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The Girl with the Fork 2024 - ()
Black Girls 2024 - ()
Freelance 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
Wicked 2024 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - ()
The Pushover 2024 - ()
A Real Pain 2024 - ()
The Tattooist’s Son Journey to Auschwitz 2025 - ()
Tom Green I Got a Mule 2025 - ()
Monster on a Plane 2024 - ()
The Fire Inside 2024 - ()
Den of Thieves 2 Pantera 2025 - ()
Babygirl 2024 - ()
Moana 2 2024 - ()
At first, I strongly identified with Llewyn Davis' struggles — I think you'd be hard pressed to find a musician who doesn't — but by the film's end, I realize not only how many of those struggles are self-inflicted, I feel as if Llewyn is going to cycle through them many more times before things pick up or bottom out. Musically, Llewyn comes across as scrappy and soulful. He's just the person I'd want singing those sad, world-weary folk songs, at least compared to the cleaner- cut performers he meets throughout the film. And yet, that soul seems to come from tragedies (the suicide of his one-time musical partner) and anxieties (the relationships with family and former lovers) he's too stubborn or poor of spirit to work through properly. He keeps floating by thanks to some enablers. Couches are continually offered for him to sleep on, even after Llewyn insults their owners. A club owner still books him as a performer, even after he is forcibly removed from the club for heckling other performers. It's hard realizing you're in a vicious cycle while you're still inside of it, trying to keep your head above water. It's even harder when connecting with people is as difficult as it is for Llewyn. I feel like the Coen brothers understand that, take it seriously, and yet, from that, created something that made me laugh and engrossed me.
Aspiring folk musician "Llewyn" (Oscar Isaac) finds himself in Greenwich Village in New York during the winter of 1961 trying to make a living from his art. He's a well known face in the clubs having been part of a jobbing duo for many-a-year, but now he is finding it much harder to crack the scene as a solo artist. His aspiration has an habit of blinding him, though, and his somewhat erratic behaviour stresses his relationships with fellow folkies "Jim" (Justin Timberlake) and "Jean" (Carey Mulligan) on whose couches he finds himself increasingly relying. To add to his woes, his manager "Mel" (Jerry Grayson) isn't really much cop and his eponymous album isn't exactly flying off the shelves. "I know", he thinks, a change of scenery. A chance meeting with the enigmatic "Turner" (John Goodman) and his word-shy driver "Johnny" (Garrett Hedlund) takes him to an interview in Chicago with the talent-spotting "Bud" (F. Murray Abraham). Might any of this help our budding Bob Dylan make any progress? The drama itself here is really intimately presented, with some tight photography helping to convey the emotion maelstrom this man is living through as he tries to reconcile his almost puritanical search for perfection with his growing appreciation of the real - and not so accommodating - world. There's a great little song with himself, Timberlake and the sparingly used, but on-form, Adam Driver ("Al") that shows the latter has some solid musical timing, and a good sense of humour too! This looks like a labour of love - not just for the Coen's, but for Isaac who genuinely seems to sweat the role. It's a wee bit wordy, but the ensemble ensure that the segments of his life and travels in search of something intangible become and remain engaging to watch. Oh, and it's true - everyone else does sing Dylan songs better than he does himself!
Max Washington has just been released from prison after serving time for burglary. He returns to his old hangout, a hoofer club. His old girl friend, Amy, who still works at the club as a Tap instructor, is less than thrilled to see him. Her father, Little Mo, is happy to see him, because he has plans for a show involving Max. In addition, Max's old partners in crime have another job for him.
During World War II in the freezing winter of 1944-45 the western Netherlands are in the grip of a famine. Many people move east to provide for their families. Fourteen year old Michiel can't wait to join the Dutch resistance, to the dismay of his father, who, as mayor, works to prevent escalations in the village.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
Any Given Thursday is a live CD/DVD by John Mayer, recorded in Birmingham, Alabama at the Oak Mountain Amphitheater on September 12, 2002, during the Room for Squares tour. The album quickly peaked at #17 on the Billboard 200 chart. It features mostly songs from Room for Squares.
Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of pop star Lily Chou-Chou.
Vox Populi is a black comedy about an experienced politician suffering from a midlife crisis. When he comes into contact with the common-man's logic of his new in-laws, this has a far-reaching effect on both his political and his personal life.
Seth Warner has reached the end of his rope. Ever since his wife died two years earlier, his world has been in turmoil. He is despondent, his career has fallen apart, even his house has been destroyed. There seems to be nothing left for him to live for. Confused and angry after two years of suffering, he finally directs his wrath at God from the rooftop of his apartment building in New York City. In the midst of a wild thunderstorm he demands to know why he has been betrayed by the god he has believed in and honored his whole life. God's answer is to strike down Seth's dog in a bolt of lightning. Pushed beyond his limits, Seth decides to respond to his years of torment by breaking each of the biblical Ten Commandments.
A progressive graduate student finds success and sparks outrage when his interest in battle rap as a thesis subject becomes a competitive obsession.
A decade spanning story of love, loss, and memory, witnessed through the lens of a working-class family.
Few musicians have made an impact throughout the decades as seismic as Bob Dylan. Retrace his journey, from humble folk beginnings in Hibbing, to the bustling electric Greenwich Village.
Gösta is a lorry driver and has been married to Birgitta for eight years. Their marriage is only held together by their daughter. Gösta picks up girls along the roads and during a drive to Malmö he stumbles on the singing actress Irene. Gösta is captivated by her romantic presence and her joy of life. Besides picking up women, Gösta is sometimes affected by sudden seizures. His wife is unaware of this.
