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Dancing with the Stars - (Feb 26th)
The Kelly Clarkson Show - (Feb 26th)
Allegiance - (Feb 26th)
Family Feud Canada - (Feb 26th)
Wild Cards - (Feb 26th)
Ishura - (Feb 26th)
Sort Your Life Out - (Feb 26th)
PopMaster TV - (Feb 26th)
Escape to the Country - (Feb 26th)
Lets Make a Deal - (Feb 26th)
The Price Is Right - (Feb 26th)
The Young and the Restless - (Feb 26th)
Deal or No Deal Island After Show with Boston Rob - (Feb 26th)
The Dog House Australia - (Feb 26th)
After Midnight - (Feb 26th)
The 11th Hour with Stephanie Ruhle - (Feb 26th)
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The Real Housewives of Lagos - (Feb 26th)
Extended Cut: Proving in fact that The Wolfman is no monstrosity. The Wolfman is directed by Joe Johnston and adapted to screenplay by Andrew Kevin Walker and David Self from Curt Siodmak's original 1941 screenplay. It stars Benicio del Toro, Anthony Hopkins, Emily Blunt and Hugo Weaving. Music is scored by Danny Elfman and Shelly Johnson is the cinematographer. Plot is set in 1891 and finds Toro as Lawrence Talbot, who upon learning of his brother's grizzly murder, returns to his estranged father's estate in Blackmoor to investigate. Upon arriving he forms an instant bond with his dead sibling's fiancée, Gwen (Blunt), but soon Lawrence finds himself mired in a world of lycanthropy and family secrets. It had a much publicised troubled production, with a director switch, numerous release date changes and enforced cuts to the running time, sitting atop of this particular iceberg. With that it mind, film is arguably better than it had any right to be. What is now readily available is an extended cut of the film where some 17 minutes of footage have been put back into the story. Footage cut originally to foolishly speed up the moment when the first transformation from man to wolfman arrives. Is the extended cut a far better movie than the trimmed theatrical version? The answer is resounding yes it is. It still contains flaws, but now the narrative is stronger and crucially by waiting much longer for the first "big change scene", tension and anticipation now exist where previously it didn't. In spite of some modern day advancements for this 21st Century wolfman - excessive speed for the wolf - creature smack down finale - Johnston's movie is very faithful and respectful of the 1941 original. Which is perhaps not surprising since the weight of Universal is backing this remake of one of their original classic monsters from the 30's and 40's. But it's nice to see that a remake keeps the things that made the original so beloved. Gothic texture is rich, none more so than with the mist/smog shrouded village, while the tortured sadness that permeated Lon Chaney's take on Larry Talbot back in 1941, is perfectly essayed by del Toro this time around. The creature design itself cleaves close to the original, with Rick Baker and Dave Elsey picking up the Academy Award for Best Makeup for their excellent efforts. Fans of shred and gore are also well served here, with Johnston (The Rocketeer/Jumanji) showing a keen eye for action construction. An attack at a Gypsy camp and a bloody rampage through a bus are the stand outs, while an asylum sequence is also not to be sniffed at. Chuck in the murder mystery element, and the intriguing father and son axis, and it's a film that has more to it than merely being a CGI popcorn piece. Even Elfman's score fits neatly into the period setting. Problem wise it comes down to Blunt and Weaving being under used, and Hopkins veering dangerously close to over hamming the omelette, yet all remain strong in characterisations. Toro, though, is not, as some have suggested, miscast. Already lupine like before transformation, he plays it perfectly troubled and brooding like. Talbot has inner demons and unanswered questions in his past, a past he has tried to shred but finds he now must confront those demons. The onset of lycanthropy serving, one feels, as a metaphor for his personal torment finally being unleashed. Toro nails it with an excellent and subdued portrayal, even if the choice of hair style leaves much to be desired. Worth a mention as well is Shelly Johnson's photography, where nice atmospheric visuals complement the tone and period flavour of the piece. More homage than outright horror, but with a little something for everyone interested in Horror/Gothic/Mystery type movies, The Wolfman in extended form is an enjoyable enough experience. 7/10
To escape a secure but stifling life with her workaholic husband Sudhir, bored housewife Simran begins an affair with Sunny, an ex-boyfriend from her college days. However, when Sudhir grows suspicious and hires a private detective, the infidelity soon comes to light.
A barkeeper saves a Yakuza boss' life and thus makes his way up in the organization. However, his fear of nothing soon causes problems.
When a group of college kids stumble upon a small abandoned town of Sunset Valley, they must fight a band of Zombies led by a Confederate soldier seeking retribution for his grisly execution.
Tom Vansant is an emergency physician from Brussels who is desperately searching for his daughter who ran away from home and is now missing for eighteen months. He meets a girl of whom he thinks that she knows what happened to his daughter but the girl doesn't want to talk about her past. In his search to find out why she doesn't talk about it he ends up in a small village in the Ardennes where no one wants to help him discover what really happened.
"Described as 'Snow White meets Eyes Wide Shut,' Rouge is a horror-tinted gothic fairy tale about a lonely dress shop clerk whose mother’s unexpected death sends her down a treacherous path in pursuit of youth and beauty. Set in California, the story explores the cult-like nature of the beauty industry — as well as 'the danger of internalizing its pitiless gaze.' Set to be published in September this year by Simon & Schuster/Marysue Rucci Books, Rouge is the latest novel from [Mona] Awad, behind All’s Well, 13 Ways of Looking at a Fat Girl and Bunny, which was listed among the best book of 2019 by Time, Vogue and the New York Public Library." (THR)
When panic erupts on a Tokyo-bound bullet train that will explode if it slows below 100 kph, authorities race against time to save everyone on board.
On New Year's Eve, inside a police station that's about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop.
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. Dahlia is in the midst of divorce proceedings, and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences—and there is a constant drip from the ceiling in her daughter's bedroom…
In a seedy bar in a town ravaged by war, scientist and businessman Hunt hires mercenary and former Royal Marine D.C. to assemble a crack team of ex-soldiers to protect him on a dangerous journey into no-man's land. Their mission is to scope out an old military bunker in Eastern Europe. It should be easy – 48 hours at the most. Lots of cash for little risk. Or so he says...
Violinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realizes that she is seeing dead people.
When Ann, husband George, and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.