Kuhle Wampe oder: Wem gehört die Welt?

In this drama, a teenage boy and girl, tired of parental repression, begin sneaking out on dates and to parties. The parents are strict, but pay little real attention to their kids, therefore the kids turn to their high school biology teacher who is willing to really listen to their confidences.

Anna flees her home, where she has been victimized for years by her spineless father’s mean-spirited second wife, to be with her lover, an honest businessman yet to make his fortune. When he is accused of a murder he didn’t commit, the couple’s domestic tranquillity is upended, and a desperate Anna must rely on her cruel stepmother to help support their child.

Mutter Krause, her daughter Erna and her son Paul live in a tenement in the poorer section of Berlin's Wedding district. Along with them lives "the Tenant", his soon-to-be bride Friede, who works as a prostitute, and her child whose name isn't revealed in the film. Mutter Krause is a quiet, long-suffering old woman who earns what little she can delivering newspapers. However, Paul is an alcoholic and spends all her money on drink. Mutter Krause can't pay back the money she owes the man whose newspapers she delivered and he accuses her of stealing and threatens her with arrest. Mutter Krause must then pawn her last valuable possession, a treasured memento of her late husband. Paul then breaks into the same pawn shop. He gets away but is later arrested. Meanwhile, Erna begins dating a young man with Communist views, who turns Erna to Communism and also helps her earn the money her mother needs by more honest means.

Irène is the unhappy wife of a wealthy publisher, Jacques Voisin-Larive, who cares about her no more than a beautiful piece of furniture. Her meeting with Étienne, a young cabinetmaker with whom she falls in love, turns her dismal existence upside down. Not wanting to reveal her condition to her lover, she pretends to be a modest maid, employed by the Voisin-Larive. At the end of a weekend spent with her lover, Irène discovers that she is pregnant. The fragile balance of their existence is suddenly broken. Taking the initiative, she reveals her affair to Jacques and tells him about her desire to divorce. But her husband has no intention of giving her back her freedom...

Tish Gray had a baby and gave it up for adoption. She is contacted by a second childless couple who want her to have the husband's baby because of the wife's inability to have children. She accepts but finds that knowing the parents, and developing a relationship with them for the entire pregnancy complicates the simple arrangement.

A day in the maternity ward from the lens of accepted morals and medical attitudes of 1932. The ward includes women from all walks of life and situations.

Compulsive gambler Oz lives in a rent-controlled apartment in Brooklyn, with his roommate, Ivy-League dropout Ish. Crippled by an unspoken fear of failure, the serial underachievers whittle the hours away playing video games and discussing plans for a band that has yet to leave the realm of the hypothetical. But after they meet graffiti artist Veronica, who challenges them to take action, Oz and Ish must examine themselves for the first time.

Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand.

Now the subjects of a despotic chief, far from having any favor to expect from him, as both themselves and all they have are his property, or at least are considered by him as such, are obliged to receive as a favor what he relinquishes to them of their own property. He does them justice when he strips them. He treats them with mercy when he suffers them to live. In a beautiful house, during a beautiful day, next to a library with no books, a table is set for the last supper of its inhabitants.

Astrid is a comedian who makes people laugh for a living; her husband Markus is her manager and the two of them work well together. They have a nine-year-old daughter and are expecting their second child. When they learn that their child will not be born healthy, they are at first optimistic that they will be able to meet this challenge – although they have no idea what awaits them. But the closer it gets to the due date, the more Astrid begins to worry about the future of her unborn child as well as that of her family and her career. After many discussions and arguments Astrid realises that the decision that will affect all their lives must be made by her alone. What complicates matters further is the fact that, as a successful entertainer, she is in the eye of the public and the media.

In 1950s Ireland and New York, young Eilis Lacey has to choose between two men and two countries.