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Beautiful Disney Production Of A Wonderful Fairytale. When an evil witch places a curse on an infant princess that will cause her to fall into eternal sleep on her 16th birthday, her three fairy godmothers whisk her away to a life of normality and ignorance of her birthright. But can they stave off the curse when the 16th year of age arrives? It upped the ante in costing for Disney, also taking a decade to produce. The ambition was high as new techniques were being used such as rotoscoping, while the musical score is brilliantly devised from Tchaikovsky's Sleeping Beauty ballet. The story itself is a pure joy, based on Charles Perrault's ever enduring fairytale, it's awash with rich characters, led by the delightful three fairy godmothers - Flora - Fauna and Merryweather, all plumpy and sweet, while evil witch Maleficent is brilliantly produced, with a long pointy chin and devil horns on her head. There's a whole bunch of charming fun on show, as the three ladies bring the magic and potter around while gently ribbing each other, but it's with the drama where Sleeping Beauty most soars. The nightmare sequence luring Briar Rose (Princess Aurora) to the dreaded spinning wheel is unnerving, and the battle between Prince Phillip and Maleficent is exhilarating and shows the animators at their best. As for the colour? Spanking! Upon release it wasn't the roaring success Disney had hoped and planned for, but the decades since then have been very kind to Sleeping Beauty. For it's a magical film for children and adults to dreamily get lost in. 9/10
Now then, for any fans of the more recent "Maleficent" films - this is how it is supposed to be done! I think this film goes a long way to explaining why I almost always support the baddies in films. A princess ("Briar Rose") is born and the three good fairies are summoned to the Christening to bestow their blessings on the newborn. Just as the third is about to lavish her gift on the baby, the ominously evil witch arrives with her trusted black raven. Not invited, how rude - but she still generously gifts the child a Christening present. Needless (or should that just be needles?) to say, the spindling trade in the kingdom took a bit of a hit after that and the girl is secreted deep in forest trying to keep away from the dreadful consequences of this nasty curse. Amongst the best ever sequences in animation - the three fairies try to make a cake and a dress for her impending 16th birthday and their efforts turn out to be disastrous. After 16 years - they resort to using their wands and we have five minutes of pure Disney magic. They cannot agree on a colour for the dress, have a bit of a magical colour-fight which is noticed by the evil sorceress's searching bird and their cunning secret is carelessly exposed... The colours, gently humorous dialogue and George Bruns' (with some Tchaikovsky) score makes this a thoroughly enjoyable fantasy romantic adventure - in my book, the best Walt ever produced.
A young woman's marriage to a charming prince turns into a fierce fight for survival when she's offered up as a sacrifice to a fire-breathing dragon.
In this light-hearted fantasy, a talented young magician stumbles across an unusual ring and ends up in Camelot before King Arthur. It turns out the ring belongs to none other than Merlin.
Prospero, the true Duke of Milan is now living on an enchanted island with his daughter Miranda, the savage Caliban and Ariel, a spirit of the air. Raising a sorm to bring his brother - the usurper of his dukedom - along with his royal entourage. to the island. Prospero contrives his revenge.
The fairy at a cabbage patch hovers over the babies. This is a remake of Guy's 1896 film on the same subject, this time shot in 35 mm.
A chauvinistic young man pays a visit to a new nightclub named "Salem's Flames", unaware that he is about to meet his comeuppance at the hands of a coven of witches.
After a queen's tragic death, the king abandons his newborn daughter in a cave, but a witch saves her. Years later, the tomboy princess must confront and ultimately falls in love with the enemy king.
When the old-old-old-fashioned vampire Vlad arrives at the hotel for an impromptu family get-together, Hotel Transylvania is in for a collision of supernatural old-school and modern day cool.
When a selfless king learns of a beautiful princess in a neighboring kingdom who callously turns down every suitor with an insult, he tries his luck to no avail. So, he hatches a plot with her father in which the princess is married to him, in disguise as a beggar, so he can teach her lessons about humility and compassion.