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Australia on Fire- Climate Emergency - (Feb 20th)
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Alright, a bit of full disclosure to start - I don't think I've seen a Paul Naschy movie until now. I know, I know, that's pretty shocking for any serious fan of horror movies. I'm well versed in the Italian branch of the Euro horror family tree, particularly the giallos of Argento, Fulci, Bava etc. But I've been quite lax in my efforts to investigate the Spanish branch, despite regularly hearing Naschy's name bandied around with that of fellow countryman Jesse Franco (another hole in my viewing experience). Anyway, that admission aside, I do realise that **The People Who Own The Dark** is not a typical Naschy film. Here he has something of a supporting role, and a convetional one at that, but he does team up with regular collaborator Klimovsky, the Argentinian director who directed eight of his films. **The People Who Own The Dark** is an effective post-nuclear survival tale that throws together a group of rich, influential men (including Naschy; Alberto de Mendoza, **THE CASE OF THE SCORPION'S TAIL**; and Antonio Mayans, **ZOMBIE LAKE**) with a number of beautiful models for a weekend of pleasure in the basement of a castle somewhere in Europe - kind of an upmarket swingers' retreat. But before they can get down to business, nuclear war breaks out. The guests are safe in their underground bunker, but everyone else in the surrounding countryside, including a nearby village, is left blind by the blast. Venturing out to get supplies, the group of protagonists soon realises these blinded, half-insane villagers are not interested in becoming facebook friends. They want to kill the sighted (how they know the difference is beyond me, but what the heck). Barricading themselves in the castle, the non-blind soon have to cope with the growing tension and paranoia in their group, as well as the villagers when they come looking for blood. Well, not exactly looking. More like stumbling. Naschy is great as the snake of the group, who is only interested in saving his own skin. The women are all beautiful, none moreso than German softcore queen Nadiuska (who also played Arnie's mother in **CONAN THE BARBARIAN**), who is the only one to get fully un-kitted. The female cast also includes Julia Saly (**NIGHT OF THE WEREWOLF**), Diana Polakov (in a supporting role four years before her feature role in the rip-roaring **SUPERSONIC MAN**) and Teresa Gimpera (**CRYPT OF THE LIVING DEAD**). Maria Perschy (**MURDERS IN THE RUE MORGUE**) is simply stunning as the host of the party. Klimovsky does a very good job of building suspense and dread with material that could have come off as corny. Scenes of dozens of blinded people surrounding a main character while waving walking sticks above their heads could have been campy, but instead is quite chilling. Comparisons with **Night of the Living Dead** are unavoidable. Trade zombies for staggering blind people, Pennsylvania for the European countryside and a farmhouse for a castle and you've got basically the same plot. Even the ending is similarly-bleak. But while it may be a ripoff of sorts, **The People Who Own The Dark** is effectively filmed with a great cast, so is definitely worth checking out.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
Led by a strange dream, scientist Aki Ross struggles to collect the eight spirits in the hope of creating a force powerful enough to protect the planet. With the aid of the Deep Eyes Squadron and her mentor, Dr. Sid, Aki must save the Earth from its darkest hate and unleash the spirits within.
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly and the son of a famous virus expert who may hold the key to the Army of the 12 Monkeys; thought to be responsible for unleashing the killer disease.
British estate agent Renfield travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a castle in London. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together and Dracula, a secret vampire, begins preying on London socialites.
Set ten years after the events of the original, James Cameron’s classic sci-fi action flick tells the story of a second attempt to get rid of rebellion leader John Connor, this time targeting the boy himself. However, the rebellion has sent a reprogrammed terminator to protect Connor.
All grown up in post-apocalyptic 2018, John Connor must lead the resistance of humans against the increasingly dominating militaristic robots. But when Marcus Wright appears, his existence confuses the mission as Connor tries to determine whether Wright has come from the future or the past - and whether he's friend or foe.
When young Lili's mother dies in childbirth, her father remarries Lady Claudia, a woman ruled by an evil mirror with the power to make her queen of all living things. After escaping an attempt on her life, Lili finds herself lost in a dark forest, where living happily ever after seems unlikely.
Time-traveling bounty hunters find a doomed race-car driver in the past and bring him to 2009 New York, where his mind will be replaced with that of a terminally ill billionaire.
Max Rockatansky returns as the heroic loner who drives the dusty roads of a postapocalyptic Australian Outback in an unending search for gasoline. Arrayed against him and the other scraggly defendants of a fuel-depot encampment are the bizarre warriors commanded by the charismatic Lord Humungus, a violent leader whose scruples are as barren as the surrounding landscape.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.