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There was something about Tom Cruise in this film that shows him at his most engaging and fun. His character "Brian" wants to get on in life - but at every turn his limited of education gets in the way. Despondent, he heads to a bar where he encounters "Doug" (Bryan Brown) and next thing we know, he is a cocktail barman. A bit slow to start off with, but soon he has the clientele eating out of his hand as his charm and cheekiness soon show he has a real skill for this job. The first half hour or so are actually quite lively and entertaining. We also get a sense of just how hard - manic, even - it is to be behind the bar in a busy venue - maybe I will show a little more patience next time I have to wait for my Sauvignon Blanc (though probably not!). The bulk of the film, though, is really weak and feeble. He falls in love, cheats, falls out of love, drops the bottle, does he or doesn't he get the girl (Elisabeth Shue)? Then the film is tinged with a little bit of tragedy just in case the fluffiness of it all was making us light-headed. The ending is sort of imposed upon us, and after 100 minutes it took it's time to deliver the obvious. If you don't drink, you'll almost certainly hate it. If you do drink, then you will probably still not rate it much, but at least you will learn how to put fruit juice in a martini!
**_Fun 80’s flick starts shallow, gets deeper_** Bent on financial success, a young ex-soldier (Tom Cruise) becomes an expert bartender in Manhattan while attending college in order to make it on Wall Street. Then a dream surfaces to establish a nightclub in Jamaica. Bryan Brown plays his cynical mentor while Elisabeth Shue and Lisa Banes are on hand as romantic interests. “Cocktail” (1988) is an entertaining Cruise-led 80’s flick that starts energetic, amusing and shallow but, thankfully, fleshes out the characters for something deeper. It’s fun in a snappy way, yet hindered by a feeling of unreality in the first half, which is resolved in the second. Brown is reminiscent of Michael Caine while Shue is in her prime, although her beauty isn’t fully captured as it was in “The Karate Kid” and the later “Leaving Las Vegas” (the fools). Laurence Luckinbill shows up in the last act; he would go on to superbly play Sybok in “Star Trek V: The Final Frontier” the next year. The ending is fine, but a bar is a bar, a place where people get soused. You can make a good living from it, sure, but does that benefit or deter humanity in the grand scheme of things? The film runs 1 hour, 43 minutes, and was shot in Toronto and Ocho Rios, Jamaica. GRADE: B
Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. Tenant Charley, who marries tenant Eadie, loans money to Jim to help him keep the building, money which this Casanova obtains from rich widows.
Perfect Timing is the story of Harry Crane, an infamous photographer whose sublime and evocative images single-handedly reshaped and rebuilt the boudoir and fitness industries. But, having made his mark, allowed the artist within to be released. Creatively and artistically, Harry has moved on; his work now consisting of portraits and interpreting rock wall fractals. Of course that meant leaving the professional schlock of commercial advertising behind him. Sounds good. Except there's that pesky issue of money. And Harry and his buds are quickly burning through large quantities of it. Bottom line - he's nearly broke and faces eviction.
Frustrated with his commitment-phobic boyfriend Chris and running out of time, Min makes a proposal: a green-card marriage with their friend Angela in exchange for her partner Lee's expensive IVF. Elopement plans are upended, however, when Min's grandmother surprises them with an extravagant Korean wedding banquet.
Sam the white-washer pines for the affluent Lindy, but she has dumped him in favor of another. Sam finds a large sum of money, and goes to New York to enjoy a shopping spree, buying new clothes, jewelry and a car with a driver. Back home, Lindy flips for Sam and his newfound wealth, and dumps the rival. Sam throws an engagement party where he indulges in a friendly game of cards with his former rival and another man, who unbeknownst to Sam, is a card shark.
After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
When a Jamaican sprinter is disqualified from the Olympic Games, he enlists the help of a dishonored coach to start the first Jamaican bobsled team.
