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I'd watched this entertainingly farcical French wartime comedy for about half hour before I realised that the chap who looked like Terry-Thomas was, actually, Terry-Thomas! He, like everyone else here, is in his element as an RAF bomber crew find themselves shot down over Paris and dependent on a rather disparate selection of people to try and keep them from the hands of the Gestapo, and to help smuggle them out of the city and to some semblance of safety. It has all the hallmarks of a slightly less bawdy "Carry-On" film with some characterful performances from Bouvril ("Bouvet") and the increasingly amusing Louis de Funès as the suitably over-the-top orchestral maestro "Lefort". Neither gent is really equipped to guide our hapless trio of airmen out of their own bathrooms, much less from the grasp of the Nazis - but with the help of some silk parachutes, cunning disguises, nuns and horses - well who'd bet against them? Unlike many other films of this genre, this is actually funny. Sure, you can readily predict what is likely to happen, and some of the misunderstandings do have you wondering how was that even possible, but the ensemble cast including an on form Andréa Parisy and Benno Sterzenbach as the (no so) menacing "Maj. Achbach" give this just a soupçon of class that belies it's roots. Dated? Well yes, but still surprisingly enjoyable to watch.
A crew of young military-school cadets are enjoying their first weekend in Paris. Frank Harrington, a girl-shy cadet, wins the lottery which "They" have organized, an Frank wins the right to woo the star of the Folies Bergere, Gaby Aimee, with her garter serving as proof of conquest. Meanwhile Frank has found the one girl-of-his-heart, Patty, and this serves to complicate matters.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
The youngsters Folcacchio and Guffardo must bring an embassy to the Bishop of Volterra, and during the trip, the two boys meet the beautiful Gemmata. The woman is a poor peasant who is married to Nicholas. Folcacchio and Guffardo, to have a night of love with the girl, pretends to be magicians who can turn humans into beasts.
Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.
A card shark and his unwillingly-enlisted friends need to make a lot of cash quick after losing a sketchy poker match. To do this they decide to pull a heist on a small-time gang who happen to be operating out of the flat next door.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.