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I genuinely enjoyed this. I didn't see that coming. 'Hannah Montana: The Movie' kept me suitably entertained from start-to-finish, it is so much better than I would've predicted. I have never seen an episode of the television series either. It features a surprisingly interesting and fairly meaningful story, sure the ending is extremely Disneyfied and nonsensical but they make it work. For what it is, it's a relatively engaging storyline. There are a few bits of neat cinematography, also. Music-wise it's alright, "The Climb" is a (good) song that I was already familiar with. Miley Cyrus does a respectable job in the lead role(s). Billy Ray Cyrus, Margo Martindale, Vanessa Williams and Barry Bostwick all feature too, as does a young Natalia Dyer. I like the casting. I had very low expectations coming into this, but it's a film that pleasantly surprised me. I'd say it's worthy of a watch.
A man who loves games and theater invites his wife's lover to meet him, setting up a battle of wits with potentially deadly results.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
Jesse, a small-time criminal, high-tails it to Los Angeles to rendezvous with a French exchange student. Stealing a car and accidentally killing a highway patrolman, he becomes the most wanted fugitive in L.A.
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
In an effort to prevent family history from repeating itself, meddlesome mom Daphne Wilder attempts to set up her youngest daughter, Milly, with Mr. Right. Meanwhile, her other daughters try to keep their mom's good intentions under control.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
After the defeat of their old arch nemesis, The Shredder, the Turtles have grown apart as a family. Struggling to keep them together, their rat sensei, Splinter, becomes worried when strange things begin to brew in New York City.
Jae-Young is an amateur prostitute who sleeps with men while her best friend Yeo-Jin "manages" her, fixing dates, taking care of the money, and making sure the coast is clear. When Jae-Young falls in love with one of those men, she suppresses her feelings towards him in respect of her friend who's jealous.
