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**Spoilers** The live action remake of "Beauty and the Beast" was good, but it failed to capture the magic of the cartoon version. There were somethings that they got right, and others that dragged on. I thought "Be Our Guest" was done beautifully. The 3d made it even more enchanting. The main characters' backstories also added some depth to them. However, there were some scenes that I felt added nothing to the story. Such as the search for Belle by Gaston and her father. The "No one is like Gaston" scene didn't have the bravado or arrogance of the original. I also felt that Luke Evans was miscast. He wasn't the handsomest guy in town, nor was he the strongest. Which is why it was hard for me to accept him as the character. Emma Watson was serviceable. Her voice was fine, but it wasn't strong enough to carry Belle's songs. Dan Stevens was the best part of the film. I felt that he should have had more songs, because he has a beautiful baritone. Although his beast costume should have been more frightening. Overall, it's a fun film to watch. Though, I wouldn't call it a classic.
Disney's done a great job with Gaston and The Beast, the two aspects that I always thought would be the most important, and the most difficult, to nail. _Final rating:★★★ - I personally recommend you give it a go._
**Only beauty would conquer the beast!** This is not the first time screen adaptation, that means every one of us have seen either version of the films according to what generation we belong. Mine was the animated one and then there was a modern-day version called 'Beastly'. Not to forget there's a recent French version made on the big scale that I yet to watch. So it's not about the story at all. It is about the quality of film, performances, and particularly how the modern technology used to narrate the story. Like the recent Disney's live-actions 'Cinderella', 'The BFG', 'The Jungle Book' and many more, this is another excellently adapted film from the book. Though visually it tried to be true to the original, and that's absolutely great thinking. Because in this modern world, we all try something new out of the original contents for sometimes to mess it up. Excellent casting, the beauty was the best pick among all. The graphics were awesome. The CGI beast was flawless, yet that usual dark and cloudy atmosphere helped it to be so perfect. Since it is listed under Musical, I was worried about the songs. I truly don't like modern Musicals. But this film was not completely filled with songs. Yes, there were like half a dozen, but good ones. Retained the songs from the 1991 film, and in addition three new were composed. I did not think the Disney would get away with consecutive successes. Great achievement, and their attempts were very precautionary on their every step. Now this is Disney's second highest grossed film ever and first in live-action. The film was for all ages unlike old Disney films. That's the best thing about the modern Disney films that they have adopted. Definitely recommended for at least once watch it. _8/10_
JUST INCREDIBLE > I fell in love with that movie!The actors performed fantastically and the effects were so well-maid.It is a classic movie.The best Beauty and the Beast version!!The alive castle was so magical,the effects so realistic and the characters so sympathetic...It was just PERFECT!
What a fantastic movie with great graphics. I was amazed at how well the beast was rendered, you never had to think about the fact that it was CGI. The story kept my entire family interested and scared to leave for popcorn. My only concern was the gay references, I don’t think there was any added value other than shock, and **I don’t like shock in my Disney movies**. Moving forward, the story was easy to follow and it followed the typical Disney Princess theme perfectly. The singing was delightful and the cast did a great job making the moment real. I think this movie will stand the test of time just as the original.
**An admirable adaptation of a classic tale.** One of the best live-action Disney adaptations, even though that isn’t difficult to achieve, Beauty and The Beast (2017) excellently transports the audience into the magical world of the Beast’s magical and cursed castle. The scale of the tiny claustrophobic village contrasted with the grandiose halls of the enchanted clearly presents the different worlds of the main characters despite grappling with the same loneliness. The cast has two major standouts in Luke Evans’ Gaston and Ewan McGregor’s Lumière. The aesthetics and CGI of this movie are stunning and enhance the film rather than distracting, which would be so easy with so many computer-animated characters.
Very disappointed in this movie. I was expecting it to be as good as the cartoon one, but it wasn't. It was actually kind of boring. I also didn't buy in to thier chemistry at all. It looked really cool though.
A little like "Into the Woods" (2014) this is a technically ambitious attempt to reconcile animation and live action with an excellent cast. Again, it works spectacularly as a piece of cinematic innovation - but has no spirit. We know the story: a vain Prince is cursed by a sorceress to remain shut up, hideously disfigured, in his castle until the spell is broken by true love's tear. "Belle" (Emma Watson) does well to keep this almost Ziegfeld-esque extravaganza on track. She manages to avoid the amorous intentions of Luke Evans as "Gaston" before ending up doing the prisoner swap for her father in the castle of the Prince - an extremely well made up Dan Stevens. The additional voice cast line up is great - Kevin Kline, Sir Ian McKellan, Ewan McGregor, Emma Thompson and Stanley Tucci. The songs are reprised from the 1991 version of the story but without the charm and mischief of their original iterations; they are just too precise and dare I say "professional". The technology has now super-subsumed every element of the process to the point that it is almost clinically delivered. The characters and story are still great, but please, Disney, leave something a little rough around the edges for us....
Radio psychologist Jack Black takes his children Joshua and Ashley on a 'vacation' to a lake in British Columbia. While he grinds away at work the children discover that the famous local lake monster "Orky" may not be just a gimmick to attract tourists after all. In fact, Orky may enable them to get closer to their workaholic dad, and help stop local polluters who are dumping toxic waste.
When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.
A comedy/musical utilizing both new songs and parodies from the original (Gilbert and Sullivan's Pirates of Penzance), as well as references to popular films of the time, including Star Wars and Raiders of the Lost Ark. In your typical boy meets girl, boy loses girl, boy fights girl with swords plot, the story revolves around Mabel ...
After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and performed in their original settings. Added to the Rodgers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific but not used.
Ollie Dee and Stannie Dum try to borrow money from their employer, the toymaker, to pay off the mortgage on Mother Peep's shoe and keep it and Little Bo Peep from the clutches of the evil Barnaby. When that fails, they trick Barnaby, enraging him.
Events in India's history — from the Emergency and the famous Cricket World Cup win to the Punjab riots — unfold from the perspective of an innocent Sikh man Laal Singh Chaddha, a person with a low IQ but high optimism. Laal is able to achieve everything under the sun but his childhood love continues to elude him.
In this feature-length film combining footage from classic Warner Brothers cartoon shorts with newly animated bridging sequences, Daffy Duck, after having induced laughter in an ailing millionaire and forestalled the millionaire's death for a time (as chronicled in Daffy Dilly (1948), is the beneficiary for the deceased millionaire's assets. But the millionaire's will clearly stipulates that Daffy must use the money for the common good, by providing a service, and should Daffy think of pursuing selfish aims, the millionaire's ghost will "repossess" his millions by making them disappear from Earthly existence. Under the pretense of community service, Daffy opens an exorcism agency and employs Porky Pig, Sylvester Cat, and Bugs Bunny to track and eliminate ghosts, ghouls, and other monsters, while Daffy secretly schemes to use his learned "ghost-busting" talents to rid himself of the millionaire's nagging spirit.
Years ago, there was a place called The Land of Point, because everything in The Land of Point had one: the barns, the houses, the cars, everything, even the people. Everyone in The Land of Point had a point at the top of its head. Everyone, that is, except Oblio, who was born round-headed. Since he had no point, Oblio, along with his trusty dog, Arrow, was banished to the Pointless Forest. Join them to see what wonders await these two intrepid travelers as they make their way on their amazing, song-filled journey of discovery!
During the French Revolution, a mysterious English nobleman known only as The Scarlet Pimpernel (a humble wayside flower), snatches French aristos from the jaws of the guillotine, while posing as the foppish Sir Percy Blakeney in society. Percy falls for and marries the beautiful actress Marguerite St. Just, but she is involved with Chauvelin and Robespierre, and Percy's marriage to her may endanger the Pimpernel's plans to save the little Dauphin
Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.