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The answer my friend is a hat blowing in the wind. The Coen brothers craft a loving homage to gangster pictures of yore with splendid results. Essentially the plot has Gabriel Byrne as a good - bad guy caught between two rival gangster factions. It's a standard story line that is still providing cinematic water for many a film maker these days, but shot through the Coen prism, with literary astuteness holding court, it's a genre piece of considerable class. A picture in fact that gets better and better with further viewings. When the Coen's are on form they have the skills to make a grade "A" thriller and blend it with a sort of dry irony. It's like they bite the hand that feeds whilst praising said genre influences to the rafters, but it works as damn fine entertainment. On a narrative level Miller's Crossing molds the byzantine with the labyrinthine, keeping the complexities just on the right side of the street from that of art for arts sake. Visually the film is superb, the hard working sweat of the city dovetails impudently with the mother nature beauty of Miller's Crossing the place, a place home to misery, a witness to the dark side of man. All the while Byrne, Albert Finney, John Turturro and Jon Polito bring an array of characterisations to the party, each one his own man but each craftily proving the folly of man. Marcia Gay Harden, in one of her first mainstream roles, slinks about making the two main boys sweaty, and wonderful she is as well. While Carter Burwell provides a musical score that has a smug (in a good way) self awareness about it. Style over substance? Yes, on formative viewings it is. But go back, look again, see and sample what is not being said. Pulpers and noirers will I'm sure get the gist. 8/10
Gabriel Byrne is "Reagan", the enforcer for the pretty ruthless mob kingpin "Leo" (Albert Finney). He is caught in the middle of a battle between his boss and the man who would take his place "Caspar" (John Polito) over the antics of a rogue bookie "Bernie" (the scene-stealing John Turturro) who also happens to be the brother of "Verna" (Marcia Gay Harden) - the girlfriend of Leo, oh - and the mistress of "Reagan" too. "Reagan" tries to be a bit of an honest broker between them all, but when his efforts fail, he is cast aside by his former boss and left to fend for himself... On the face of it, this is just a run-of-the-mill gangster film. People are killed and the vicious circle of revenge continues. Quite cleverly, though, the Coen brothers have done quite a bit to present more complex characters and to give the plot a little more quirkiness - and that makes this an interesting two hours to watch. Finney's accent is a bit hit or miss, and I'm afraid Byrne just isn't a strong enough actor to carry his substantial part so well - he is no Edward G. Robinson or George Raft, but this is still a superior delve into the murky world of organised crime that does bear watching.
In this Franco-Italian gangster parody, a shopkeeper on his way to an Italian holiday suffers a crash that totals his car. The culprit can only compensate his ruined trip by driving an American friend's car from Naples to Bordeaux, but as it happens to be filled with such contraband as stolen money, jewelry and drugs, the involuntary and unwitting companions in crime soon attract all but recreational attention from the "milieu".
The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. McQuigg, the only honest police captain on the force, and his loyal patrolman, Johnson, take on the violent Nick.
A man embarks on a quest to make peace between two families fighting over the water problem in their district. In a bid to solve this crisis, he agrees to marry a girl from the rival family.
A french writer documents the seductive power of the beautiful Carmen, who has enchanted José, a young soldier, awakening his most fervent passions leading to tragedy. A path chained to obsession, jealousy, betrayal, and blood.
Whenever it becomes known how good he is with guns, ex-gunman George and his wife Dora have to flee the town, in fear of all the gunmen who might want to challenge him. Unfortunately he again spills his secret when he's drunk. All citizens swear to keep his secret and support him to give up his guns forever - but a boy tells the story to a gang of wanted criminals. Their leader threatens to burn down the whole town, if he doesn't duel him.
An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.
After his girlfriend commits suicide, a man becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.
Violent crime is routine. Organized drug trade runs rampant in the face of powerless authority. And a vicious street gang holds dominion with a savage reign of terror. Welcome to Lincoln High! Here the cobras rule the school and everyone in it. Everyone except for Jeff Hanna.
In this fictional documentary, U.S. prisons are at capacity, and President Nixon declares a state of emergency. All new prisoners, most of whom are connected to the antiwar movement, are now given the choice of jail time or spending three days in Punishment Park, where they will be hunted for sport by federal authorities. The prisoners invariably choose the latter option, but learn that, between the desert heat and the brutal police officers, their chances of survival are slim.
When married British women Rose Arbuthnot and Lottie Wilkins decide to take a break from their respective spouses, they stay at a castle in Italy for a quiet holiday. Joining the ladies is Caroline Dester, a young socialite, and Mrs. Fisher, an older aristocrat. Liberated from their daily routines, the four women ease into life in rural Italy, and each finds herself transformed by the experience.
A family of four isolating against a pandemic virus that spreads through the internet and robs you of your ability to perceive reality - often violently - begins to unravel when they suspect one or all of them might be infected.