafina. Things get out of control when a policeman shoots several pupils in a classroom. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of act two. In the movie version Sarafina feels shame at her mother's (played by Miriam Makeba in the film) acceptance of her role as domestic servant in a white household in apartheid South Africa, and inspires her peers to rise up in protest, especially after her inspirational teacher, Mary Masombuka (played by Whoopi Goldberg in the film version) is imprisoned.
Stuck on the side of the road on their way to a social distance party, two contact-starved millennials try not to connect on an intimate level in this Reform Jewish absurd comedy about grief, changing plans, and the lengths we'll go to avoid direct communication with the people we love.
When the Pfeffermans face a life-changing loss, they begin a journey hilarious and melancholy, brazen and bold. As they face this new transition, they confront grief and come together to celebrate connection, joy, and transformation.
The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."
In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain's daughter's island, she answers the Ocean's call to seek out the demigod to set things right.
A farce satirizing extraterrestrial horror movies such as Alien. Alternate titles include "The Creature Wasn't Nice" and "Naked Space" (1999 re-release trying to capitalize on Nielsen's "Naked Gun" success).
Girl is decided to leave her boyfriend and to runaway to an unknown place. Before she leaves, she decides to meet up with him, but they have only one hour to make a very funny balance of their lives.