Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
Wicked 2024 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 28th)
Come Dine With Me- South Africa - (Jan 29th)
Andrea Mitchell Reports - (Jan 29th)
Chris Jansing Reports - (Jan 29th)
The Bidding Room - (Jan 29th)
Richard Osmans House of Games - (Jan 29th)
Tyler Perrys The Oval - (Jan 29th)
The Tucker Carlson Show - (Jan 29th)
Homes Under the Hammer - (Jan 29th)
Perfect Match - (Jan 29th)
Wild Cards - (Jan 29th)
Allegiance - (Jan 29th)
Family Feud Canada - (Jan 29th)
The Kelly Clarkson Show - (Jan 29th)
After Midnight - (Jan 29th)
Ishura - (Jan 29th)
Hard Quiz - (Jan 29th)
The Chase Australia - (Jan 29th)
The One Show - (Jan 29th)
Landscape Artist of the Year - (Jan 29th)
Tipping Point Australia - (Jan 29th)
**A “gay friendly” film with some qualities, but which seems unfinished in some important aspects.** This has been one of the most beloved films among the transsexual community, even though it seems obvious to me that being a transvestite and transsexual are not identical things. A transvestite is anyone who wears clothing belonging to the opposite sex to look like that. A transsexual is anyone who believes that they should have been born with the opposite sex to the one they have, and who, not infrequently, begins to undergo medical treatments in order to achieve the physical appearance they desire. What do they have in common? Both are minorities of little expression within the “gay” movement and, despite being visible, they have demands that sometimes contradict those of the homosexual movement, leading to some internal friction. None of this really matters, but it helps to understand why the group keeps this film on their favorites list. Filmed in Australia, it shows us the bumpy journey of a troupe of transvestites through the Australian desert to a remote town, where they are supposed to have some shows. The film has an intelligent script, where the adventures and misadventures of the trio intersect with other caricatured characters and, of course, with the intolerance and homophobia of isolated rural communities, where the “gay friendly” film takes the opportunity to make certain criticisms of these attitudes. Unfortunately, the film doesn't give us more than this, the characters are poorly developed and the feeling that remains is that of a project made to please a niche audience and not to tell a good story. The cast has three strong names at the front who ensure consistent protagonism: Terence Stamp, Hugo Weaving and Guy Pearce. The three actors are solid bets and do a very decent job with the material received, with Pearce, more extravagant and bizarre, being the one who least satisfies me. The character he offered us is a caricature and not a credible human figure. He is the one who purchases the tourist bus that will be used on the trip, and which he bizarrely names Priscilla, Queen of the Desert. On a technical level, the film does not present great quality scores, for which it deserves special praise. With a couple of exceptions: the first is the design of the costumes worn in the film by the trio of main actors, full of bizarre details that allude to the world of the show; The second is the cinematography, very well conceived and crafted, and to which the exquisite choice of desert filming locations and, also, the good filming and lighting work largely contributed.
Drag queen "Tick" (Hugo Weaving) gets the offer of a gig in Alice Springs and suggests to fellow artiste "Bernadette" (Terence Stamp) that they both go. How to get there? Well that's where their headstrong young pal "Felicia" (Guy Pearce) comes in. He has no compunction in using a bit of emotional blackmail to extort cash from his mother. Next thing, the three have an old (soon to be pink) bus and are winging their way from Sydney at the start of their 1700 mile trip north. Like any trip in a confined space, tempers flare and these three, already near the top of the histrionics chart, provide us with some entertainingly profane language that make you smile and wince at the same time. As they travel, they tentatively explore more of each other's foibles and personalities as well as a terrain which isn't always the most hospitable. En route, they encounter "Bob" (Bill Hunter) who might just offer an hint of romance for the trans "Bernadette" who is suffering from a bit of ennui with life in general. Their eventual arrival tops a journey of discovery for all of them, but especially "Tick" who's in for quite a surprise! A great soundtrack and some earthy and witty writing help out enormously here, but it's essentially the three men whose ridiculously exaggerated characterisations and temper tantrums of an existence that make this a journey you'd love to watch but are very glad you're not actually on. There were a few popular films made that challenged the global stereotype of Australian machismo and bull-headedness but by taking this into the outback, this offers everyone a chance to contrast the open-mindedness of some with the opposite in others - all whilst keeping sight of the fact that this is a comedy, and a satirical and delightfully sarcastic one at that.
An Asian-American high school football player is forced to confront his deepest fears after a strange encounter with a mysterious figure.
Suzuki Shizuka is an office lady at a conglomerate who is hypnotized at a local amusement park and left under the spell. Now she is compelled to sing and dance whenever she hears any melody whatsoever. She heads back to the hypnotist for relief, but he is nowhere to be found. So Shizuka sets off on a journey around Japan to find him and break the spell.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
The Katakuri family has just opened their guest house in the mountains. Unfortunately their first guest commits suicide and in order to avoid trouble they decide to bury him in the backyard. Things get way more complicated when their second guest, a famous sumo wrestler, dies while having sex with his underage girlfriend and the grave behind the house starts to fill up more and more.
The Yamadas are a typical middle class Japanese family in urban Tokyo and this film shows us a variety of episodes of their lives. With tales that range from the humorous to the heartbreaking, we see this family cope with life's little conflicts, problems, and joys in their own way.
A veterinarian who can communicate with animals travels abroad to search for a giant sea snail.
The life of famed 1930s comedienne Fanny Brice, from her early days in the Jewish slums of New York, to the height of her career with the Ziegfeld Follies, as well as her marriage to the rakish gambler Nick Arnstein.
Elmo loves his fuzzy, well-worn blue blanket more than anything in the whole world. However, when Elmo's blanket gets sucked through a colorful, swirling tunnel into Grouchland, the yuckiest place on earth, Elmo goes on an adventure to Grouchland to retrieve his prized possession.
A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.
Rina wants to tell her best friend, Eli, about her arranged marriage, by dating her on the last night they could be together.
After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.