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An Irish social realism for Irish problems? In this RTÉ production, sixteen-year-old Martin returns from reform school to an overcrowded home, inattentive parents, little opportunity, considerable prejudice, and all-too-frequent advice on the importance of law, order, and property. Clergy in the film are largely well-meaning. They introduce it and provide commentary – like an episode of _Radharc_, a popular, long-running Irish documentary series (1962-1996)) – but repeatedly express their own inadequacy for their work. MacLochlainn and Ó Marcaigh do a grand job, with the help of Stewart, Ireland’s greatest jazz musician. And there are a number of surprises among the cast. Recommended. Note: I added this based on the little information I could find. Please feel free to offer corrections. See www.rte.ie/archives/2016/1206/836988-a-week-in-the-life-of-martin-cluxton/
Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self-employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.
A middle aged carpenter, who requires state welfare after injuring himself, is joined by a single mother in a similar scenario.
After 20 years abroad, Mark Renton returns to Scotland and reunites with his old friends Sick Boy, Spud and Begbie.
Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?
Walter is a 60-year-old removal man for forced evictions. He recognizes in one of the tenants about to be evicted his estranged son, Jan. In order to help Jan, Walter has to confront not only his crooked boss but also his own past.
In an urban Indian city, A struggling actor battles for his career, but his friend who loses money in a scam deal commits an action that puts both of their lives in danger. The three last days before the incident follows the struggling actor, an ambitious filmmaker, a wannabe hustler, an opportunist, a lover and two cinephile thugs, through an inter-twining vignette of their lives.
At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track.
Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends - Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.
Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.
Angie is a working class woman. After being fired, she decides to set up a recruitment agency of her own, running it from her kitchen with her friend, Rose. Taking advantage of the desperation of immigrants, Angie builds a successful business extremely quickly.
Sonia and Arturo live in a house that appears safe but is too large and silent. One night, three armed men violently break into the couple's property. Arturo manages to escape and capture the youngest and most inexperienced of the thieves, deciding to kidnap him and discipline him in the basement of the house. Gradually, the anger dissipates, and strange familial ties emerge that Arturo and Sonia believed were long gone. "Salvajes" is a violent portrayal of a divided society, in an unequal social fabric where the boundaries between victim and perpetrator become blurred.