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This recent revival of ‘Fleabag’ will likely be the last time Phoebe Waller-Bridge performs her masterful creation on stage. In fact, with no prospect of a third season, we may never see her play the character again. Because of this, having the opportunity in Australia to see her groundbreaking masterpiece is one you simply cannot miss. ‘Fleabag’ has changed the cultural landscape. It’s altered the way we thinking about storytelling, the presentation and representation of women's stories, and alerted us all to how much we desperately want to hear them. What Waller-Bridge and Vicky Jones have created is one of the theatrical events of the century so far. Thank goodness for National Theatre Live for bringing it to an even wider audience. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-nt-live-fleabag-the-birth-of-phoebe-waller-bridges-masterwork
A desperate mother is trying to reconnect with her son. Navigating an obvious void, she will finally have the chance to ask the questions that have haunted her past, and will decide her future.
Famed Canadian-American leftist documentary filmmaker Leonard Fife was one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Now in his late seventies, Fife is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
The many hilarious characters of Little Britain are taken to the stage in this brilliant live performance by Matt Lucas and David Walliams.
A young woman discovers second-wave feminism, while meeting with her estranged half-sister, as they encounter the grief, rage, jealousy and injustice that govern their lives. The academic and political discussion of women's liberation and feminism (as part of the sexual revolution of the 1970s) draws inspiration from 'The Scum Manifesto' by Valerie Solanas and juxtaposes these passage with country music from the same era; notably 'The Pill' by Loretta Lynn, 'Just Because I'm A Woman' by Dolly Parton and, most centrally, 'Stand By Your Man' by Tammy Wynette.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
An elderly DIY enthusiast reanimates his recently deceased wife in the garden shed. A suburban twist on the classic Frankenstein tale.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
Many years ago, in a nearly deserted town at the foot of a mountain, lives Agostino with his wife Nina and his son Giovanni. The mountain rises up like a wall blocking out the sun that never reaches their fields below, now reduced to just stones and underbrush. Agostino, even though everything suggests him to leave, decides that the destiny of his family is there, among the peaks. He is not only driven by stubbornness, but by the certainty that our roots cannot betray us and that with the help of our spirit we can bring the sun on every destiny.
