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Based on the 1966 film of the same name (and, in turn the 1963 stage play), 2004's _Alfie_ stars Jude Law as a British commitment-shy play boy in Manhattan. Much like the original film, Alfie finds himself surrounded by beautiful women with a different one to jump into bed with each night. He treats both them and his friends like dirt, but doesn't care when he knows his charm can replace them. If the original film contained a plot that would make the world blush when looked through a contemporary lens, then 2004's _Alfie_ attempts, in a way, to update that story for its modern audience. As is typical with remakes of old British films, the location has been moved to appease its American audience but a tacit nod to the Cockney charm of _Alfie_'s original actor (Michael Caine) in the form of Jude Law. To his credit, Jude Law does emanate charm in the same way that Caine did in 1966, mercilessly moving on from one relationship to the next without worry about consequence. However, with Alfie remaining English in New York, this has the unfortunate effect of making him stand out, and when a protagonist is clearly designed not to be likeable, then by having him contrast from the surrounding cast just alienates him further. In addition, with the persistent nods to high fashion, Alfie isn't even relatable for most people as "that laddish friend" they once knew, and he comes across as both pompous and arrogant. The story lifts large parts of the original, but seems to drop many of the subtle links between Alfie's relationships making him appear far more crass. Retained is Alfie's smoking habit, which is out of place in a modern film made all the worse by the inexplicable removal of why smoking was relevant to the original story. Overall, _Alfie_ is a complete mis-step made even more uncomfortable by the emergence of the #MeToo movement.
Some films just don't need an "update". "Alfie" certainly didn't. Certainly Jude Law has a certain je ne sais quoi reprising the Michael Caine role as the womanising philanderer. His normal hump 'em and dump' em strategy is soon seriously compromised by his inability to "perform" and this has all sorts of ramifications on his shallow existence (relocated to New York in this version). Sienna Miller and Susan Sarandon fail to help lift this great looking but intellectually void film get going, and Law - though every inch the dapper, gorgeous, gigolo to look at - just hasn't the charm or sleaziness of Caine. It does have a decent soundtrack, but not the same with out Cilla Black...
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
An Eastern European tourist unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
After a police chase with an otherworldly being, a New York City cop is recruited as an agent in a top-secret organization established to monitor and police alien activity on Earth: the Men in Black. Agent K and new recruit Agent J find themselves in the middle of a deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies.
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.