The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Unsolved Mysteries - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
What is there to say about an early monster movie where two of the worlds biggest monsters come together and beat each other up in clunky looking rubber suits? Alright, well it may not be up to the high tech standards of film we're so use to today, King Kong vs. Godzilla is credited as being one of the first "versus" films to start the now very popular trend of bringing franchises together. What an interesting idea. You take a character from one film and another character from another film and bring them together, now to do what is beyond them. But now studios are taking interest in something that should have been done years ago and with the advent of the Marvel Cinematic Universe, it is now catching on like wild fire. But to the credit, this is the one that started it all. With such a colossal idea, you would imagine that it'd look cleaner. Well to it's credit, it was made in 1962 and Toho was asked by RKO to fork over a giant amount of money for Kong's likeness that substantially hurt the budget. So the real question is, how does it hold up? It's cheesy when it needs to be and serious when it needs to be too. Some people think that the added Americanized footage with Michael Keith and the stock music from films like _The Wolf Man_ and _Creature From the Black Lagoon_ butcher the film. I like to think that it helps set it in the mood among the classic Universal Monster Movies. The fight is a little hokey now but back then, was probably mind boggling. And stop motion techniques spread throughout the film are amazing. On top of that, this has one of the least annoying Americanized dubbings to a Godzilla movie I have ever seen. So is it great? No. Is is bad? No. What is it then? Just good old cheesy fun that needs to be seen to be believed.
The original clash of the Titans you think the first crossover with these two would take a long time, but no it happened in 1962 and was both monsters third movie but their first in color the characters in this movie are actually pretty entertaining. Definitely better than the characters in raids again. Mr Tako definitely being the stand out in the movie Godzilla’s design looks pretty good although if you do look at him face on, he doesn’t look that great but him profile he does look pretty incredible. I like them more hunchback to look and this is the first Godzilla movie where we got to see the atomic breath in color and its blue, which would become iconic King, Kong, design however, is not that great. The body looks like an app that looks fine. It’s really the face that’s a problem. It just looks bad. It looks like they got run over 50 cars and then a semi truck but yet again, the design does work in a way the scene that the movie itself is very goofy and silly so in a weird way it does work, but has a design on its own. Yeah it’s not that great. You do you have to wait a while to see Godzilla fight King Kong but once you do, it is worth the wait I mean sure they have a brief encounter but it’s very very brief and it’s really just Godzilla shooting his atomic breath at Kong and then Kong running away but the final battle is so entertaining there’s so many great moments like when Godzilla does the drop kick and when he’s just constantly beating on Kong and obviously the tree in the mouth Just a fun fight Overall, this movie is really entertaining and a lot of fun and definitely one of the better Godzilla movies out there
When their trip to San Lorenzo takes a turn for the worst, Arnold and his classmate’s only hope of getting home is retracing the dangerous path that led to Arnold's parents' disappearance.
A Masked Monster being chased for stealing a microfilm with EAGLE secrets hides on a houseboat to avoid Kaijo and Asuka's pursuit.
When a mother with an unexpected origin is held hostage by the Vader Clan, the Denziman must come to her rescue.
It is the early 1930s and the command of the Japanese Imperial Navy determines to construct the world's biggest and most formidable battleship, Yamato. One of the admirals, Yamamoto Isoroku, disagrees. He recruits the upstart and mathematics' expert Tadashi Kai who discovers there are discrepancies between the official cost estimates and the actual figures. They soon find out that they have stumbled upon a conspiracy.
It’s days until Christmas, and the Jameson Family are all off chasing their dreams. Tori and June are in Nashville recording their first album while Bones is home on the farm getting everything ready for the whole family to be together at Christmas. But when the sisters get a chance to be on a live Christmas Eve show, one that will supercharge their budding career, they are faced with a difficult decision.
This is the 2019 summer movie for Kishiryu Sentai Ryusoulger. It is twin-billed with the summer movie for Kamen Rider Zi-Oi: Kamen Rider Zi-O: Over Quartzer!. It will feature the debut of Ryusoul Gattai Kishiryuzin.
A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.
Two middle aged German brothers - one New Age and recently divorced, the other uptight and sceptical - travel to a Zen monastery in Japan in search of enlightenment, or perhaps just in search of themselves.
Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.
Beet J Stag goes berserk after drinking a Vaglass produced Enetron can. No one could stop J, who thinks of himself as a king. What's worse, Enter manages to transform into Beet Buster! What will Masato and the Go-Busters do to stop them? Furthermore, Space Sheriff Gavan also makes a short appearance here.
One year after the battle with Belial's Galactic Empire, the members of Ultimate Force Zero returned to Planet Esmeralda to see Princess Emerana. They arrived to see her and Jean Bot captures by a mysterious artificial planet which then took of for another universe. In the Universe where the sphere fled to, Zap Spacy members Rei and Hyuga are forced to infiltrate it, as it is on a collision course with Planet Bram. Inside they encounter various robot monsters, that the Ultramen have fought in the past, all under the control of Beatstar, with one mission: "Destroy all organic life". After saving Emerana, they encounter a robot very similar to Jean Bot, Jean Killer. During their fight with Jean Killer, Zero learns from Jean Bot that Jean Killer is actually his twin brother. Ultimate Force Zero must now put a stop to Killer's rampage and defeat Beatstar in the process. This is part 2 of a 2-part special release to promote the movie Ultraman Saga.