The New Man

A waitress and expert pie-maker dreams of a way out of her small town and rocky marriage.

A slacker and a career-driven woman accidentally conceive a child after a one-night stand. As they try to make the relationship work, they must navigate the challenges of parenthood and their differences in lifestyle and maturity.

A young teenage single mother (Maggi) struggling to raise her baby daughter (Lucy) finds the weight of responsibility bearing down on her shoulders. Maggy was forced to grow up before her time. Thankfully for Maggi, her mother is always willing to help though Maggy still lives at home with her mother, it's obvious that she longs to gain some independendence. Meeting Gordon at a local club, who is a few years older, makes a living and has his own apartment. One night, after a heated argument with her mother, Maggi makes the decision to move in with Gordon. Though the pair subsequently make a sincere attempt to be good parents.and do what's best for Lucy, they soon find that taking on the responsibilities of adulthood aren't so easy when you've barely moved past childhood yourself.

As young French couple Gilles and Marion officially separate, we see, in reverse order, the milestone moments in their relationship: Gilles revealing his unfaithfulness at a tense dinner party; Marion giving birth to their premature son while Gilles is elsewhere; Gilles and Marion's joyous wedding; and, finally, the fateful moment when they meet as acquaintances at an Italian beach resort, and their love affair begins.

A holiday celebration with the extended family gets stretched to the breaking point in this comedy from Germany. Sara is happily married to Jan, though this wasn't always the case - Sara is Jan's second wife, while Sara has three ex-husbands, Gunnar, Andi and Erich, and she and Jan are raising children from each of their previous marriages. Jan is less than thrilled with the prospect of spending the holidays with Sara's mother, but things get worse when he learns his wife has planned a surprise for Christmas eve - they'll be joined by Gunnar, Andi and Erich, as well as Erich's new wife Pauline, Andi's current spouse Rita and his own ex-wife, Eva. To call the atmosphere uncomfortable is an understatement, and things only get worse when Sara announces she's pregnant, which is quite troubling for Jan since he's been waiting for the right time to tell her he had a vasectomy several months before.

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

Sixteen-year-old Malala Yousafzai was shot in the head by the Taliban for being outspoken about her country’s education system. The Pakistani government spends seven times more on its military than on education. The Taliban banned girls from attending school. Pakistan’s literacy rate is among the lowest in the world, with the number of school aged children who don’t attend school is second highest globally. Malala survived and is now the youngest person to ever be awarded the Nobel peace Prize for her activism for female education. This is the story of Malala’s fight for a right to education and freedom.

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

A man is reluctant to tell his fiancee that his parents, uncle and brother are dwarfs.

A successful, single businesswoman who dreams of having a baby discovers she is infertile and hires a working class woman to be her unlikely surrogate.

The film consists mainly of interviews with readers of Freud in Brazil and several places in Europe, and touches on topics such as history, translation, culture, language and, especially, Freud himself.