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When "Joan" (Amy Sedaris) unfortunately has a seizure caused by the strobe lighting (or perhaps the singing) at an am-dram performance of "Bye Bye Birdie", her profiteering and none-too-bright son "Troy" (the Channing tatum-esque Jimmy Tatro) finds himself in charge of her summer camp for would be, young, theatricals. This school is largely held together by "Amos" (Ben Platt), "Rebecca-Diane" (Molly Gordon) and the technical factotum "Glenn" (Noah Galvin). Next door there is a much more exclusive operation and they have their eyes on the valuable land, so when foreclosure looms they all must rally round to raise some cash and save the place from demolition. Can they? Do we actually want them to? I don't come from a nation where there is much of a summer "camp" culture, and so much of this just came across as an overly contrived concept with all of the precociousness of "Glee" but none of the character of "Fame". The kids are largely just annoying, as is the dithering storyline between the two adult principals. There is one decent song but you have to wait a while for that, otherwise the POV documentary style of photography offers an intimacy into the lives of some professional no-hopers charged with instilling some semblance of hope into these youngsters that just didn't engage me. I was on my own in the cinema when I watched this - it's better than that, but only just.
Films in the mockumentary genre can be thoroughly satisfying entertainment experiences when done right, as seen in such examples as “Zelig” (1983), “This Is Spinal Tap” (1984) and “Fear of a Black Hat” (1993). But the key, as noted above, is in doing them right, something to which this latest such offering from writer-directors Nick Lieberman and Molly Gordon can’t lay claim. The problem here is that the picture is too hit or miss on too many fronts: When it’s on, it’s brilliant and genuinely hilarious (especially in the film’s final act); however, when it’s not, it tries too hard to be funny and often ends up falling flat. That’s unfortunate, since the picture’s high points – as good as they are – simply aren’t enough to make up for the low ones. This faux look into life at an Adirondack theatrical-themed summer camp for youngsters and teens has a few too many diverse story threads that stray from the picture’s central premise. Then there are the characterizations, which are truly well developed but focus more on the camp’s adult staffers than on the characters that should matter most – the campers themselves. What’s more, the narrative relies heavily on the use of graphics to move the story along, but they frequently stay on the screen for unduly short durations, a practice that becomes progressively irritating over time. In all, this is a production that feels half-finished, one sorely in need of tidying up to make it work as well as it might have. Perhaps that’s due in part to the picture’s volume of material – 70 hours of footage – but that abundance of images likely wasn’t culled as effectively as it might have been. It feels as if the film aspires to be like one of Christopher Guest’s mockumentary projects (most notably “Waiting for Guffman” (1996)) but just doesn’t quite come up to the same level, despite a strong underlying basis that should have leant itself well to this format. To be sure, this is by no means an awful release; it makes for a modestly pleasant at-home streaming option for a midweek evening. It’s just regrettable that it doesn’t live up to what it could have been.
When Mostafa arrives to Ukraine, he witnesses the kidnapping of an Egyptian scientist. Eventually he gets involved in rescuing him, in a country he knows nothing about.
Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.
In the style of a documentary this tragic comedy tells the story of a relationship crisis between two married couples and their longing to break out of their miserable daily lives. In this East German post-wall movie Andreas Dresen introduces the sad everyday life of two couples from Frankfurt an der Oder in a honest and tolerable manner.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
Alex Kerner's mother was in a coma while the Berlin wall fell. When she wakes up he must try to keep her from learning what happened (as she was an avid communist supporter) to avoid shocking her which could lead to another heart attack.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.
Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.
Long before he even met Shrek, the notorious fighter, lover and outlaw Puss in Boots becomes a hero when he sets off on an adventure with the tough and street smart Kitty Softpaws and the mastermind Humpty Dumpty to save his town. This is the true story of The Cat, The Myth, The Legend... The Boots.
After Homer accidentally pollutes the town's water supply, Springfield is encased in a gigantic dome by the EPA and the Simpsons are declared fugitives.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
