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‘Sorry We Missed You’ is a film about family dynamics as much as it is about what we sacrifice as a society for the convenience of next-day home deliveries. It’s in the quiet observation of working-class parents and their children that 83-year-old Ken Loach’s latest film hits its nuanced, deeply emotional notes. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-sorry-we-missed-you-an-incisive-look-at-the-struggle-against-debt
Well directed and well acted, ‘Sorry We Missed You’ is a touching and real portrayal of working-class people trying to survive in a cruel system. 8/10
Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”
A day in the life of a barbershop on the south side of Chicago. Calvin, who inherited the struggling business from his deceased father, views the shop as nothing but a burden and waste of his time. After selling the shop to a local loan shark, Calvin slowly begins to see his father's vision and legacy and struggles with the notion that he just sold it out.
Buddy is a young boy on the cusp of adolescence, whose life is filled with familial love, childhood hijinks, and a blossoming romance. Yet, with his beloved hometown caught up in increasing turmoil, his family faces a momentous choice: hope the conflict will pass or leave everything they know behind for a new life.
Summer is the time to travel, enjoy life, and do or leave what you want. A motor home with two occupants makes its way south. But the two travelers do not travel voluntarily, and certainly not together.
Pushed by debt to the point of despair, Nugie is forced to take her terminally ill mother to the sakti shaman, Mbah Narto. Seeing Mbah Narto's treasure, Nugie was tempted to get it. But unfortunately, all he got was not money, but the sacred gift of the shaman. Since then, Nugie has had to face the terrible terror of Ni Loro Pati! Not only Nugie experienced terror, but the people around her began to die one by one.
Fares, a shoe factory worker, has only one passion in life: football. He lives a humble life in a chaotic neighborhood where he plays street football to increase his income. However, neither his marriage nor his job is stable enough. He goes through a lot of problems due to his lack of self-discipline with his divorced wife and his son.
Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.
Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.
When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.
A Pakistani Briton renovates a rundown laundrette with his male lover while dealing with drama within his family, the local Pakistani community, and a persistent mob of skinheads.