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Some highlights, but mostly tedious RELEASED IN 1965 and directed by Daniel Haller, "Die, Monster, Die" (aka “Monster of Terror”) is a semi-Gothic horror about a young man (Nick Adams) who travels to the estate of his fiancé (Susan Farmer) in England. Unfortunately, her wheelchair-bound father (Boris Karloff) is curiously curmudgeonly and something strange is going on behind the scenes. The movie is based on HP Lovecraft’s story "The Colour Out of Space." While this isn’t a vampire flick, the opening is reminiscent of Dracula (young man visits old man’s eerie chateau). I used to get this mixed up with “The Terror” (1963), probably because of Karloff, similarities in the plot, and they both came out in the early/mid-60s. Regrettably, “Die, Monster, Die” lacks the haunting fascination of “The Terror.” It tries to work up a mysterious ambiance, and succeeds to a degree, but the story’s mostly tedious and the characters dull. Susan Farmer is fine, but her part is too secondary and nothing interesting is done with her, like Venetia Stevenson in 1960’s “City of the Dead,” aka “Horror Hotel” (you know what I mean if you’ve seen that flick). Thankfully, there are some highlights, like the imaginative scene where the protagonist exclaims “It looks like a zoo in Hell,” not to mention the impressive monster at the close. FYI: Two and a half years after the release of this movie in the US, a demoralized Nick Adams was found dead from an overdose, which might have been accidental, but it also could’ve been suicide. THE MOVIE RUNS 1 hour, 15 minutes and was shot in England (Surrey & Berkshire). GRADE: C
American "Reinhart" (Nick Adams) arrives in a small English village seeking the home of his girlfriend "Susan" (Susan Farmer). Shunned by the villagers, he must walk to the stately pile of her wheelchair-bound father "Naham" (Boris Karloff) whereupon things begin to become mysterious for the young visitor as he tries to find out what secrets are being kept hidden. The problem with this is that - well - nothing much actually happens. There is a very slight sense of menace, but there is nothing much by way of accumulation to that. Something is glowing in the greenhouse, and there is a rather angry woman clad in black; but for the most part we can easily guess what is going on, going to happen and the ending is straight out of the ABC of horror films set in a big house. It's well enough made, the special effects basic but adequate, and maybe devotees of Karloff will get a little more from it. For me, though, this is entirely forgettable fayre.
After the re-emergence of the world's first mutant, world-destroyer Apocalypse, the X-Men must unite to defeat his extinction level plan.
When legendary hunter Bob Rainsford is shipwrecked on the perilous reefs surrounding a mysterious island, he finds himself the guest of the reclusive and eccentric Count Zaroff. While he is very gracious at first, Zaroff eventually forces Rainsford and two other shipwreck survivors, brother and sister Eve and Martin Towbridge, to participate in a sadistic game of cat and mouse in which they are the prey and he is the hunter.
In 2035, where robots are commonplace and abide by the three laws of robotics, a technophobic cop investigates an apparent suicide. Suspecting that a robot may be responsible for the death, his investigation leads him to believe that humanity may be in danger.
After seeking to live a normal life, Logan sets out to avenge the death of his girlfriend by undergoing the mutant Weapon X program and becoming Wolverine.
In order to save an assassinated scientist, a submarine and its crew are shrunk to microscopic size and injected into his bloodstream.
Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family's children. "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.
When a stranger ambles into a roadside diner in the dead of night, two friendly Samaritans prove no good deed goes unpunished.
Young sweethearts Billy and Kate move to the Big Apple, land jobs in a high-tech office park and soon reunite with the friendly and lovable Gizmo. But a series of accidents creates a whole new generation of Gremlins. The situation worsens when the devilish green creatures invade a top-secret laboratory and develop genetically altered powers, making them even harder to destroy!
While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.
First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.