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I, Robot (2004), holding it's own in the genre pantheon? I, Robot has a fan base that I'm glad to say has kept this film from drifting down into the depths of bad blockbuster sci-fi ratingville. I remember upon the film's release how so many people were wary of if Will Smith could carry the film? The concerns from Isaac Asimov's fans about a sacrilegious take on his legacy etc etc. Truth is is that I, Robot is an amalgamation of sci-fi ideas, from the suggestion of Asimov to the novel of the same name from Eando Binder, it's a mix that ultimately gives us a cop versus sci-fi conspiracy picture, that is sure as hell entertaining if taken on popcorn terms. Having just watched this again for the first time in a year or so, I found that it still hits the mark to me as a real tidy genre piece with a solid heart beat to keep it thought provoking. A futuristic mystery is smartly realised by Alex Proyas' directing in the manner befitting the subject, and of course Will Smith handles the entertaining action lead role with much ease. However, the main triumph (outside of the story) is Alan Tudyk as our computer generated protagonist Sonny, the voice and humanist movements are brilliantly brought to life by him and it's a real pleasure to observe. Great visuals (Oscar nominated), top story, kinetic action, better than average acting (though Bridget Moynahan struggles to convince as a boffin at times), and we get a perfect nights entertainment for someone looking for a rental that safely delivers what it says on the robotic shaped tin. 7.5/10
Will Smith does paranoid and grumpy, and he does it very well. But then he does pretty much every role he plays very well. A vision of the future we're all expecting to happen, and the only nice people are robots.
Will Smith is a cop who detests artificial intelligence with a vengeance; despite the fact that he has a substantial part of his body made up of enhanced prosthetics after a car accident. When an executive from the world's largest robot production company commits suicide, he has to investigate and soon discovers a plot to take subjugate humanity. "I Robot" is a clever exposé on how AI could take over the world; largely by capitalising on the indifference of people, our obsession with convenience and reliance on technology. Smith and Bridget Moynahan - and Alan Tudyk as "Sonny" a rogue robot designed to reveal the plot - turn in good fun performances as we try to stop the robot revolution. It's quite a well written, stylishly presented and pacily directed couple of hours.
"I, Robot" from 2004 delivers a solid action sci-fi experience. Visually, it's a standout for its time, with a great depiction of futuristic Chicago and well-designed robots. Alex Proyas's directing creates a cool, dark vibe, which fits the central "are the robots turning on us?" concept. Will Smith is entertaining, though his character's robot-hating trait is a bit over the top. The script has some shaky moments and plot holes, and it feels like they could have explored Asimov's laws more effectively. However, the action sequences are fun, and the pacing keeps you engaged. For me, the sound design and score added to the experience, especially in the intense robot action scenes. It's a good popcorn movie, aiming to entertain, and it succeeds at that. Sure, it has flaws, and it's not a perfect adaptation of Asimov's stories, but if you want a fun action movie with cool visuals, it's worth a watch. It's the kind of movie you can put on and enjoy without overthinking.
The sole survivor of an interplanetary rescue mission lands on the planet of the apes, and uncovers a horrible secret beneath the surface.
The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a spacecraft. Intrigued by their intelligence, humans use them for research - until the apes attempt to escape.
In a futuristic world that has embraced ape slavery, a chimpanzee named Caesar resurfaces after almost twenty years of hiding from the authorities, and prepares for a revolt against humanity.
Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.
The fifth and final episode in the Planet of the Apes series. After the collapse of human civilization, a community of intelligent apes led by Caesar lives in harmony with a group of humans. Gorilla General Aldo tries to cause an ape civil war and a community of human mutants who live beneath a destroyed city try to conquer those whom they perceive as enemies. All leading to the finale.
A cop, his partner, and his father uncover a plot by city elders to smuggle drugs from Mexico into Phoenix, Arizona.
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation…
An American teenager who is obsessed with Hong Kong cinema and kung-fu classics makes an extraordinary discovery in a Chinatown pawnshop: the legendary stick weapon of the Chinese sage and warrior, the Monkey King. With the lost relic in hand, the teenager unexpectedly finds himself travelling back to ancient China to join a crew of warriors from martial arts lore on a dangerous quest to free the imprisoned Monkey King.
The Autobots must stop a colossal planet-consuming robot who goes after the Autobot Matrix of Leadership. At the same time, they must defend themselves against an all-out attack from the Decepticons.
Young teenager Sam Witwicky becomes involved in the ancient struggle between two extraterrestrial factions of transforming robots – the heroic Autobots and the evil Decepticons. Sam holds the clue to unimaginable power and the Decepticons will stop at nothing to retrieve it.
