War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
**Spoilers** The live action remake of "Beauty and the Beast" was good, but it failed to capture the magic of the cartoon version. There were somethings that they got right, and others that dragged on. I thought "Be Our Guest" was done beautifully. The 3d made it even more enchanting. The main characters' backstories also added some depth to them. However, there were some scenes that I felt added nothing to the story. Such as the search for Belle by Gaston and her father. The "No one is like Gaston" scene didn't have the bravado or arrogance of the original. I also felt that Luke Evans was miscast. He wasn't the handsomest guy in town, nor was he the strongest. Which is why it was hard for me to accept him as the character. Emma Watson was serviceable. Her voice was fine, but it wasn't strong enough to carry Belle's songs. Dan Stevens was the best part of the film. I felt that he should have had more songs, because he has a beautiful baritone. Although his beast costume should have been more frightening. Overall, it's a fun film to watch. Though, I wouldn't call it a classic.
Disney's done a great job with Gaston and The Beast, the two aspects that I always thought would be the most important, and the most difficult, to nail. _Final rating:★★★ - I personally recommend you give it a go._
**Only beauty would conquer the beast!** This is not the first time screen adaptation, that means every one of us have seen either version of the films according to what generation we belong. Mine was the animated one and then there was a modern-day version called 'Beastly'. Not to forget there's a recent French version made on the big scale that I yet to watch. So it's not about the story at all. It is about the quality of film, performances, and particularly how the modern technology used to narrate the story. Like the recent Disney's live-actions 'Cinderella', 'The BFG', 'The Jungle Book' and many more, this is another excellently adapted film from the book. Though visually it tried to be true to the original, and that's absolutely great thinking. Because in this modern world, we all try something new out of the original contents for sometimes to mess it up. Excellent casting, the beauty was the best pick among all. The graphics were awesome. The CGI beast was flawless, yet that usual dark and cloudy atmosphere helped it to be so perfect. Since it is listed under Musical, I was worried about the songs. I truly don't like modern Musicals. But this film was not completely filled with songs. Yes, there were like half a dozen, but good ones. Retained the songs from the 1991 film, and in addition three new were composed. I did not think the Disney would get away with consecutive successes. Great achievement, and their attempts were very precautionary on their every step. Now this is Disney's second highest grossed film ever and first in live-action. The film was for all ages unlike old Disney films. That's the best thing about the modern Disney films that they have adopted. Definitely recommended for at least once watch it. _8/10_
JUST INCREDIBLE > I fell in love with that movie!The actors performed fantastically and the effects were so well-maid.It is a classic movie.The best Beauty and the Beast version!!The alive castle was so magical,the effects so realistic and the characters so sympathetic...It was just PERFECT!
What a fantastic movie with great graphics. I was amazed at how well the beast was rendered, you never had to think about the fact that it was CGI. The story kept my entire family interested and scared to leave for popcorn. My only concern was the gay references, I don’t think there was any added value other than shock, and **I don’t like shock in my Disney movies**. Moving forward, the story was easy to follow and it followed the typical Disney Princess theme perfectly. The singing was delightful and the cast did a great job making the moment real. I think this movie will stand the test of time just as the original.
**An admirable adaptation of a classic tale.** One of the best live-action Disney adaptations, even though that isn’t difficult to achieve, Beauty and The Beast (2017) excellently transports the audience into the magical world of the Beast’s magical and cursed castle. The scale of the tiny claustrophobic village contrasted with the grandiose halls of the enchanted clearly presents the different worlds of the main characters despite grappling with the same loneliness. The cast has two major standouts in Luke Evans’ Gaston and Ewan McGregor’s Lumière. The aesthetics and CGI of this movie are stunning and enhance the film rather than distracting, which would be so easy with so many computer-animated characters.
Very disappointed in this movie. I was expecting it to be as good as the cartoon one, but it wasn't. It was actually kind of boring. I also didn't buy in to thier chemistry at all. It looked really cool though.
A little like "Into the Woods" (2014) this is a technically ambitious attempt to reconcile animation and live action with an excellent cast. Again, it works spectacularly as a piece of cinematic innovation - but has no spirit. We know the story: a vain Prince is cursed by a sorceress to remain shut up, hideously disfigured, in his castle until the spell is broken by true love's tear. "Belle" (Emma Watson) does well to keep this almost Ziegfeld-esque extravaganza on track. She manages to avoid the amorous intentions of Luke Evans as "Gaston" before ending up doing the prisoner swap for her father in the castle of the Prince - an extremely well made up Dan Stevens. The additional voice cast line up is great - Kevin Kline, Sir Ian McKellan, Ewan McGregor, Emma Thompson and Stanley Tucci. The songs are reprised from the 1991 version of the story but without the charm and mischief of their original iterations; they are just too precise and dare I say "professional". The technology has now super-subsumed every element of the process to the point that it is almost clinically delivered. The characters and story are still great, but please, Disney, leave something a little rough around the edges for us....
Set in 1960s India, Archie and the gang navigate romance, friendship and the future of Riverdale as developers threaten to destroy a beloved park.
An all-star cast highlights this vibrant musical adaptation of Lewis Carroll's immortal tale. One day, plucky young Alice follows a white rabbit down a hole and discovers a world of bizarre characters.
The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".
Grimes, an amoral chimney sweep, occasionally likes to steal valuables from his clients. One day, on the verge of being caught, he frames his young apprentice, Tom, for the crime. Tom runs away and jumps into a river where, instead of drowning, he finds himself transformed into a mystical aquatic creature. Swimming and breathing effortlessly, he discovers a colorful underwater world replete with creatures both cruel and kind.
Marnie Piper prepares to begin a new school year, she asks the Halloweentown Hot Witches' Council to work toward openness between Halloweentown and the mortal world. She proposes to bring a group of Halloweentown students to her own high school in the mortal world.
While hiding from bullies in his school's attic, a young boy discovers the extraordinary land of Fantasia, through a magical book called The Neverending Story. The book tells the tale of Atreyu, a young warrior who, with the help of a luck dragon named Falkor, must save Fantasia from the destruction of The Nothing.
Two friends discover how awfully boring their lives are and believe that learning magic is the key to making their lives interesting. On their journey to learn and practice the ways of magic they find themselves involved in cults, robbery, and magic crystals. Is magic really the solution to all their problems?
Ahoy, matey! Your Favorite Playmobil toys have come to life for the very first time, in an all-new swashbuckling adventure and you're invited to join them! You'll have a treasure chest full of fun with seven-year-old Jack and his big sister Amelia as they stow away on a pirate ship headed for the mysterious Pirate Island - a place filled with treasure and curious creatures. Can Jack and Amelia stay one step ahead of a bunch of wacky skeletons and get to the treasure before the pirates do?
After being put on indefinite leave by his chief of police uncle, the highly intelligent and arrogant huntsman spider Inspector Sun boards a San Francisco bound seaplane. Joined by an intrepid young fan, Sun is pulled into a murder case where the turnout could affect both the insect and human worlds.