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“The Fabulous Four” suffers from such an identity crisis that it feels like a tale of two movies. The first hour is goofy, lazy, and falls almost completely flat, while the second half redeems itself with a heartfelt sincerity. It’s a sweet story aimed at senior women, and they’re going to love it. Lou (Susan Sarandon), Kitty (Sheryl Lee Ralph), and Alice (Megan Mullally) have been buddies for a long time. The gang reunites to travel to Key West to be bridesmaids in the surprise wedding of their best college girlfriend, Marilyn (Bette Midler). As with all reunions, some old wounds are opened. But after a few days of laughs, tears, and adventure, even stronger bonds are formed between the women. The first half of the film is borderline dreadful, breathlessly treading in too-familiar waters. The script is dumbed-down and predictable, with a setup that makes it indistinguishable from many other AARP comedies The humor is hit or miss, leaning heavily on dopey slapstick and over-the-top scenarios and antics that don’t always land. This portion of the film feels incredibly lazy, almost as if director Jocelyn Moorhouse is simply going through the motions, blindfolded, while setting up the real story. Once the film transitions to its more dramatic elements, it finds its footing. The second half is a heartfelt exploration of friendship, aging, and acceptance, and the themes of rekindling sisterhood and confronting the past are handled with a genuine touch, offering moments of true emotional resonance. This part of the film showcases what could have been if the entire movie maintained this level of quality. The cast is terrific, and Sarandon stands out with a particularly strong performance. All of these women play well off each other, and they have a natural comedic chemistry. I’ve said it before and will continue to do so, but it is always refreshing to see roles for actors over 60 (particularly females), and all of these women make the most of it. Even better, everyone seems like they want to be here, which isn’t the case with similar films. Other things to love range from the film’s casual and open acceptance of LGBTQ+ characters to the warm and comforting story of friendship that’s downright irresistible. With the good, of course, comes the bad, like the overt product placement for TikTok and an inexplicably stiff cameo from singer Michael Bolton that is one of the most bizarre appearances in a movie, ever. (He is awkward and unnatural in a way that screams “get me out of here!”). When it comes to movies about older women, Hollywood still can’t seem to get the recipe just right. In that regard, I guess it’s progress that at least half of “The Fabulous Four” is done well. By: Louisa Moore / SCREEN ZEALOTS
Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.
Two quirky, cynical teenaged girls try to figure out what to do with their lives after high school graduation. After they play a prank on an eccentric, middle aged record collector, one of them befriends him, which causes a rift in the girls’ friendship.
Sami, Joe and Leyla are ready for a truly epic summer after finishing school and ready to get out and grab their slice of life. But what is to come is diametrically opposed to their expectations. Determined to stand up for themselves, the three friends find out how right Leyla’s mom was when she told them: always keep more dreams in your soul than reality can destroy.
Maggie, a quiet retiring grandmother, finds herself helpless as her grandson’s health deteriorates. When one last chance appears, but money is desperately short, Maggie acts to raise the cash in a fashion that surprises everyone but her.
Set in the changing world of the late 1960s, Susanna Kaysen's prescribed "short rest" from a psychiatrist she had met only once becomes a strange, unknown journey into Alice's Wonderland, where she struggles with the thin line between normal and crazy. Susanna soon realizes how hard it is to get out once she has been committed, and she ultimately has to choose between the world of people who belong inside or the difficult world of reality outside.
Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.
Jae-Young is an amateur prostitute who sleeps with men while her best friend Yeo-Jin "manages" her, fixing dates, taking care of the money, and making sure the coast is clear. When Jae-Young falls in love with one of those men, she suppresses her feelings towards him in respect of her friend who's jealous.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.
Kati drives the VW bus of her parents even without a license quite fast. But what else should one do in the Bavarian province? Kati and her best friend Jo keep asking themselves this question when they philosophize about God and the world with the tip in one hand and the beer in the other hand. After all, Kati's swarm Mike has just come back from the Bundeswehr, but while she dreams of the great love, he seems to take the matter far less seriously. And there's only stress with her dad.
Zoë's encounter with a vintage clock triggers a profound exploration of grief and acceptance following the sudden loss of her friend, Teddy. Through her journey, she discovers that true healing lies in embracing the memories they shared and finding comfort in the present, rather than attempting to alter the past.