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There are few things worse in films than when a film tries too hard to be edgy. This fools some of the people some of the time. But...it also shows that the emperor really does have no clothes. Kristen Stewart plays Lou, a gym worker who develops a crush on a female bodybuilder named Jackie. They begin a sexual relationship. Lou's father, played by Ed Harris is the town thug, and her sister is repeatedly abused by her creepy brother-in-law JJ (Dave Franco). Violence erupts and soon everyone is scrambling to cover up a murder. The film starts out interesting enough as it builds the characters. By the second half it has begun spiraling as it shifts between so many tones that you don't know which ones to move with. A lot of unintentional laughs and head scratching get more frequent. By the end it is all out terrible. Another serious problem is the way they treat abuse victims. The very people who are defending her...later in the movie are beating her. This is our hero? Kristen Stewart is a good actress, but Ed Harris is by far the best thing in the movie. The problem is that none of the characters become well fleshed out. None of them are worth hoping for. I don't need my characters I watch to be pleasant, but they need to show some kind of attributes that make them worth following from start until finish.
"Lou" (Kristen Stewart) runs a gym on the basis of being as obnoxious to the customers (mostly brain-dead males) as she can until one night she espies a new visitor. She assumes that "Jackie" (Katy O'Brian) has gone off with the boys for a beer, but a chance encounter afterwards in the car park makes it clear they are both on the same team. We (the audience) have met "Jackie" already and know she's looking for work. That comes via "JJ" (Dave Franco) who takes her to the shooting range owned by the long haired and hippy looking Ed Harris who gives her a job as a waitress. Quickly we discover that "JJ" is married to "Beth" (Jena Malone) who is the sister of "Lou" and both are the daughters of Ed Harris. "Lou", though, is a bit estranged from him and as the plot thickens we discover why. Also, we discover that "JJ" is a bit of a thug and prone to beating up his wife. A trip to the hospital for her causes tempers to flare, and pumped full of steroids, it's the increasingly unstable "Jackie" who sets things in motion that are going to bring to an head a decade of family tensions, put lives at risk and even drag in the FBI. Aside from the same sex angle, there is nothing new at all to this half-hearted relationship drama that contrives to introduce just about everything to go wrong that can and in the end seems to be trying more to parody "The Incredible Hulk" than make headway with anything different. The denouement is weak and surreal on just about every level, too. Just because Rose Glass decides to feature loads of turbulent female bonding and making out doesn't make this worth watching. It just looks like a self indulgent and proud statement of sexuality for the sake of it, regardless of the strength or brutality of the story. People have been making characterful lesbian films in Europe for a century or more, this isn't remotely revelatory. Dark humour? Hmmm - must have missed that bit.
I absolutely adored the bold and audacious “Love Lies Bleeding,” director Rose Glass’ sordid story of romance, violence, and redemption. Combining a lesbian love story with a brawny thriller, this gritty, bloody, and brash film was one of my favorites to come out of this year’s Sundance Film Festival. Lou (Kristen Stewart), a reclusive gym worker who spends her days mopping floors, unclogging toilets, and laminating membership cards, is barely surviving her small-town existence. Her world transforms in an instant when the transient bodybuilder Jackie (Katy O’Brian) crosses her path. Lou falls hard for those rock hard muscles, and she invites Jackie to move in with her. Ambitious to a fault, Jackie begins training for a competition in Las Vegas (and starts injecting steroids at the encouragement of Lou). The plan is for the two to take an epic road trip out West, but a startling act of violence involving Lou’s sister (Jena Malone) and brother-in-law (Dave Franco) changes everything. The truth about Lou’s criminal family is revealed, further complicating not only her romance with Jackie, but pulling both women into a web of absolute mayhem. Glass has created a film with a deliciously pulpy, crime thriller vibe. Her bold and distinctive style is reflected with a voice that practically screams with an underlying rage and intensity (and one of the best uses of magical realism I’ve ever seen in a movie). Lou and Jackie are flawed people, but you just can’t help rooting for their relationship. They are capable and guilty of some very, very bad things, but goddamn if these two aren’t meant for each other with their explosive love story for the ages. Stewart and O’Brian deliver stunning performances, embodying their characters with a ferocious spirit that reflects the lust and desire of their tumultuous relationship. Their chemistry is palpable and intense, which lends an additional layer of authenticity to the story. The supporting cast is nothing short of terrific too, with effective turns from Anna Baryshnikov, Ed Harris, Franco, and Malone. Passionate and provocative, “Love Lies Bleeding” is the type of film that gets under your skin. Beneath the violence and revenge, it’s a queer love story that’s hopelessly and breathlessly romantic. By: Louisa Moore / SCREEN ZEALOTS
A comedy romance movie about the last generation of youths and their passionate romance based in Hongseong, Chungcheong Namdo in the 1980s.
Martha Stephens and Aaron Katz's buddy comedy Land Ho! follows former brothers-in-law Mitch (Earl Lynn Nelson) and Colin (Paul Eenhoorn) as they travel through Iceland. The pair of 70-year-olds find themselves in need of an adventure to break out of their rut, and soon the extroverted Mitch has talked Colin into the trip. Along the way they have various amorous encounters, and attempt to recapture the spirit of their youth.
A young medical student travels to Berlin to investigate the apparent death of his brother and discovers a secret life of espionage, betrayal and murder at the highest levels.
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
Marie is a Manhattan vampire thirsting for acceptance and blood, not necessarily in that order. Apparently a renaissance woman, she sings the blues, poses for a picture, and rides through Times Square in a horse drawn carriage. Ariel is a fashion photographer attracted to the beguiling vampire. Attraction escalates into obsession, and before long locate the elusive creature of the night.
A private investigator helps a former flame solve the murder of her wealthy grandfather, who lived in a sprawling estate surrounded by his idiosyncratic family.
An comedy set in 1960s Helsinki. The story revolves around Elsa, a resolute hatmaker who is in complete control of her life. Besides running her shop, she sometimes doubles as a fortune teller. When Jan, a Czechoslovakian jazz musician and Elsa's old lover comes to town to perform at a "peace and friendship festival", her well-organised life is jolted out of balance.
A rookie cop in Thailand must solve the brutal rape and murder of a woman. The crime seems somehow linked to a celebration held for a government official in the isolated town of Prompiram.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
A mysterious exterminator falls in love with two women who live in a distinctive wine-producing region in Spain.
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime syndicates.