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Stylish and smouldering. Frank White, a drug lord of New York, is released from prison and plans to make a more positive mark on the city. But after reuniting with his loyal and violence hungry gang, he finds the odds are very much stacked up against him. Not only has New York changed for the worse, being run by incompetent pretenders to his crown, but the police force are also after his head - dead or alive! First time viewers to this picture should not go into it expecting some Scarface type gangster movie, I made that mistake almost 17 years ago and came out the cinema totally cheesed off! Revisiting the film now has opened up a whole new ream of delights that when put together have created a simmering and brutal piece of work. What director Abel Ferrara has managed to do here is portray a fable of how a leopard never changes its spots - even though it wants too. Frank White is here a victim of his own past doings, with his reputation on the wane and the authorities with long and unforgiving memories. What hits the most (outside of some brilliant acting) is Abel Ferrara's bleak yet gorgeous vision of a sin city Big Apple, the characters are all one step away from a death, something that we the audience hope comes swift and nasty, all of which is cloaked in this plink plink lighted vision of the underworld. Ferrara chooses to pace his picture to give us a sense of pervading doom, it's quite a knack and means the viewers have to hang on in there to get to the wonderful, and dare I say it, bleakly appropriate conclusion. Christopher Walken is Frank White and gives one of his best career performances, all scary eyes and dialogue spurting precision, he pours out grit and emotion to garner sympathy where he perhaps really shouldn't be getting it. Larry Fishburne, David Caruso, Victor Argo, Wesley Snipes, Janet Julian and Steve Buscemi fill out the cast list, with Fishburne and his manic Jimmy Jump character practically walking off with the movie. So all in all it's a visual delight and a story that is very good on the ears, with the violence perfectly harsh to flesh out the grim nature of this pot boiling crime picture. So, those in need of a pick me up should probably steer well clear then. 8/10
Incredibly acted and beautifully stylized. Really enjoyed this entry in the 90s crime era, one of the best in my opinion.
Shoulda loved it, didn't. The violent nature of 'King of New York' is its strongest element, though otherwise I found this to be unsatisfying. A lot happens but none of it really clicked for me, while I held very little interest in any of the characters - despite an exceptional cast list. Christopher Walken, Laurence Fishburne, Wesley Snipes, Steve Buscemi and Giancarlo Esposito are all in there, yet none of their performances shone through to me to be honest. Walken is the obvious standout, though that's only via a process of elimination. Gritty gangster flicks would usually be my thing, but for some reason this 1990 release disappointed me.
The members of the Fallen Angels Murder Club must band together again as they search for answers surrounding the death of one of their own. Hollis Morgan finds herself at the center of the investigation when a journalist reporting on the murder also winds up dead. As bodies begin to stack up, and Hollis connects the dots, she must solve the murders before it's too late.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
Two guys against globalization want to plant a virus in the network of a finance corporation. On the day of the attack Alex has an accident and cannot remember anything. Visions and reality are thrown together in a confusing maze. Alex tries to escape from this muddle but what he discovers turns out to be rather frightening…
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her offices Christmas Party, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
London is terrorized by a vicious sex killer known as The Necktie Murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
A rare book dealer finds himself at the heart of a string of paranormal events when he is hired to find the last two copies of a text, The Nine Gates of the Kingdom of Shadows, capable of summoning the Devil.