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What price do you put on love and devotion? *** This review may contain spoilers *** The Proud Rebel is directed by Michael Curtiz and adapted by Lillie Hayward & Joseph Petracca from the story "Journal of Linnett Moore" written by James Edward Grant. It stars Alan Ladd, Olivia de Havilland, Dean Jagger, David Ladd, Cecil Kellaway & Henry Hull. Jerome Moross scores the music and Ted McCord is the cinematographer. It's a Technicolor production and the location for the shoot is Cedar City, Utah, USA. John Chandler (A Ladd) is a proud Southerner, the Civil war war may be over but he is still finding hostility in the North. He is searching for a doctor who can help his mute son David (D Ladd) speak again, the youngster has been unable to talk since the death of his mother in a fire at the family home. After being taunted for his Southern roots, John gets into a fight that lands him a 30 day jail term. Luckily a kindly local lady called Linnett Moore (Havilland) offers to pay the fine to keep John out of jail, she can see that young David needs his father, and a man about her farm will come in handy. From here John gets involved with Linnett's struggle to keep her land from ruthless local landowner Harry Burleigh (Jagger). Burleigh and his sons will do what it takes to get their way. As bonds and affections are formed, some real tough decisions must be made, can the proud rebel, and those he cares for, triumph in adversity?. Make no mistake here, this film is as formulaic as it comes, any fan of the genre that reads the plot synopsis will know exactly what to expect. That, however, doesn't mean this isn't a smashing film, because it completely is. It's the kind of film that that all family members can sit in front of the TV and enjoy. When a plot arc in a film involves the bullied standing up to the bullies it's always rewarding, but The Proud Rebel doesn't just stop at pulling that particular heart string, it pulls at a couple of others involving the quest for David to speak again, and a lovely emotive strand involving Lance the dog. Even tho the expected finally arrives, you would have to be made of granite to not feel like whooping with joy as you swat away that fly in your eye. Michael Curtiz directs and does, as usual, a brilliant unfussy job, but even he would surely have acknowledged the integral part the score plays in this story. Jerome Moross' score is simply wonderful, every frame comes to life as the music itself envelopes the characters and also brings them to life as well. Gorgeous and at times desperately sad, it's a score very much to savour. Alan Ladd as John slips quite easily into Shane mode, acting opposite his son David, he emotes with great conviction, and during some of the more sadder scenes he is quite heartfelt and believable. Olivia de Haviland as Linnett Moore is sturdy and tough, how nice it is watching de Haviland perform so well in this type of role. The supporting actors are all effective, most notably Jagger, Kellaway and of course young David Ladd, whilst keep an eye out for future great character actor Harry Dean Stanton. If you like Shane and films of that ilk then this is for you, a perfect family picture that pulls at all the respective emotional threads. 7/10
***Sort of a low-key drama version of “Shane,” set in Illinois (Why Sure!)*** After the Civil War, a former Confederate (Alan Ladd) travels the North searching for a doctor who can heal his son's shock-induced muteness (the boy is played by Alan’s real-life son, David). He ends up working on the farm of a woman (Olivia de Havilland) to pay off a debt and has to contend with troublesome sheep ranchers. The tone and some plot elements are reminiscent of “Shane” (1953), which is unsurprising seeing as how “Shane” is one of the greatest Westerns of all time and producers would like to reproduce its success. The big difference here is that the woman lives alone on her farm and Alan’s character isn’t a former kick-axx gunfighter, although he is a former Confederate soldier and that’s nothing to sneeze at. The highlight for me is the two stars. Olivia was still beautiful at 41 during shooting, inside and out; while Ladd still had his world-weary charisma at 44. But he looks older and would be dead in 5.5 years at the premature age of 50 from an acute overdose of alcohol and sedatives. It’s a pity his son would be bereft of his father by 15. As my title blurb says, this is decidedly a drama compared to “Shane” (which, admittedly, contained a lot of realistic drama) although there is a brief brouhaha early on and a shootout later. It’s akin to The Waltons, but without the teenaged kids. Regrettably, there’s a problem with the drama, but I don’t want to say too much. Let’s just say that one character comes across as a stiff dud who doesn’t see the gold standing right before his eyes. Aduh. Another serious problem is the southern Utah locations, which are a horrible stand-in for Illinois. It’s blatantly obvious to anyone who’s been anywhere near Illinois that the film wasn’t shot within a thousand miles of the state. There are plenty of suitable locations in the Eastern USA & Canada and around the globe that resemble Illinois; so this is unforgiveable. The movie runs 1 hour, 43 minutes and was shot in Kanab and Cedar City, Utah. GRADE: C+
Uptight lawyer Peter Sanderson wants to dive back into dating after his divorce and has a hard time meeting the right women. He tries online dating and lucks out when he starts chatting with a fellow lawyer. The two agree to meet in the flesh, but the woman he meets — an escaped African-American convict named Charlene — is not what he expected. Peter is freaked out, but Charlene tries to convince him to take her case and prove her innocence. Along the way, she wreaks havoc on his middle-class life as he gets a lesson in learning to lighten up.
A man is given the choice between having fabulous wealth or saving an innocent man from the death penalty.
Tom Masterick, a dock worker, is wrongfully convicted of a murder charge. His death sentence is commuted to a long prison term. When released as an old man, he vows to find the real killer.
When Colin Warner was wrongfully convicted of murder, his best friend Carl King devoted his life to proving his innocence.
A woman convicted of fraud aims to take her revenge on the man who put her inside after being released on parole.
In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. O'Neal to look into the case. For some time, O'Neal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.
In love with a man who wants to marry her after he returns from a trip to sea, chorus girl Angela Booth tries to quit her seamy job and become a model citizen. When her employer refuses to dissolve her contract, though, they quarrel and she accidentally hits him. He presses charges, claiming she hit him deliberately, and she is convicted and sent to prison. As her fiance is at sea and out of contact, she is terrified he will think she has jilted him when she does not keep a New Year's date. A kindly old convict, Gran', notorious as a prison-breaker, agrees to engineer an escape for Angela...
Just after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another car. Ann escapes and ends up in lawyer Tony Baxter's car. Tony realizes Ann is innocent, so he vows to help her prove it, risking his neck in the process. Tony and Ann are pursued by the police and by Smiley Gordon, a mob boss who engineered Ann's escape thinking that she can lead him to a $250,000 stash.
The true story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted.
Henri “Papillon” Charrière, a safecracker from the Parisian underworld, is wrongfully convicted and sentenced to life imprisonment in the penal colony of French Guiana, where he forges a strong friendship with Louis Dega, a counterfeiter who needs his protection.