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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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The Forgotten Coast 2024 - Movies (Feb 19th)
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We Beat the Dream Team 2025 - Movies (Feb 18th)
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Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
I must have watched this film three or four times now, and each time it takes me the first half hour to recall. It's an intriguing story rooted in Aramaic mythology but applied to 20th century Philadelphia. "Hobbes" (Denzel Washington) is a detective who worked on the case of serial killer "Edgar Reese" that saw him captured and executed. Not long after this supposed closure, however, other - very similar - crimes start to occur and he and his partner "Jonesy" (John Goodman) are perplexed. He keeps hearing a song - the same song the deceased sang as he died, but the people singing it are different. There is something mysterious afoot that can inhabit a body, move effortlessly and invisibly from one to another - and it seems to have "Hobbes" in it's sights. Desperate to shield his family from this evil, he must try to find a way to destroy it before it destroys him. It all takes too long to get going, and Goodman is not particularly well cast, but once we have the gist of the plot then Washington and director Gregory Hoblit turn in quite a well put together story, using the photography well to give us a perspective from our menace whilst effectively conveying the sense of nimble mobility this creature possesses as the resourceful "Hobbes" tries to combat it. Donald Sutherland pops up now and again, to no real purpose, indeed much of the supporting cast sort of blend into the wallpaper of this exercise that really plays to the strengths of an on-form Washington delivering a solid and interesting theme. It's too long, but still worth watching.
I generally have a distaste for movies where Denzel plays the smart cop/government agent/detective because he does it far too often, he seems to be typecast, and it's a waste of pro talent. He's above playing the same sort of role over and over again. But this is one of the exceptions. He does an excellent job, but despite this, it's not Washington you remember. You remember Elias Koteas and he's only in the film for a few short minutes. It's remarkable that in a Denzel Washington movie, someone else steals the most memorable role, and it's even more rare that the role you remember has nearly the least amount of screen time. So... it's already off to a good start, or at least a memorable one. Those are two things that tend not to happen. But then you have a William Holden noir style character monologue that is actually done right and adds more to the story's atmosphere than it really should. You have a spooky plot, and on top of that you have some extremely well done and downright spooky scenes. From start to finish it's just a well executed movie, a well acted movie, and one that deserves to be remembered a bit more than it is. It's one of the movies that I always recommend to people.
Kate and Matt discover that a part of their house can grant wishes. In the wake of two miscarriages, what they want most is a child.
Lise (16 years old) is accused of murdering her best friend. As the trial starts, her parents stand right by her side. But once her secret life is revealed in court, the truth becomes indistinguishable.
A mentally unhinged factory worker must decide whether to listen to his talking cat and become a killer, or follow his dog's advice to keep striving for normalcy.
Following the latest Ghostface killings, the four survivors leave Woodsboro behind and start a fresh chapter.
Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.
The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.
18 year old Éric, on vacation in the South with his parents, decides to escape the stifling situation especially with his 50 year old father, and join a group of fellow youth.
During a 1980s crime wave, a cop’s daughter goes on a rampage to unearth her father’s attempted assassin and weed out deep-rooted corruption in the New York City Police Department.
Ajosepo tells the story of Dapo and Tani, who are about to get married. Dapo hails from a disjointed family, and this looms over the forthcoming wedding as Tani's family are conservative Christians. The film follows the couple as they navigate to keep this secret from coming to light.
On the same day, Andrei's wife Nina asks for a divorce, his colleague Natasha tells him she's attracted to him, he's assigned a new project under the direction of Philip (a well-dressed, authoritative, and even arrogant stranger who keeps touching him), and he fights a gang of homophobes to protect a young gay man, Oleg. The next day, Philip takes Andrei away from the office on an odyssey into a space that is charged with spirituality and homoeroticism. Philip is no businessman, and the disclosure of who he really is forces Andrei into a series of choices that involve Natasha, Nina, belief, and love.
Ustadz Qodrat now embarks on the next journey to find his wife, Azizah and once again strike the revenge of evil powers.