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Simone Simon ("Irina Dubrovna") comes to work in New York where she falls in love with Kent Smith ("Oliver Reed"). Their relationship soon becomes strained after she struggles with intimacy - you see she believes that should she ever even kiss someone she loved, she would turn into a violent feline and claw him to death. She confides in her now husband and somewhat sceptical, he sends her to a psychiatrist, the debonaire Tom Conway ("Dr. Judd"). Our story tracks her determination to get past this obsession in the face of her growing suspicion that "Oliver" is seeking solace elsewhere - and that they are planning on having her committed - in a tense and eerie way. The dialogue is quite stilted and the theatricality of the performances rob the film of much of it's pace - but it is still a good horror thriller.
The main characters are two male best friends, Jerry and Hui Lok, and their female friend, Cherie. The story revolves around their relationships with others, including Jenny and Kei Kei, and each other. Jerry, Cherrie, and Lok are a pop trio, and the boys have agreed not to court Cherrie for the good of the group. Jerry's a feckless playboy, but he falls hard for the beautiful and talented Fonfong; she becomes his roommate as Cherrie looks on. Lok has two women in his life, the young and innocent Man-Yi, and Rachel, a mysterious minx into bondage and sexual excess. Things come to a head when Fonfong has a chance to study in Paris and Rachel takes things a bit far with Lok. It's time for Jerry and Lok to look around: is true love closer at hand? And what about Cherrie, who's been bruised often by Jerry: what will she decide?
An Asian-American high school football player is forced to confront his deepest fears after a strange encounter with a mysterious figure.
Soon after a veteran returns from war, his cheating wife is found dead. He evades police in an attempt to find the real murderer.
On the surface, Clara Barron seems to have it all: a job as an OB-GYN; a great house in LA; and a loving family. But, the one thing Clara doesn't have figured out is her love life. Pressured by a family wedding in Mexico, Clara asks a co-worker to pose as her boyfriend for the weekend festivities,- only to be caught by surprise when her ex- boyfriend (and family favorite) suddenly shows up after disappearing from her life completely. Torn, Clara must decide between going back to the past or open her heart to new and unexpected possibilities.
Michael Morda, a young sculptor living in San Francisco, is madly in love with Elinor Hunter, and they plan to be married. When Elinor becomes jealous of Julie Stressman, an old friend of Michael's and one of his models, Michael reluctantly asks Julie not to visit him at his studio. They agree to meet only at the construction site where he is working on a sculpture for which Julie is modeling. When Elinor also shows up at the site, Julie leaves so as to avoid a confrontation, but she is killed by some falling materials. Julie's dying request is that Michael adopt her daughter Mitzi, whose father died years earlier. In order to prevent Mitzi from being taken to an orphanage, Michael lies and says he is her father. Elinor hears this, and without asking questions, leaves him and marries another man the same night.
Sylvi's child is run over by a bus, prompting her to drink poison. She goes blind in the process, causing her husband to lust after her much younger sister. After undergoing a dangerous operation to regain her sight, she hides her repaired vision behind dark eyeglasses, so she can spy on her sister and husband as they carry on their affair.
Julião is a young farm worker who, one day, contracts leprosy. Overnight, the good mountaineers that were so friendly with him refuse to see him again, and he must be by himself in the far woods. Bathing in olive oil, as suggested by an old woman, proves ineffective. Now, he becomes violent, expressing his anguish against those who expelled him from the village. Production date is 1975. Had its first major public release in 2009, at MotelX, Lisbon's International Horror Film Festival in the section "Lost Room". The movie was suggested to the MotelX production by the portuguese director António Macedo who knew about the existence of this and other portuguese movies about popular legends and myths of the portuguese imaginary. The movie was archived and conserved by the portuguese Cinematheque.
A psychological thriller about a senior at one of America's most prestigious universities. Under enormous pressure to complete her thesis and earn a top job at one of the world's most competitive consulting firms, Katie is still coping with the sudden unexplained disappearance of her first love two years prior. As the investigation continues, Katie is forced to choose between past passions and new possibilities, even as new facts are uncovered.
A psychology student who experienced night terrors as a child must face the chilling realization that her nightmares were not all in her head.