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In the Hong Kong action thriller The Prosecutor, a young man named Ma Ka-kit lives with his Uncle Ma in a low-income home. He rents out his address in an effort to make some extra money, but he receives a package containing a kilogram of cocaine and gets arrested for drug smuggling. Chan Kwok-wing, the second defendant in the drug smuggling case, is found to be the one who purchased Ma Ka-kit’s address. Ma Ka-kit (Mason Fung) is convinced by his defense lawyer Li Sze-man ( Shirley Chan) and legal executive Au Pak-man (Julian Cheung) to plead guilty to reduce his sentence. But once the case reaches leniency court, Ma Ka-kit is sentenced to 27 years in prison while Chan Kwok-wing (Locker Lam) is acquitted. Now, Ma Ka-kit’s fate rests in the hands of Fok Chi-ho (Donnie Yen), a former narcotics police detective turned public prosecutor. Written by Edmond Wong (Ip Man 1-4, The Monkey King: Havoc in Heaven’s Palace), The Prosecutor is inspired by the real case that transpired in 2016. The film is also directed and produced by Donnie Yen (who also directed Sakra). Fok Chi-ho is brought to the DOJ or Department of Justice under the tutelage of pupil master Bao Ding (Kent Cheng) and is told flat out upon arrival that the DOJ typically leaves decision-making in the hands of chief prosecutor Yeung Dit-lap (Francis Ng). Surprisingly, Donnie Yen was hesitant to accept this role since most of the action was injected into the film once he signed on. Yen wasn’t familiar with legal dramas initially, but worked with Edmond Wong and his stunt team to create a film that is dramatically engaging with dynamically unique action sequences. In foreign martial arts films, it’s often that the action is great but the story and acting are pure trash or lackluster at best. But The Prosecutor is a thrilling and engrossing drama first highlighted by its action. Donnie Yen turns 62 this year, but his martial arts is as hard-hitting and breathtaking as ever. What works in The Prosecutor’s favor is a solid script from Edmond Wong and Yen being surrounded by a talented cast. There’s an ongoing conflict between how the legal system and DOJ specifically operate and how Fok Chi-ho is as a new prosecutor. Fok fights hard for Ma Ka-kit and this one case specifically solely because he’s a young man with a bright future who is stuck thanks to his practically nonexistent relationship with money. Everyone at the DOJ is constantly ribbing Fok over Fok’s troublesome mindset of giving the little guy a fair shake despite whether or not it’s normal protocol. It’s essentially the government with endless wealth at its disposal and a cut-and-dry mentality versus the financially destitute underdog. The Prosecutor isn’t overloaded with action but features several memorable sequences that should be considered some of Donnie Yen’s best. The opening is a drug bust that shows Fok on his last big outing as a police officer. He gets a hold of a police shield and demolishes everyone as the camera shifts to a first-person POV. Donnie Yen throws in a few dropkicks for good measure. Once Fok shifts careers, former subordinate Lee King-wai (MC Cheung Tin-fu), takes over as police inspector. The two collaborate on an insane action sequence in an alley that features Lee King-wai doing MMA takedowns not unlike what Yen did in Flash Point. The scene is highlighted by Yen Tokyo Drifting a white car into the tiny alley flawlessly followed by jumping out of the car and beating everyone down with a hockey stick. There’s also the club sequence that’s already eye-catching thanks to its dynamic lighting, but features some crazy drone camera shots and Fok holding off 100 men on his own. The absolute best sequence in the film is the subway finale. Seeing so much bone-crunching action in a tiny moving space is jaw-droppingly great. My initial desire upon hearing about The Prosecutor is that Donnie Yen would shout OBJECTION! or OVERRULED! regularly and then he’d beat up criminals with a flurry of punches, no less than 17 dropkicks, and top it off with an emphatic suplex. That’s basically what you get with The Prosecutor, but it’s also surprisingly well-written with solid acting from an all-around superb cast.
Four lifelong friends set out on an unforgettable journey to see their hero Tom Brady play in Super Bowl LI and witness one of the greatest comebacks in sports history, discovering that it's never too late to live life to the fullest. Inspired by a true story.
Just 12 hours after having his daughter in the custody of a kidnapper, the influential communicator Sílvio Santos faces an even more complicated obstacle: his home is invaded and he is held hostage for seven hours. Realizing that his life is at risk, he seeks refuge in the distant thoughts of his entire trajectory, which began when he was just a 14 year old teenager working as a street vendor.
A converted Muslim woman narrates her ordeal of how she once wanted to become a nurse but was abducted from her home and manipulated by religious vanguards and turned into an ISIS terrorist and landed in Afghanistan jail.
In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.
Gaston Vandermeerssche is a young, resourceful Flemish action hero of the Belgian resistance during World War II: he coaches surviving allied pilots trough occupied Belgium and France to Spain so they can regain England, each time a dangerous adventure as their poor mastery of local languages and customs add to the ever-present risks of trying to outsmart the Nazi troops and Gestapo agents. After a mess-up in the coordination from London he himself gets caught by the dreaded secret police for ruthless interrogation...
A young prosecutor in postwar West Germany investigates a massive conspiracy to cover up the Nazi pasts of prominent public figures.
Malasaña neighborhood, Madrid, Spain, 1976. While political turmoil ravages the streets all over the country, the Olmedo family arrives in the big city and settles into their new apartment. They soon discover that they are not the only ones roaming its corridors.
Filmmaker Evan Jordan, accompanied by his friend (it's complicated) Sophia Anderson, returns to his home state for the first time since the passing of his elderly grandparents and terminally ill uncle — where he revisits his bizarre past through archival footage, re-enactments, interviews with surviving family members and other parties, as well as a full paranormal investigation of the rural home where everything occurred all those years ago.
The lives of an arrogant young motivational speaker in debt to the Chinese mafia, his lookin’-to-get-out girlfriend, and a single father in dire straits fatefully intertwine in this nail-biting thriller from Singapore that is based, almost unbelievably, on a true story.
Tetsumu, an introverted youth, realizes he has a natural ability of communicating with elephants. This prompts him to leave for Chiang Mai in Thailand to become Japan's first elephant trainer. Having found his place in the world, Tetsumu develops into a strong, confident young man. He returns to Japan with the dream of building a green "paradise" for his ivory-tusked friends. Meanwhile, he starts a career as an elephant trainer for touring shows. He meets Emi, a woman seven years his senior and falls in love.
Aani Maani is a game popular among little children in Uttar Pradesh, played by turning around while reciting a popular rhyme. The circling motion is likened to that of the Sufi dervish. When the government announces a ban on beef, and the shutting down of slaughterhouses, it wreaks havoc in the family life of a lower middle class, Muslim kebab seller called Bhutto and sends his world spinning.
