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The Bun and Oven Wards are open at Finisham Maternity Hospital. The 23rd film in the Carry On series and the fourth (and last) of the medical themed adventures. Sid Carter (Sid James) leads a gang of thieves who plan to break into Finisham Hospital and steal a load of contraceptive pills to sell abroad. But where are they kept? Sid decides to send his son Cyril (Kenneth Cope) in undercover disguised as a nurse... They probably seem like cheap gags now, but much mirth is mined from the scenarios set up by a man undercover as a female nurse. Cue him having to share a room with a foxy babe (Babs Windsor), having to fight off the attentions of the randy Doctor Prodd (a brilliant film stealing Terry Scott) and him getting involved with medical issues he has no idea about (yikes this is a maternity hospital!). Elsewhere Joan Simms portrays a human eating machine that is three weeks over due, while her poor railway worker husband (Kenneth Connor great as always) goes insane in the waiting room. Kenneth Williams is the hypochondriac hospital manager and the wonderful Hattie Jacques gets great scenes in a film thats title and script acknowledges her work in the medical Carry On films. Briskly paced by the ever reliable Gerald Thomas, "Matron" is one of the more likable and funny Carry On entries of the 70s. 7.5/10
You can tell that the producers were beginning to run out of ideas for these as this hybrid of "Carry on Nurse" (1959) and "Carry on Doctor" (1967) hits the screen. This time Sid James isn't a patient. He is "Carter", audaciously planning to rob the "Finisham" hospital of it's supply of valuable drugs. To facilitate this crime, he decides that his son "Cyril" (Kenneth Cope) should don the garb of a nurse an impersonate one until he can get the lay of the land for their burglary. Meantime, "Dr. Prodd'' (Terry Scott) has the job the philandering bumbler, Hattie Jacques is this time a less ruthless matron and Joan Sims takes the cake as the eternally pregnant "Mrs. Tiday" who is quite happy to eat the place out of house and home while her poor railwayman husband (Kenneth Connor) grows steadily older and more frustrated in the waiting room. At times, there are still traces of the old style of slapstick humour; the writing is quite funny now and again and there is plenty of "how's your father" - real or imaginary for us to chortle at. It's not the best, nor anywhere near - but it's got plenty going on before an ending that did actually smack of sequel coming!!
A successful, single businesswoman who dreams of having a baby discovers she is infertile and hires a working class woman to be her unlikely surrogate.
A 29-year-old lawyer and her lesbian best friend experience a dramatic shift in their longtime bond after one enters a serious relationship.
Satyavati (Ileana) is the daughter of a rich and idealistic landlord/factionist in Rayalaseema. She is brought up in Europe for the past 15 years. She visits her home town after a long gap and she is attacked by the rival factionist. Munna (Vishnu Manchu) comes from nowhere and rescues her. Then he settles in her house as a worker and earns the love and trust of all Satyavati’s family members. He loves Satyavati. But Satyavati’s father wants to marry off to another guy. Just about when the marriage is going to happen, it is revealed that Satyavati has a lover (Venkat) from Europe and she uses Munna to help her escape to Europe. Just when Satyavati goes to Europe, it is revealed that Munna is none but a mafia kingpin from Bangkok called Saleem and Satyavati lover’s brother is none but a dreaded European don called OJo a.k.a. Ogiraja Jogayya (Mohan Babu). The rest of the story is all about how Saleem wins Satyavati over with his one-side love and his encounters with OJo.
Seasoned adventurer and treasure hunter Dirk Pitt, a former Navy SEAL, sets out for the African desert with his wisecracking buddy Al in search of a confederate ironclad battleship rumored to have vanished long ago, the main draw being the treasure supposedly hidden within the lost vessel. When the daring duo come across Dr. Eva Rojas, a beautiful scientist who is juggling an escape from a warlord and a mission to stop the spread of a powerful plague, their desert expedition begins to heat up.
Michael has a great job, has his 4 best friends, and is in love with a beautiful girl at 30. He loves Jenna but his life seems predictable until someone else enters his life. It seems that everybody's having relationship problems.
When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego – Dorothy Michaels – in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.
A creative documentary about becoming a parent... and how to reconceive yourself. Fiction director Josh Appignanesi turns the camera on himself and his wife as they undergo the ordeal of becoming parents in the era of man-children and assisted reproduction. Faced with fatherhood, Josh spirals comically into an envious career funk. But life-threatening complications emerge- the couple are tested to the brink, confronting shattering losses. It's a portrait of our generation going through a revolution in reproduction- forced to find new ways to think about ourselves as creative beings. We hear from Slavoj Žižek, John Berger, Darian Leader (20,000 Days) and Zadie Smith. Universal yet still taboo, it's a film for everyone who has children, wants them, or still feels like a child themselves.
A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
A nutty inventor, his frustrated wife, a philosopher cousin, his much younger fiancée, a randy doctor, and a free-thinking nurse spend a summer weekend in and around a stunning - and possibly magical - country house.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.