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Based on the 1966 film of the same name (and, in turn the 1963 stage play), 2004's _Alfie_ stars Jude Law as a British commitment-shy play boy in Manhattan. Much like the original film, Alfie finds himself surrounded by beautiful women with a different one to jump into bed with each night. He treats both them and his friends like dirt, but doesn't care when he knows his charm can replace them. If the original film contained a plot that would make the world blush when looked through a contemporary lens, then 2004's _Alfie_ attempts, in a way, to update that story for its modern audience. As is typical with remakes of old British films, the location has been moved to appease its American audience but a tacit nod to the Cockney charm of _Alfie_'s original actor (Michael Caine) in the form of Jude Law. To his credit, Jude Law does emanate charm in the same way that Caine did in 1966, mercilessly moving on from one relationship to the next without worry about consequence. However, with Alfie remaining English in New York, this has the unfortunate effect of making him stand out, and when a protagonist is clearly designed not to be likeable, then by having him contrast from the surrounding cast just alienates him further. In addition, with the persistent nods to high fashion, Alfie isn't even relatable for most people as "that laddish friend" they once knew, and he comes across as both pompous and arrogant. The story lifts large parts of the original, but seems to drop many of the subtle links between Alfie's relationships making him appear far more crass. Retained is Alfie's smoking habit, which is out of place in a modern film made all the worse by the inexplicable removal of why smoking was relevant to the original story. Overall, _Alfie_ is a complete mis-step made even more uncomfortable by the emergence of the #MeToo movement.
Some films just don't need an "update". "Alfie" certainly didn't. Certainly Jude Law has a certain je ne sais quoi reprising the Michael Caine role as the womanising philanderer. His normal hump 'em and dump' em strategy is soon seriously compromised by his inability to "perform" and this has all sorts of ramifications on his shallow existence (relocated to New York in this version). Sienna Miller and Susan Sarandon fail to help lift this great looking but intellectually void film get going, and Law - though every inch the dapper, gorgeous, gigolo to look at - just hasn't the charm or sleaziness of Caine. It does have a decent soundtrack, but not the same with out Cilla Black...
In 1950s North Korea, during the war with South Korea, Son-a, a stunningly beautiful young girl, saves the life of Il-kyu, a wounded soldier left behind after a brutal battle. Despite being thrown together by tragic circumstances, the innocent young lovers' relationship blossoms, only later to be cruelly severed due to being born into opposing sides of a fight. When Il-kyu leaves to save his mother, he promises to return and Son-a waits for him for a lifetime. Separated by war and countries between them, broken hearted Il-kyu tries everything to return to her in the North. But political realities between the countries make their reunion impossible. As the years go by and their youth slips away, Il-kyu finally gets an unexpected opportunity to fulfill his wish and return to her.
Years into a benevolent alien occupation, mankind is still adjusting to its new overlords. Their technology initially held promise for global prosperity, but rendered most human jobs – and steady income – obsolete. When two teenagers discover the aliens are fascinated with human love and will pay for access to it, they decide to livestream their romance to make extra cash for their families.
Bridger is a young outsider who's always wanted more. He and his mother flee an abusive home, eventually finding a small town in the middle of nowhere. Once there, Bridger finds true acceptance with another misfit.
Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.
Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!
Three activists cobble together a kidnapping plot after they encounter a businessman in his home.
Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.
Veteran catcher Crash Davis is brought to the minor league Durham Bulls to help their up and coming pitching prospect, "Nuke" Laloosh. Their relationship gets off to a rocky start and is further complicated when baseball groupie Annie Savoy sets her sights on the two men.
A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.