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I don't really know how to put the thought that came to me while watching _Next_ in a way that makes any actual sense, so I'm just gonna out myself as kind of an idiot and tell you all what that thought literally was: "I'd like to see this movie in a different movie". _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Great watch, will likely watch again, and do recommend. While I wouldn't normally consider clairvoyance "time travel", the way it is implemented in this movie is essentially time shifting. He "thinks" himself forward in time, and then essentially time shifts himself backwards to a time before he witnesses the consequence. It's such an interesting concept, but potentially un-cinematic. They honestly do an amazing job of displaying Nicholas Cage standing in place to "see" and making it seem interesting. Juliane Moore helps by being a badass lady in charge, but Jessica Biel (a proven entity herself) just doesn't have the opportunity to be little more than a damsel. Cage carries most of the movie, but is a lot less "crazy" than he is in other movies, if that is any comfort. Definitely check this out next time you're looking for an "out of the box" action flick.
Entertaining if not uneven sci-fi thriller. Nic Cage was fine but it was weird having a guy in his mid-50s (adding black hair coloring didn't make him look younger) wooing a woman in her early 30s, and given the romance was a good part, that is a big strike against. Another strike was some shoddy CGI, seems like they didn't have the budget that would match the action sequences. All that said, found it to be an okay time-waster and an interesting idea that probably would work as a TV series. **3.0/5**
Someone here has been watching too much "Dr. Who"!. Sadly, though neither the acting nor the writing can really capitalise on the quirky theme of this sci-fi thriller. Nicolas Cage is "Cris" (the man clearly has an issue with the letter "h"). Anyway, he has the ability to see two minutes into the future and he uses his skill to best effect as a low-key magician in Las Vegas. He is coasting along fine until FBI agent "Ferris" (Julianne Moore) alights on a plan to use his unique quirk to thwart a plan by some unscrupulous Russian terrorists to detonate a nuclear bomb in California. Things take a turn for the more dangerous for poor old Cage when his girlfriend "Liz" (Jessica Biel) becomes a pawn in the game too. To be fair, it does move along swiftly enough, but there isn't even the merest hint of jeopardy. The dialogue and the action scenarios are straight out of the Janet and John book of join-the-dots disaster thrillers, and Moore is distinctly out-of-sorts trying to hold this derivative and disjointed story together - getting little help from a terribly wooden leading man. It's got straight to video written all over it, and even the most die-hard fans of the genre and these actors are bound, surely, to leave disappointed.
Ok, yes, this is a pretty bad movie, and no movie ever matches up to the Philip K Dick book it's based on, and yes that does go for Blade Runner too. The script is lazy, the plot holes are a mile wide and the technical inconsistencies are eye-roll-inducing. But you know what, it's an entertaining little adventure. Nicolas Cage is always worth a watch and I'll watch anything featuring Jessica Beil. It looks big, beautiful and colourful onscreen. Not everything has to be Shakespeare people, and thank the Gods for that fact.
Next (2007) starts with an exciting premise that immediately hooks you. Nicolas Cage plays Cris Johnson, a man with the unique ability to see a few minutes into his future. The first act delivers on the concept, balancing intrigue and action with some fun moments where his abilities shine. It sets the stage for something big, and you can feel the potential brimming as the story begins to unfold. However, as the second act progresses, the movie starts to lose its way. The momentum slows, and while there are still moments of brilliance, like a few thought-provoking quotes about beauty and perception, it feels like the film is more focused on reaching a predetermined conclusion than fully exploring the depth of Cris' abilities or the psychological impact they have on him and others. The performances from Cage and Jessica Biel are enjoyable, and their chemistry works well enough to carry the more personal scenes, even when the script feels underdeveloped. Despite its flaws, Next still has moments that stick with you, and the ending adds an unexpected twist that makes you reflect on what came before. While the movie doesn't quite deliver on its full potential, it remains an entertaining watch if you enjoy high-concept sci-fi thrillers. It's the kind of film that leaves you wondering how much better it could have been with a stronger focus on character depth and the world-building around its unique concept.
Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.
An American teenager who is obsessed with Hong Kong cinema and kung-fu classics makes an extraordinary discovery in a Chinatown pawnshop: the legendary stick weapon of the Chinese sage and warrior, the Monkey King. With the lost relic in hand, the teenager unexpectedly finds himself travelling back to ancient China to join a crew of warriors from martial arts lore on a dangerous quest to free the imprisoned Monkey King.
Two police officers struggle to survive when they become trapped beneath the rubble of the World Trade Center on September 11, 2001.
Young teenager Sam Witwicky becomes involved in the ancient struggle between two extraterrestrial factions of transforming robots – the heroic Autobots and the evil Decepticons. Sam holds the clue to unimaginable power and the Decepticons will stop at nothing to retrieve it.
Bound by hate and a mystical amulet that holds the powers of life and death, two immortal wizards meet for the last time in an ancient struggle of good versus evil.
Peter Parker is an outcast high schooler abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben and Aunt May. Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors, his father's former partner. As Spider-Man is set on a collision course with Connors' alter ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.
In a bold coup a Palestinian terrorist group captures the yacht Rosebud and kidnaps the millionaires five daughters on it. At first they demand film clips to be shown on major European TV stations. Undercover agent Martin is hired to hunt the terrorists down.
Traveling businessman David Mann angers the driver of a rusty tanker while crossing the California desert. A simple trip turns deadly, as Mann struggles to stay on the road while the tanker plays cat and mouse with his life.
After a spectacular crash-landing on an uncharted planet, brash astronaut Leo Davidson finds himself trapped in a savage world where talking apes dominate the human race. Desperate to find a way home, Leo must evade the invincible gorilla army led by Ruthless General Thade.
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted, his life in the hands of a benevolent chimpanzee scientist.
Immediately after their miscarriage, the US diplomat Robert Thorn adopts the newborn Damien without the knowledge of his wife. Yet what he doesn’t know is that their new son is the son of the devil.
