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Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Harley Quinn - (Feb 20th)
Hollywood Squares - (Feb 20th)
The big man was in jovial mood with this one. To Catch A Thief, is, when all is said and done, a softer entry on the great Alfred Hitchcock's CV. By his own admission it was a film he viewed as "lightweight", but such is the great mans talent, his softer cinematic efforts still punch the buttons and are films that many filmmakers can readily learn from. In this one Hitchcock is purely making an entertaining piece for those in the right frame of mind, a splendid mixture of comedy and romance which also culminates in no shortage of dramatic entertainment as well. Cary Grant is perfectly debonair as the cat burglar John Robie, who here has to catch a thief because he is the chief suspect for a spout of robberies on the French Riviera. Into the mix is that vision of beauty that is Grace Kelly, this is a woman who could melt the Antartic just by walking over it! Kelly as Frances Stevens spends the majority of the film trying to get into John Robie's pants and this puts a delightful sexual tension into the unfolding story. We get some sparkling scenes here, such as a firework display as the two protagonists flirt and then kiss, thus making the film easy on the eye, and some delicious slices of humour dot themselves throughout as Hitchcock indulges in his wink wink innuendo. The plinking score from Lyn Murray works a treat during a roof top cat sequence, while the ending stays just above average without really having an any over dramatic impact. All in all it's a very tidy effort that is always worth spending time with on a lazy Sunday afternoon with a glass of vino in hand. 7/10
Fluffy mystery-romance-thriller excels thanks to the wonderful charms of Cary Grant and Grace Kelly. For me, this is a lesser Hitchcock film but still had plenty of fun and entertainment value even though there's nothing really noteworthy in terms of the story or any particular scene. **3.75/5**
Cary Grant is on excellent form in this ultra-sophisticated crime caper. Having long since retired to life on the Côte D'Azur, "John Robie" finds himself at the centre of enquiries as his "Cat" appears to have resurrected itself and is robbing rich folks of their jewels. John Williams again steals his scenes - this times as the insurance adjuster "Hughson" who is convinced, enough, by Grant's protestations to agree to work with him to find the true culprit. Enter the wealthy Jessie Royce Landis ("Jessie"), a self-made American millionairess and her glamorous daughter "Frances" (Grace Kelly). The mother is determined to find a match for her girl - and well, the romantic roots are well and truly planted. Hitchcock keeps us guessing for quite a while as the romantic and criminal threads develop in parallel before tying together in quite an exciting climax. At times I have found Kelly to be just a touch too aloof, but here she still has enough of a foot on the ground to play her part well providing for an engagingly mischievous chemistry between the two of them.. The attention to detail is super, too - and it's easy to become subsumed in the lazy, rather vacuous, but very enviable lifestyle of the rich and famous!
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
Jesse, a small-time criminal, high-tails it to Los Angeles to rendezvous with a French exchange student. Stealing a car and accidentally killing a highway patrolman, he becomes the most wanted fugitive in L.A.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
When Hollywood superstar George Reeves dies in his home, private detective Louis Simo is hired to investigate his death and gets caught in a web of lies involving a big studio executive's wife.
When Nina and her high school friends receive eerie text messages declaring that they will all die within three days, they dismiss it as a hokey prank - until one by one, the pals start turning up dead in the alpine countryside. With the cops stymied, Nina and her remaining friends must scour their past for clues to identify the madman before he kills them all.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
A young man, whose only possession is a motorcycle, spends his time riding around the city looking for empty apartments. After finding one, he hangs out for a while, fixing himself something to eat, washing laundry or making small repairs in return. He always tries to leave before the owners get back but in one ostensibly empty mansion he meets the abused wife of a rich man and she escapes with him.
When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, he is forced to flee into the mountains and wage an escalating one-man war against his pursuers.
A cop, his partner, and his father uncover a plot by city elders to smuggle drugs from Mexico into Phoenix, Arizona.