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Excellent. I had previously heard a fair bit of hype down the years regarding 'Atlantis: The Lost Empire' and now, finally, I can understand why. It is very good. My favourite part of it is the animation which is exquisite, especially across acts one and two with the great amount of detail. The characters are cool, while the premise is pretty fascinating. Michael J. Fox is a superb cast as Milo, he is fantastic in the lead role. Honestly, none of the other voices stand out to me but that's not always a bad thing - especially in this film. There are no huge individual performances, away from Fox, but they all bounce off each other nicely. The plot is very interesting, brought to life brilliantly by James Newton Howard's terrific score. It's not near the top of my Disney animated favourites, just through process of elimination really, but it certainly isn't majorly far off. It's a fun experience, one I'd recommend you see for yourself if you haven't done so already.
We start off watching the destruction of the legendary city before advancing several thousand years to meet "Milo" - a rather geeky young man whose grandfather had been obsessed with the mystery surrounding the lost continent. Gazillionaire "Preston Whitmore" recruits him on a perilous expedition to try and find the truth - so equipped with a submarine and a crew you just know have another agenda, off they go. The first forty minutes of this over-long adventure is much more reminiscent of something from Jules Verne, only spent on elongated character establishment scenarios, some borderline slapstick humour and by the time the film gets anywhere near it's sharp end, I could already feel a sense of ennui setting in. Michael J. Fox does inject some character as the young lad, and James Garner has his tongue firmly in his cheek as the completely untrustworthy "Rourke", but that can't really inject enough to create any sense of pace into this competently, but unremarkably, animated feature. The style of the artistry, though colourful, is clearly computer generated. The animations lack depth or texture and coupled with a really average storyline leaves this in a sort of Disney limbo. It is certainly not as bad as some that were produced ten years earlier, but it is still factory-style output that lacks for imagination and any of the traditional uniqueness that this studio used to deliver. It is watchable enough, but pretty forgettable.
Junyer Bear has a number of surprises for Good Ol' Pa on Good Ol' Father's Day, whether he wants them or not.
Sylvester Cat spots Tweety Bird in a display window of an after-hours department store and sneaks inside through a mail server chute. Tweety flees Sylvester by hiding in a hat pile and a doll house, evades the shots from a rifle Sylvester uses, and escapes in a vacuum tube. Tweety sends a dynamite stick through another tube, and Sylvester swallows it, thinking it is Tweety. The dynamite blows up inside Sylvester after the cat leaves the store and walks down the street.
Elmer Fudd introduces two pieces of classical music: "Tales of the Vienna Woods" and "The Blue Danube", and acted out by Bugs Bunny, Porky Pig, Laramore the Hound Dog, a family of swans, and a juvenile Daffy Duck.
A present-day idyllic kingdom where the benevolent teenage son of King Adam and Queen Belle offers a chance of redemption for the troublemaking offspring of Disney's classic villains: Cruella De Vil (Carlos), Maleficent (Mal), the Evil Queen (Evie) and Jafar (Jay).
In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.
Godzilla has become a distant memory for Japan when the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri investigates the legend of the guardian monsters, who must rise to protect Japan against the vengeful spirits within Godzilla that seek to destroy both the nation and its people for the suffering they inflicted in the Pacific conflict.
Set after the events of Continental Drift, Scrat's epic pursuit of his elusive acorn catapults him outside of Earth, where he accidentally sets off a series of cosmic events that transform and threaten the planet. To save themselves from peril, Manny, Sid, Diego, and the rest of the herd leave their home and embark on a quest full of thrills and spills, highs and lows, laughter and adventure while traveling to exotic new lands and locations.
Big Bird is sent to live far from Sesame Street by a pesky social worker, who thinks it would be better for him to live with other birds. Unhappy, Big Bird runs away from his foster home, prompting the rest of the Sesame Street gang to go on a cross-country journey to find him.
Christopher Robin's bear attempts to raid a beehive in a tall tree.
In the world of the Murkworks where nightmares are made, the evil Synonamess Botch hatches a scheme to make non-stop nightmares. Only Ralph and Mumford, misfits from the cheery land of Frivoli where good dreams are made, can stop him.
