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Later canonised (in 1988!), this tells the story of the renowned Russian iconographist and fresco painter. His actual life, as you might expect from the early 15th century, is not well documented so Andrei Tarkovsky has, forgive the pun, a pretty blank canvas on which to draw us a portrait of the trials and tribulations of this inspired, misunderstood, suspected and troubled soul. It has an octuple, episodic, narrative that marries his own development as a man and an artist with the quite literally revolutionary goings on as his country is, frequently quite brutally, coming into some some semblance of cohesive existence. It focuses on the role of the church in this most religious, and superstitious, of nations and offers us a much less aggressive correlation between the communist Soviet threads so often prevalent in sate backed movies made at the time and of those iconic figures so prominent in Russian history. The imagery is creatively bamboozling at times; the story doesn't follow any linear a-b-c narrative and we are presented with an oblique interpretation not just of his life, but of life in an embryonic nation that is emerging from an almost primitive existence - and that is fascinating (if not always easy to follow and/or comprehend). It is the vision of the man in the title, but also of the man behind the camera - a startlingly effective sequence of beautifully photographed concepts that offer layers of complexities depicting human nature in pretty much all of it's guises. Surprisingly, for a film in excess of three hours, it flows effortlessly with Anatoliy Solonitsyn conveying an overwhelming sense of humanity with his character. If you can ever see it on a cinema screen, then it is definite a must - especially the last ten minutes or so which demonstrate (in glorious colour) some of his magnificent artistry.
In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.
The story takes place in the Belgrade mental hospital on Guberevac during the WWI, where notable Serbian writer Petar Kočić spends his last years of life. The safety of mental hospital in a war-torn Belgrade is disrupted when the deputy military governor in occupied Belgrade, Kosta Herman, finds out that Kočić is in the hospital and decides to settle old scores with him.
This exciting video explores the history of many traditions surrounding the Christmas holiday and examines their connections to paganism. Viewers will discover the real story of Christmas and be challenged to take advantage of "the holiday season" to proclaim the truth. Find out the truth about: why we decorate the Christmas tree, put up lights around the house, Santa Claus and his magical reindeer Was December 25th really Jesus's birthday? Discover answers to these and much, much more...
In a neighborhood overrun by crime, Enzo opens a judo school to help at-risk teens onto a different path and guide his son toward Olympic gold.
In late nineteenth century Alfred Dreyfus, a French army officer of Jewish heritage, is falsely accused of espionage. Found guilty of treason he is drummed out of the army and sent to prison on Devil's Island.
German TV movie chronicling the life of singer and actor Roy Black.
A literary film based on a play in three acts, Ashad Ka Ek Din portrays the love of Mallika and Kalidasa, the renowned Sanskrit poet and dramatist. Vilom, a friend to both and interested in Mallika, is a passive onlooker for the first two acts. Kalidasa leaves his verdant mountain valley home for the splendour of far off Ujjain, where he wins fame. The action of the film is rooted in the village to which Kalidasa returns years later and finds Mallika married to Vilom and the mother of his child. Mallika sacrificed her love so that the poet could pursue his muse.
A teenage couple drive around improvising radio shows, following night stalkers and rapists or peeping on various sexual escapades, describing what they see in detail, feigning shock and screams as the attackers become more violent.
In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.
A cinematic story of drama after the drama and war that rages on in people's hearts even after the war. The hero, an Orthodox Christian monk, finds himself on a road to spiritual healing through circumstances he could never have dreamed of. The story follows the path to spiritual uplifting, metaphorically introduced at the very beginning in the hero's walk to the secluded hermitage. The leitmotif of watering a dry, dead tree, repeated throughout the film, illustrates the absurdity of the monk's faith. The permanent paralysis of the characters after the torment of war invokes forgiveness as the only means to ultimate healing.