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**_Castle of the Filmmakers on LSD in the Wild Mid-60s_** Several upscale partyers in modern Saxony are forced to stay overnight at a creepy castle. Good thing for the reclusive Earl (Howard Vernon) because he desperately desires to resurrect his recently dead daughter. A West German production, “Castle of the Creeping Flesh” (1968), originally named “In the Castle of Bloody Lust” (translated), is castle horror by the director of the infamous "Mark of the Devil," which debuted two years later. It came in the tradition of earlier flicks like "The Terror" and "Bloody Pit of Horror"; these would influence future ones like “Devil's Nightmare,” “Baron Blood,” "Howling V: The Rebirth” and "Subspecies.” The best thing about all of them is the spooky castle ambiance, but this is easily the worst of the lot and could be classified as Eurotrash, literally. The entire first act is compelling enough while the second act borrows bits from the Gothic horror of Dracula and Frankenstein. However, once the protagonists of questionable character are staying overnight at the castle, the story bogs down with witless close-up footage of open-heart surgery and tedious ambiguity, not to mention a lousy fake bear sequence. Even "The Devil's Wedding Night" seems coherent by comparison. Janine Reynaud (Vera) and Elvira Berndorff (Elena) are attractive enough and, for those interested, shown semi-nude, but they lack the essentials to cull much interest; for me anyway. Meanwhile Michel Lemoine (Baron Brack) has interesting crazy eyes and the horseback riding in the heart of Europe is nice, but that’s about the extent of the highlights. As low-budget and quickly-made as Roger Corman’s "The Terror" was, it’s a masterpiece of cinematic art by comparison. Even "And Now the Screaming Starts" is superior (which, admittedly, has a good second half, the opposite of this one). The movie runs 1 hour, 24 minutes, was shot in northeast Austria at Burg Kreuzenstein (the castle), Leobendorf, Lower Austria, Austria, and nearby Oberrohrbach, Korneuburg. GRADE: C-
Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.
One by one the archaeologists who discover the 4,000-year-old tomb of Princess Ananka are brutally murdered. Kharis, high priest in Egypt 40 centuries ago, has been brought to life by the power of the ancient gods and his sole purpose is to destroy those responsible for the desecration of the sacred tomb. But Isobel, wife of one of the explorers, resembles the beautiful princess, forcing the speechless and tormented monster to defy commands and abduct Isobel to an unknown fate.
A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.
Lt. Andre Duvalier awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to an eerie baron.
England, 1645. The cruel civil war between Royalists and Parliamentarians that is ravaging the country causes an era of chaos and legal arbitrariness that allows unscrupulous men to profit by exploiting the absurd superstitions of the peasants; like Matthew Hopkins, a monster disguised as a man who wanders from town to town offering his services as a witch hunter.
For years he terrorized California motorists as he rode the endless highways searching for his next victim. The discarded bodies turned up beaten, sexually assaulted and horribly mutilated. Deceptively charming and intelligent, the scheming murderer easily avoided police at first. But as police closed in and the killer’s pattern grew more erratic, the only question was how many more will die?
A couple of young, out-of-work archaeologists in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician and his beautiful daughter, they set out into the desert only to be terrorized by a sinister high priest and the living mummy Kharis who are the guardians of Ananka’s tomb.
A reporter and her cameraman connect a surviving Jonestown leader and a TV exec's missing son to a drug war where jungle installations are being massacred by an army of natives and a skilled white assassin.
A group of archaeologists break into the tomb of an ancient Aztec general, arousing the warrior's head and sending his undead servant out to take revenge on the careless scientists.
A mad scientist (Donald Pleasence) crosses plants with people, and the results wind up in a sideshow.
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature.
