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There are few things worse in films than when a film tries too hard to be edgy. This fools some of the people some of the time. But...it also shows that the emperor really does have no clothes. Kristen Stewart plays Lou, a gym worker who develops a crush on a female bodybuilder named Jackie. They begin a sexual relationship. Lou's father, played by Ed Harris is the town thug, and her sister is repeatedly abused by her creepy brother-in-law JJ (Dave Franco). Violence erupts and soon everyone is scrambling to cover up a murder. The film starts out interesting enough as it builds the characters. By the second half it has begun spiraling as it shifts between so many tones that you don't know which ones to move with. A lot of unintentional laughs and head scratching get more frequent. By the end it is all out terrible. Another serious problem is the way they treat abuse victims. The very people who are defending her...later in the movie are beating her. This is our hero? Kristen Stewart is a good actress, but Ed Harris is by far the best thing in the movie. The problem is that none of the characters become well fleshed out. None of them are worth hoping for. I don't need my characters I watch to be pleasant, but they need to show some kind of attributes that make them worth following from start until finish.
"Lou" (Kristen Stewart) runs a gym on the basis of being as obnoxious to the customers (mostly brain-dead males) as she can until one night she espies a new visitor. She assumes that "Jackie" (Katy O'Brian) has gone off with the boys for a beer, but a chance encounter afterwards in the car park makes it clear they are both on the same team. We (the audience) have met "Jackie" already and know she's looking for work. That comes via "JJ" (Dave Franco) who takes her to the shooting range owned by the long haired and hippy looking Ed Harris who gives her a job as a waitress. Quickly we discover that "JJ" is married to "Beth" (Jena Malone) who is the sister of "Lou" and both are the daughters of Ed Harris. "Lou", though, is a bit estranged from him and as the plot thickens we discover why. Also, we discover that "JJ" is a bit of a thug and prone to beating up his wife. A trip to the hospital for her causes tempers to flare, and pumped full of steroids, it's the increasingly unstable "Jackie" who sets things in motion that are going to bring to an head a decade of family tensions, put lives at risk and even drag in the FBI. Aside from the same sex angle, there is nothing new at all to this half-hearted relationship drama that contrives to introduce just about everything to go wrong that can and in the end seems to be trying more to parody "The Incredible Hulk" than make headway with anything different. The denouement is weak and surreal on just about every level, too. Just because Rose Glass decides to feature loads of turbulent female bonding and making out doesn't make this worth watching. It just looks like a self indulgent and proud statement of sexuality for the sake of it, regardless of the strength or brutality of the story. People have been making characterful lesbian films in Europe for a century or more, this isn't remotely revelatory. Dark humour? Hmmm - must have missed that bit.
I absolutely adored the bold and audacious “Love Lies Bleeding,” director Rose Glass’ sordid story of romance, violence, and redemption. Combining a lesbian love story with a brawny thriller, this gritty, bloody, and brash film was one of my favorites to come out of this year’s Sundance Film Festival. Lou (Kristen Stewart), a reclusive gym worker who spends her days mopping floors, unclogging toilets, and laminating membership cards, is barely surviving her small-town existence. Her world transforms in an instant when the transient bodybuilder Jackie (Katy O’Brian) crosses her path. Lou falls hard for those rock hard muscles, and she invites Jackie to move in with her. Ambitious to a fault, Jackie begins training for a competition in Las Vegas (and starts injecting steroids at the encouragement of Lou). The plan is for the two to take an epic road trip out West, but a startling act of violence involving Lou’s sister (Jena Malone) and brother-in-law (Dave Franco) changes everything. The truth about Lou’s criminal family is revealed, further complicating not only her romance with Jackie, but pulling both women into a web of absolute mayhem. Glass has created a film with a deliciously pulpy, crime thriller vibe. Her bold and distinctive style is reflected with a voice that practically screams with an underlying rage and intensity (and one of the best uses of magical realism I’ve ever seen in a movie). Lou and Jackie are flawed people, but you just can’t help rooting for their relationship. They are capable and guilty of some very, very bad things, but goddamn if these two aren’t meant for each other with their explosive love story for the ages. Stewart and O’Brian deliver stunning performances, embodying their characters with a ferocious spirit that reflects the lust and desire of their tumultuous relationship. Their chemistry is palpable and intense, which lends an additional layer of authenticity to the story. The supporting cast is nothing short of terrific too, with effective turns from Anna Baryshnikov, Ed Harris, Franco, and Malone. Passionate and provocative, “Love Lies Bleeding” is the type of film that gets under your skin. Beneath the violence and revenge, it’s a queer love story that’s hopelessly and breathlessly romantic. By: Louisa Moore / SCREEN ZEALOTS
This movie tells the story of a pair of sisters who have been separated since childhood and meet as strangers many years later. After getting along day and night, their love gradually develops into a couple relationship, but at the end they find an unusual relationship with each other... Through this film, we want to explore where the moral bottom line of society is, especially when we touch on themes of gays and taboo love, and reflect on the right and wrong of these more extreme relationships. And the role of sister represents the public who feel that this relationship is "wrong" according to social ethics and moral standards. The younger sister represents the "selfish" self in the love relationship. After all, it is "beautiful" to be with the person you love the most and have each other. There is nothing wrong with loving each other. The only thing wrong is that they are sisters. (Google Translate)
High school athlete Cyd Loughlin lives alone with her depressive father in South Carolina, perpetually longing to get away from it all. When her aunt, famous novelist Miranda Ruth, agrees to host her for a few weeks during the summer, Cyd jumps at the opportunity. While there, she falls for a girl in the neighborhood, even as she and her aunt gently challenge each other in the realms of sex and spirit.
A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.
Two girls go away to a holiday resort looking for a change of pace, hoping to meet some nice men for a change. They discover that they can't find the perfect man, and this forces them to reconsider their attitudes to men in general.
Mary-Kate and Ashley star in this Down Under adventure filled with nonstop Aussie intrigue, laughs and romance. After running afoul of a notorious gangster, Mary-Kate and Ashley take refuge in the FBI Witness Protection Program. Unfortunately, the girls are uncontrollable blabbermouths and they blow their cover in town after town until there's only one hiding place left - Australia.
Paul Kersey is back at working vigilante justice when his fiancée, Olivia, has her business threatened by mobsters.
The mayor of a small town hires a bounty hunter to find his daughter's killer, but it turns out to be a very dangerous job.
Good policing doesn't necessarily mean doing everything by the book. But as the business of crime in London turns to favour the Albanians and Turks, how does a "good" policeman survive?
A schoolteacher in her early 40s, involved in a dead-end love affair with a married mortician, drifts into a relationship with an aging newspaperman.
Mario and Kike hook up on a dating app. What initially was never meant to be more than a sex date will turn into something else, in spite of their different ways of viewing their bisexuality and how they both cope with it in their respective social circles.
Nora Delaney and Nikki Beaumont are partners in the NOPD Special Crimes Unit in New Orleans police department. However, they are also more than partners - they are lovers.