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**A film with some charm and lack of originality, but which works well as a family film, and which deserves to be brought back from oblivion.** This production from the 90s, currently somewhat forgotten, is another film without any bones that we can watch with our grandmothers and our children by our side, and which deserves to be revisited and cherished. I can understand why it fell into the deepest forgotten films: it's not a remarkable production, it's not one of those films that leaves a mark on us for life. However, it does its job impeccably. The story is quite nice, even if it has nothing original: four friends meet again many years after having separated to pursue their lives, and the bond of friendship that has united them since childhood is reinforced by the reunion, full of nostalgia and good memories. There are lots of films about situations like this, and with similar themes, this is not new, but it is well done. The film has four good adult actresses (Demi Moore, Rita Wilson, Rosie O'Donnell and Melanie Griffith) and four promising ones (Christina Ricci, Thora Birch, Gaby Hoffmann and Ashleigh Aston Moore), since the four main characters are played today and at puberty, twenty years earlier. This is very interesting, but the truth is that there are not even similarities between the young actresses and their adult counterparts: the most blatant case is the character Roberta, where I really don't see any physiognomic similarity between Ricci and O'Donnell. Of course, people change… but not radically. If we forget this uncomfortable detail, the work of the eight protagonists is quite good, and each one has time and opportunities to show what they are worth. On a technical level, the film is strictly nothing special. The recreation of the 1970s fails because it is not very evident, that is, there are no elements, in the sets or props on stage, that help us understand the era in which the action takes place. The setting has a certain charm and good taste (I especially liked the gas lamps), and the tree house is very beautiful, as are the filming locations and cinematography. But that's it.
Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.
Barcelona, 1980s: in a tough urban neighbourhood inhabited by survivors and ruled by ex-legionnaires Gandhi, Fontán and Andrade - who are fighting a war for control of the streets - Nen and his friends Palito, Topo and Tostao dream of making it big in the world of rumba. But Nen discovers why his father, El Guacho - of whom all Nen has left is the memory of his brilliance as a rumba singer - disappeared many years earlier. He learns how the relationship between his mother, Chata, and Ghandi, leader of the neighbourhood, was connected to his father's disappearance, and so Nen is forced to balance his own desire for vengeance with his longing to triumph.
After the failure of her marriage, Iris goes back to her hometown during the Spanish Civil War (1936-1939), where she becomes a war photographer.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.
Anna Carballo returns from the States after four years to fetch her older sister Sarah from their Baguio mansion. Anna spends the night in Manila in a hotel and accidentally meets her former fiance, Roy Valdez. That night Anna has a weird dream where Sarah brings her to their dining room and their entire deceased family greets her, “Magandang gabi sa inyong lahat!” Anna proceeds to Baguio the next day and is gradually terrified as most of the things in her dream happen in reality.