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Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
All Elite Wrestling- Dynamite - (Jan 30th)
The Thundermans- Undercover - (Jan 30th)
Expedition Bigfoot - (Jan 30th)
Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
School Spirits - (Jan 30th)
The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Chicago Med - (Jan 30th)
Chicago Fire - (Jan 30th)
The Rachel Maddow Show - (Jan 30th)
Guys Grocery Games - (Jan 30th)
Someday at a Place in the Sun - (Jan 30th)
Kirstie And Phils Love It Or List It - (Jan 30th)
The One Show - (Jan 30th)
The ReidOut with Joy Reid - (Jan 30th)
All In with Chris Hayes - (Jan 30th)
Murder Under the Friday Night Lights - (Jan 30th)
Based on the 1966 film of the same name (and, in turn the 1963 stage play), 2004's _Alfie_ stars Jude Law as a British commitment-shy play boy in Manhattan. Much like the original film, Alfie finds himself surrounded by beautiful women with a different one to jump into bed with each night. He treats both them and his friends like dirt, but doesn't care when he knows his charm can replace them. If the original film contained a plot that would make the world blush when looked through a contemporary lens, then 2004's _Alfie_ attempts, in a way, to update that story for its modern audience. As is typical with remakes of old British films, the location has been moved to appease its American audience but a tacit nod to the Cockney charm of _Alfie_'s original actor (Michael Caine) in the form of Jude Law. To his credit, Jude Law does emanate charm in the same way that Caine did in 1966, mercilessly moving on from one relationship to the next without worry about consequence. However, with Alfie remaining English in New York, this has the unfortunate effect of making him stand out, and when a protagonist is clearly designed not to be likeable, then by having him contrast from the surrounding cast just alienates him further. In addition, with the persistent nods to high fashion, Alfie isn't even relatable for most people as "that laddish friend" they once knew, and he comes across as both pompous and arrogant. The story lifts large parts of the original, but seems to drop many of the subtle links between Alfie's relationships making him appear far more crass. Retained is Alfie's smoking habit, which is out of place in a modern film made all the worse by the inexplicable removal of why smoking was relevant to the original story. Overall, _Alfie_ is a complete mis-step made even more uncomfortable by the emergence of the #MeToo movement.
Some films just don't need an "update". "Alfie" certainly didn't. Certainly Jude Law has a certain je ne sais quoi reprising the Michael Caine role as the womanising philanderer. His normal hump 'em and dump' em strategy is soon seriously compromised by his inability to "perform" and this has all sorts of ramifications on his shallow existence (relocated to New York in this version). Sienna Miller and Susan Sarandon fail to help lift this great looking but intellectually void film get going, and Law - though every inch the dapper, gorgeous, gigolo to look at - just hasn't the charm or sleaziness of Caine. It does have a decent soundtrack, but not the same with out Cilla Black...
A womanizer meets his match when he falls for the daughter of a gambling addict who is in debt to the mob.
A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.
Small-town boy Shawn MacArthur has come to New York City with nothing. Barely earning a living selling counterfeit goods on the streets, his luck changes when scam artist Harvey Boarden sees that he has a natural talent for streetfighting. When Harvey offers Shawn help at making the real cash, the two form an uneasy partnership.
A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.
Francois, a cheerful Parisian bohemian, wants more than anything to be a tour guide in his beloved city. While working the streets, Francois meets Madeleine, who works at a circus.
A young, unnamed woman, while biking home from the bank she works at, happens upon a weakened tree goddess whose native shrine is being demolished for construction work. She rescues her and brings the goddess home with her. The two form a relationship, but what will happen to the goddess as the construction progresses?
After posting a brash dating ad online, Marsha Day is thrown into the limelight when Perez Hilton shares the video with his legion of followers. Becoming a viral hit, Marsha is scooped up by a talent manager who creates a hit online channel based on Marsha's life and shenanigans. But as Marsha gains fame and fortune, she is forced to wrestle with her sense of identity in a celebrity-obsessed world. Things become hotter and more complicated when she's wooed by a handsome fitness entrepreneur who challenges her ideas of a fairy tale romance. Starring real Youtubers and innovatively told, Viral Beauty is an innovative tech-comedy not to be missed.
A successful and married black man contemplates having an affair with a white girl from work. He's quite rightly worried that the racial difference would make an already taboo relationship even worse.
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.
Henry is a player skilled at seducing women. But when this veterinarian meets Lucy, a girl with a quirky problem when it comes to total recall, he realizes it's possible to fall in love all over again…and again, and again. That's because the delightful Lucy has no short-term memory, so Henry must woo her day after day until he finally sweeps her off her feet.
