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Despite his obvious enthusiasm, "Shayne" (John Cusack) can't convince producer (Jack Warden) to raise the cash to put on his latest play. There's just no demand for it, especially as his first two efforts didn't exactly set the heather on fire. Then an opportunity presents itself. It's one with compromise, though. He can have the thing fully funded if he agrees to cast "Olive" (Jennfer Tilly). Snag? Well she couldn't act her way out of a paper bag and has one of those squeaky voices that killed so many a silent-film star! Her boyfriend, "Nick" (Joe Viterelli) is the local kingpin so it's a straight choice - cast her or no cash. Much to the chagrin of the uber-theatrical "Helen" (Dianne Wiest) he decides to sacrifice his honour for his art, and what now ensues sees this mix of thespians, crooks, amateurs and temper-tantrums try to get the play on the stage. Just to make sure she's OK, her boyfriend has sent his enforcer "Cheech" (Chazz Palminteri) as a bit of security for "Olive" and his no-nonsense approach to the production histrionics of the whole thing initially brings him into conflict with the director, but gradually "Shayne" begins to realise that "Cheech" has a bit of an aptitude for writing, and so a collaboration of sorts emerges that against all the odds might just give this thing a fighting chance. Wiest is at her best here delivering a sort of "Streisand" meets "Norma Desmond" character that epitomises that generation of film star who really did believe their own publicity machine. Cusack also does well, as does Palminteri and there's an engagingly (and annoyingly) lively effort from Tilly who plays the rather witless moll to a T. It's funny at times, especially if you've ever worked in the theatre and packs quite a lot of entertainment, and swipes at that very industry, into a ninety minutes that hits the ground running and rarely stops for breath. One of Woody Allen's more original concepts that takes him away from his routine man-with-neuroses comfort, is stylishly put together, and is well worth a watch.
In 2004, an officer for a security agency that regulates time travel must fend for his life against a shady politician who has a tie to his past.
A tale of a philosophical womanizer who is forced to question his seemingly carefree existence.
Based on the 1930s comic strip, The Shadow is put up against his archenemy Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and "the power to cloud men's minds", The Shadow comes blazing to the rescue with explosive results.
An inside look at Italy's modern-day crime families, the Camorra in Naples and Caserta. Based on a book by Roberto Saviano. Power, money and blood: these are the "values" that the residents of the Province of Naples and Caserta have to face every day. They hardly ever have a choice and are forced to obey the rules of the Camorra. Only a lucky few can even think of leading a normal life.
Four sons of well-known New York mobsters must retrieve a bag of cash from a small Montana town ruled by a corrupt sheriff.
After being discharged from the Army, Brian Flanagan moves back to Queens and takes a job in a bar run by Doug Coughlin, who teaches Brian the fine art of bar-tending. Brian quickly becomes a patron favorite with his flashy drink-mixing style, and Brian adopts his mentor's cynical philosophy on life and goes for the money.
Countless wiseguy films are spoofed in this film that centers on the neuroses and angst of a powerful Mafia racketeer who suffers from panic attacks. When Paul Vitti needs help dealing with his role in the "family," unlucky shrink Dr. Ben Sobel is given just days to resolve Vitti's emotional crisis and turn him into a happy, well-adjusted gangster.
A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego – Dorothy Michaels – in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.
A mother and daughter dispute is resolved by the "Yaya sisterhood" - long time friends of the mother.
An African prince decides it’s time for him to find a princess... and his mission leads him and his most loyal friend to Queens, New York. In disguise as an impoverished immigrant, the pampered prince quickly finds himself a new job, new friends, new digs, new enemies and lots of trouble.