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Competent is the word of the day here. The acting's not great but it's **competent**. The style isn't blowing my mind but it's shot **competently**. _Papillon_ is the sort of movie that will have its lead hit near-anorexia to express the level of torture his character has suffered, but can't have him grow a beard past sexy manicured stubble despite being isolated in a cell with nothing for two whole years. It commits hard to half-measures. A very unusual paradox that leads to a movie that's very, **very** okay. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.
The lives of three men who were childhood friends are shattered when one of them suffers a family tragedy.
On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of a dazzling multiplicity of plots, but one story.
Paul Silberstein, youngest son of an urbane but deeply strange old Austrian dynasty of confectionery millionaires, discovers the power of love and humor - and also his own extraordinary ability to shape his realities. Based on the motives of the short story with the same name by André Heller.
The life story of Claudinho e Buchecha, greatest icons and most successful duo of the Brazilian funk melody in all time, showing how the rhythm and poetry of the periphery conquered Brazil.
American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.
Vicente Ferrer traveled to India in his youth as a member of a Jesuit mission. Years later, he returns to the Asian country in the company of a group of collaborators to develop his humanitarian work. Agustín Crespi directs this biographical film that takes place in India and reviews the last 30 years of the Spanish aid worker and his struggle to help the most disadvantaged . Vicente Ferrer was a figure admired for his humility, his perseverance and his dedication to others, work that was recognized with prestigious awards as the Prince of Asturias de la Concordia. Manuel Arias takes on the challenge of embodying the former curator of Barcelona, a man whose complex idiosyncrasies try to reveal this work. A personality impossible to understand completely without the figure of Anna Ferrer, played by Aída Folch. Folch incarnates the English girl who fell in love with the worker, given in body and soul, from the age of 21, to the cause of her future husband.
The life story of traditional Irish folk singer Joe Heaney, who is estimated to have recorded in excess of 500 traditional Irish sean nós ('old style') songs. Heaney moved from Ireland to the UK, and then on to New York City, where he settled shortly after performing at the Newport Folk Festival in 1965.
The new reality changes the usual life in the village of Babylon. Attempts to communize the small town are met with resistance from the rich people living in the town. The Red Army finally puts down the resistance. Amidst the resistance philosopher Fabian returns to Babylon and tries to prevent bloodshed, but he meets a tragic fate.