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Everybody's out for what they can get. New York Confidential is directed by Russell Rouse and collectively written by Rouse, Jack Lait , Lee Mortimer and Clarence Greene. It stars Broderick Crawford, Richard Conte, Anne Bancroft, Marilyn Maxwell, J. Carrol Naish, Onslow Stevens, Barry Kelley and Mike Mazurki. Music is by Joseph Mullendore and cinematography by Eddie Fitzgerald. The Kefauver Committee was set up at the beginning of the 1950s and its role was to investigate into the growing threat of organised crime. From this very real moment in time came a wave of films that jumped onto the possibilities on offer for dramatic filmic purpose, New York Confidential is one such picture. In short order the plot has Crawford as New York Syndicate boss Charles Lupo, who borrows hit-man Nick Maggelan (Conte) from the Chigao branch to enact a hit. The pair quickly strike up a terrific relationship, but as problems within the Lupo home begin to mount up - and the heat starts to close in on the organisation - cracks begin to turn into chasms. It says a lot about the efforts of the cast that this turns out to be better than it had right to be. The interesting slant here is the impact of family life on the main man. Lupo is a widower who still lives with his mother and daughter, he dotes on his mother and smothers his daughter Katherine (Bancroft) in what he thinks is fatherly love. She hates his criminal workings and rebels against it, something which Lupo can't quite understand. Thrust into the mix is Magellan, suave and good looking, he has tremendous loyalty to Lupo, so when Katherine grabs his eye he has to fight his feelings for her and his commitment to Lupo. Add in Lupo's sultry girlfriend Iris (Maxwell), who has no loyalty and wants to bed Magellan, then emotional conflict and tests of character are boldly prominent. Beginning with shots of New York City and a narration telling us about how great and prosperous the city is, it is however the core of Syndicated Crime. We switch to a drive by killing, one which claims an innocent bystander, and the scene is set for Lupo and Magellan to meet and the story spins on from there. The dialogue is well written in quick fire noir speak, the best of which comes from Magellan who is calmness personified and Katherine who is bitingly bitter. There's a disappointment that we are sadly denied effective chiaroscuro, for the story demands it, more so when things go belly up and the world closes in on Lupo and Magellan's surrogate father/son relationship. Come the last quarter the pic really hits its flm noir straps, where joyously it doesn't let us down. We are not fed improbables or lightweight fare, we get pure blackheart noirville, something which elevates a decent film into being a very good one. Family strife and conflicted matters of the heart blend with corruption and organised crime, all crammed into an hour and half of film making. Lovely. 7.5/10
Gigli is ordered to kidnap the psychologically challenged younger brother of a powerful federal prosecutor. When plans go awry, Gigli's boss sends in Ricki, a gorgeous free-spirited female gangster who has her own set of orders to assist with the kidnapping. But Gigli begins falling for the decidedly unavailable Ricki, which could be a hazard to his occupation.
Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”
While drying out on the West Coast, an alcoholic hit man befriends a tart-tongued woman who might just come in handy when it's time for him to return to Buffalo and settle some old scores.
Alice Tate, mother of two, with a marriage of 16 years, finds herself falling for a handsome sax player, Joe. Stricken with a backache, she consults herbalist Dr. Yang, who realizes that her problems are not related to her back, but in her mind and heart. Dr. Yang's magical herbs give Alice wondrous powers, taking her out of her well-established rut.
A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, he relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town PI.
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
The streets of the Bronx are owned by '60s youth gangs where the joy and pain of adolescence is lived. Philip Kaufman tells his take on the novel by Richard Price about the history of the Italian-American gang ‘The Wanderers.’
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
